Charles Daellenbach | |
---|---|
Born | Conrad Charles Daellenbach July 12, 1945 Rhinelander, Wisconsin, U.S. |
Nationality | Canadian, American |
Other names | "Chuck" |
Alma mater | Eastman School of Music |
Occupation | Musician |
Children | 2 |
Musical career | |
Genres | Classical |
Instrument | Tuba |
Years active | 1970–present |
Conrad Charles Daellenbach C.M. (born July 12, 1945) is an American and Canadian [1] tubist. He is best known as one of the founding members of the Canadian Brass, in which he remains the quintet's tuba player, publisher, business administrator and professional relationships manager. Daellenbach is the most recorded tuba performer in history.
Conrad Charles Daellenbach was born to a musical family in Rhinelander, Wisconsin, on July 12, 1945. Descended from four generations of Swiss and German musicians, he followed his two older sisters into the choirs, bands and orchestras taught by his father. As a young player, Daellenbach met and studied with the legendary artist/teacher Arnold Jacobs, followed by early entry to the Eastman School of Music while still in high school, eventually graduating with a Bachelor of Music in 1966, a Master of Arts in 1968 and a Ph.D. in 1971. [1] [2] Daellenbach first met Arnold Jacobs at the Gunnison, Colorado Music Festival in 1962, a relationship that lasted throughout Jacobs' lifetime.
Daellenbach moved to Toronto and taught music at the Faculty of Music at the University of Toronto. [1] The Canadian Brass was formed in 1970 by Daellenbach and trombonist Gene Watts, enlisting trumpeter Stuart Laughton and University of Toronto Business School graduate Graeme Page. At this point, Daellenbach has performed fifty years with a seven-thousand performance streak in the ensemble, often compared to the famous baseball hall-of-famer Cal Ripken Jr. who played 2632 consecutive games.
Daellenbach's contributions to the brass world include over 600 standard repertoire works for brass quintets, more than 30 best-selling concert band versions of the most popular Canadian Brass repertoire, and an educational series that has sold nearly one million copies worldwide.[ citation needed ] His recording company, Opening Day Entertainment (ODEG), has produced over 73 CDs and DVDs. Three ODEG CDs have been top-10 Billboard hits, four have received Juno Awards, and 13 have been Juno nominated.[ citation needed ]
Ten most defining events for Daellenbach within the Canadian Brass are:
1. Ten appearances on Sesame Street
2. Ambassadors to China in 1977 sent by Prime Minister Pierre Elliot Trudeau
3. First chamber ensemble to play the MAINSTAGE at Carnegie Hall in NYC
4. Successful appearance on the Johnny Carson Tonight Show
5. Feature artist on Hunan TV's New Year's Show viewed by over half a billion viewers 2012
6. Nominated for 17 Junos (Canadian Grammy), winner of the German Echo Award (German Grammy) and several Grammy nominations
7. Voted "Audience Favourite Tuba Player" by Brass Bulletin
8. Schweizerhof Hotel in Lucerne Switzerland designates Room 182 as the "Daellenbach Room"
9. Daellenbach invited to the Board of Euterpe Music (Toronto), honorary board memory of The Coalition for Music Education (Canada) and former board member Music Educators National Conference (USA)
10. Eastman School of Music named Dr. Daellenbach "Distinguished Alumnus.”
In 2014, he was made a Member of the Order of Canada "for popularizing classical music, notably as a founder of the Canadian Brass, one of our nation's most internationally renowned classical music groups". [3]
As of 2022, Daellenbach still plays in the Canadian Brass and, with the retirement of Gene Watts in 2010, is the last original member touring with the group.
Daellenbach is married with two sons. The family resides in Toronto. [1]
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion. In jazz ensembles or combos, the instruments typically include wind instruments, one or two chordal "comping" instruments, a bass instrument, and a drummer or percussionist. Jazz ensembles may be solely instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, and a rhythm section made up of a bass guitar and drum kit.
The Canadian Brass is a Canadian brass quintet formed in 1970 in Toronto, Ontario, by Charles Daellenbach (tuba) and Gene Watts (trombone), with horn player Graeme Page and trumpeters Stuart Laughton and Bill Phillips completing the quintet. As of August 2023, Daellenbach is the sole original member in the group, with the other members being trumpeters Joe Burgstaller and Mikio Sasaki, hornist Jeff Nelsen, and trombonist Keith Dyrda.
A quintet is a group containing five members. It is commonly associated with musical groups, such as a string quintet, or a group of five singers, but can be applied to any situation where five similar or related objects are considered a single unit.
A brass quintet is a five-piece musical ensemble composed of brass instruments. The instrumentation for a brass quintet typically includes two trumpets or cornets, one French horn, one trombone or euphonium/baritone horn, and one tuba or bass trombone. Musicians in a brass quintet may often play multiple instruments. Trumpet players for instance may double on piccolo trumpets and flugelhorns. There can be variation in instrumentation depending on the type of quintet. In some quintets, the horn is replaced by an additional trombone. Euphonium may also be substituted for the trombone part. While the tuba is considered a standard, the range and style of many pieces lend themselves to being played with bass trombone as the lowest-pitched instrument. Additionally, some pieces call for the use of percussion instruments, particularly the snare drum, tambourine, or timpani.
Arnold Maurice Jacobs was an American tubist who spent most of his career with the Chicago Symphony Orchestra. He held that position from 1944 until his retirement in 1988.
The Eastman Wind Ensemble was founded by conductor Frederick Fennell at the Eastman School of Music in 1952. The ensemble is often credited with helping redefine the performance of wind band music. Considered one of America's leading wind ensembles, its core personnel of 50 players consists of undergraduate and graduate students at the Eastman School of Music.
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Velvet Brown is an American tubist and euphonium player. She is currently a Distinguished Professor of Music at Pennsylvania State University, prior to which she taught at Bowling Green State University and Ball State University.
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Eugene "Gene" Watts is an American-Canadian trombonist and a founding member of the Canadian Brass, a brass quintet based in Canada.
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Along with a concerted effort to commission new works for brass quintet since 1967 the bulk of any brass quintet's repertoire consists of arrangements of pre-existing music. Victor Ewald's four brass quintets are the first serious attempts at establishing a repertoire for the ensemble, though they do not stand up to typical string quartet repertoire of the same and preceding eras. The Chicago and New York Brass Quintets made sustained efforts to commission new works, and much of the original repertoire for brass quintet from the mid-20th century derives from their groundbreaking work. In the 1960s the mantle of creating a repertoire for brass quintet was taken up by the American Brass Quintet and the New York Brass Quintet, with both groups essentially establishing the brass quintet as a part of the chamber music field. Notably, only two brass quintets have ever been awarded the Walter W. Naumburg Chamber Music Award, considered by many to be the highest achievement in brass chamber music: The Empire Brass Quintet in 1976 and The Saturday Brass Quintet in 1990. But it was Canadian Brass that developed the pragmatic approach to repertoire allowed the ensemble to reach a wider audience. They developed a two prong approach to performance, developing a masterpiece approach to repertoire that popularized the brass quintet as an ensemble into what was essentially a "pops" ensemble. Meanwhile, the ensemble has been pursuing an aggressive 45-year commissioning schedule. Though this ensemble is seldom recognized for its achievement in the contemporary sphere, they have created well over 100 newly composed works for brass quintet, though few of the Canadian Brass commissions of original compositions have taken hold in the repertoire of other brass quintets.
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