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A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, measuring 81.2 by 66.3 centimetres. Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter. It was long thought to be a portrait of Ariosto, then a self-portrait, but in 2017 is called Portrait of Gerolamo (?) Barbarigo by the gallery, having also been called merely Portrait of a Man, the title used here, The Man with the Blue Sleeve, and no doubt other variants.
Charles Burroughs is the Interim Chair and Elsie B. Smith Professor of Liberal Arts in the Department of Classics at the Case Western Reserve University. He is an art historian specialising in late- and post-medieval Europe. He is an alumnus of Balliol College, Oxford University and the Warburg Institute, University of London and was previously Professor of Art History, Director of CEMERS at Binghamton University.
Peter William David Mack was director of The Warburg Institute from 2010 to 2015. He succeeded Charles Hope and was succeeded by David Freedberg. He is a specialist in the history of rhetoric and was formerly professor of English at the University of Warwick.
The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum. It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the Metamorphoses. It is Titian's largest mythological painting, and was the first major mythological painting produced by the artist for Philip II of Spain. It was long kept in the Royal Palace of El Pardo near Madrid, hence its usual name; whether Venus is actually represented is uncertain. It later belonged to the English and French royal collections.
Marcia Hall, who usually publishes as Marcia B. Hall, is an American art historian, who is the Laura H. Carnell Professor of Renaissance Art at the Tyler School of Art and Architecture of Temple University in Philadelphia. Hall's scholarship has concentrated on Italian Renaissance painting, mostly of the sixteenth century, and especially Raphael and Michelangelo.
References
- ↑ "Charles Hope | The New York Review of Books". Nybooks.com. Retrieved 8 April 2017.
- ↑ "Professor Peter Mack appointed Director of Warburg Institute". warwick.ac.uk. Retrieved 8 April 2017.
- ↑ "Charles Hope · LRB". London Review of Books. Retrieved 8 April 2017.
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