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Charles Asselineau | |
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![]() Photograph of Asselineau by Nadar, c.1860. | |
Born | |
Died | 25 July 1874 54) | (aged
Education | Lycée_Condorcet |
Occupation(s) | Writer, art critic |
Charles Asselineau (French pronunciation: [ʃaʁlaslino] ; 13 March 1820 – 25 July 1874) was a French writer and art critic. He is also notable as one of the few close friends of the poet Charles Baudelaire. He was born in Paris and died in Châtel-guyon.
Asselineau studied in the Lycée Condorcet where he became friends with Nadar. He started medical studies before switching to literary studies.
He met and became a close friend of Baudelaire in 1845. A year after Baudelaire's death, Asselineau together with Banville published a 3rd edition of Les fleurs du mal. In 1869, he writes the first biography of Baudelaire: Charles Baudelaire, sa vie et son œuvre.
Charles Pierre Baudelaire was a French poet, essayist, translator and art critic. His poems are described as exhibiting mastery of rhyme and rhythm, containing an exoticism inherited from the Romantics, and are based on observations of real life.
Louis Jacques Napoléon Bertrand, better known by his pen name Aloysius Bertrand, was a French Romantic poet, playwright and journalist. He is famous for having introduced prose poetry in French literature, and is considered a forerunner of the Symbolist movement. His masterpiece is the collection of prose poems Gaspard de la Nuit published posthumously in 1842; three of its poems were adapted to an eponymous piano suite by Maurice Ravel in 1908.
Charles Sorel, sieur de Souvigny was a French novelist and general writer.
Charles Théveneau de Morande was a gutter journalist, blackmailer and French spy who lived in London in the 18th century.
André Pieyre de Mandiargues was a French writer born in Paris. He became an associate of the Surrealists and married the Italian painter Bona Tibertelli de Pisis. He was a particularly close friend of the painter Leonor Fini.
Louis Pauwels was a French journalist and writer.
Françoise de Graffigny, better known as Madame de Graffigny, was a French novelist, playwright and salon hostess.
Robert Arnauld d’Andilly was a French conseiller d’État, specialising in financial questions, in the court of Marie de' Medici. By the elegance of his language, he was among the major poets, writers and translators of 17th century French classicism. A fervent Catholic, he played an important role in the history of Jansenism and was one of the Solitaires of Port-Royal-des-Champs. He was also renowned for his part in the development of the pruning of fruit trees, to which he was devoted.
José Cabanis was a French novelist, essayist, historian and magistrate. He was elected mainteneur of the Académie des Jeux floraux in 1965 and a member of the Académie Française in 1990.
Eugène Lavieille was a French painter.
Claude Frioux was a French academic specializing in Russia.
Charles-Louis-Fleury Panckoucke was a French writer, printer, bookseller, publisher, translator, and editor. His father was Charles-Joseph Panckoucke.
Marie Gabriel Mourey was a French novelist, essayist, poet, playwright, translator and art critic.
The Cinq poèmes de Charles Baudelaire constitute a song cycle for voice and piano by Claude Debussy, on poems taken from Les Fleurs du mal by Charles Baudelaire. Composed from December 1887 to March 1889, these five highly developed vocal pieces were not well received by Parisian musical circles because of the Wagnerian influence they revealed.
René François Ghilbert, known as René Ghil, was a French poet. He was a disciple of Stéphane Mallarmé, a major contributor to the symbolist movement in France, although they later had a falling out over ideological differences. Ghil published a series a short stories which together were called the Traité du Verbe. He worked extensively on a new system of poetic language in reaction to the Decadent Movement and Symbolism. Owing to his widespread use of personal syntax and neological vocabulary, much of Ghil's work was inaccessible, and his own contemporaries labelled it confusing. However, his works gained wider attention after his death.
The Bullfight is an 1864-1865 oil on canvas painting by Édouard Manet, now in the Frick Collection in New York. Its dimensions are 48×60.4 cm. Like The Dead Man, it was originally part of a larger composition entitled Episode in a Bullfight. The scene was inspired by a trip that Manet took to Spain for ten days in the fall of 1865. He described the bullfight he witnessed in a letter to Charles Baudelaire as "one of the finest, most curious and most terrifying sights to be seen."
The Funeral is an 1867–1870 oil on canvas painting by Édouard Manet, now in the Metropolitan Museum of Art in New York. Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867. It is also known as Burial at the Glacière, the title given to it in Denis Rouart and Daniel Wildenstein's posthumous inventory of Manet's works.
Events from the year 1593 in France
The Prix Bordin is a series of prizes awarded annually by each of the five institutions making up the Institut Français since 1835.
The Prix Saintour is a series of prizes awarded annually by each of the five institutions making up the Institut de France since 1835.