Charles Hurel was a French Baroque composer, lutenist and theorbist active between 1665 and 1692. [1] [2]
Charles Hurel was a musician and eminent professor from a prosperous family of Parisian luthiers [3] which included some of the main instrumental factors of Paris in the 17th century. [1]
He seems to have been the only member of his family who was also a composer. [4]
He was listed as "ordinary officer of the Academy of Music" in 1684 and as a professor of theorbo in Paris. [4]
A document of 7 April 1676, which gives his signature and that of several other members of his family, describes him as a "lute player". [1]
Among his pupils were Marie Du Port de la Balme and Mademoiselle de Lionne. [5]
Charles Hurel had a namesake, who died in 1648, [6] who was a master painter and sculptor, active among others in the realization of ceilings painted "à la française". [7]
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes. As with the lute, the player plucks or strums the strings with the right hand while "fretting" the strings with the left hand.
Marin Marais was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.
The archlute is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide.
Le Poème Harmonique is a musical ensemble founded in 1998 by Vincent Dumestre to recreate and promote early music, in particular that of the 17th century. Using rare instruments such as the theorbo, the lirone, the tiorbino and the arpa tripla, Le Poème Harmonique aims to recapture the poetry of early music, particularly of the late renaissance and early baroque era. The early 17th-century French and Italian madrigal is a special interest. Le Poème Harmonique also teaches singers in collaboration with the Centre de Musique Baroque at Versailles. The group's recordings with the French Alpha record label of Jean-Paul Combet contributed to the critical and commercial establishment of the label, and included the 1st and 100th releases of the label's primary 'Ut Pictura Musica' series.
Giovanni Girolamo Kapsperger was an Austrian-Italian virtuoso performer and composer of the early Baroque period. A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo (chitarrone) music, which was seminal in the development of these as solo instruments.
Trouvère, sometimes spelled trouveur, is the Northern French form of the langue d'oc (Occitan) word trobador, the precursor of the modern French word troubadour. Trouvère refers to poet-composers who were roughly contemporary with and influenced by the trobadors, both composing and performing lyric poetry during the High Middle Ages, but while the trobadors composed and performed in Old Occitan, the trouvères used the northern dialects of France. One of the first known trouvères was Chrétien de Troyes and the trouvères continued to flourish until about 1300. Some 2130 trouvère poems have survived; of these, at least two-thirds have melodies.
A tombeau is a musical composition commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for lute or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th.
Robert de Visée was a French lutenist, guitarist, theorbist and viol player at the court of the kings Louis XIV and Louis XV, as well as a singer and a composer for lute, theorbo and guitar.
The Baroque guitar is a string instrument with five courses of gut strings and moveable gut frets. The first course sometimes used only a single string.
The angélique is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo.
Adrian Le Roy (c.1520–1598) was an influential French music publisher, lutenist, mandore player, guitarist, composer and music educator.
Geneviève, comtesse Hubert de Chambure Thibault was a French musicologist associated with the revival of interest in early music. She graduated from the Sorbonne in 1920 with a thesis on John Dowland, and then continued the work with André Pirro on her doctoral thesis on the fifteenth-century chanson, which she never completed. In 1925 co-founded the Société de musique d'autrefois, designed to promote the publication de musical texts and a magazine les Annales musicologiques. After her marriage in 1931 she stopped musical and scholarly activities, gave birth to six children, and alternated her life between Vietnam and France. After the death of her husband Hubert Pelletier de Chambure (1903-1953), she returned permanently to Paris, where in June 1953 she resumed her scholarly activities and organization of concerts. From 1961 to 1973, she was curator of the historical instrumentals of the Conservatoire de Paris - in addition to having amassed her own private collection. She was an important muse and teacher to the first generation of baroque specialists, including young Americans in Paris - William Christie (harpsichordist) and soprano Judith Nelson.
Christopher Wilke is an American composer, lutenist, guitarist, recording artist, and teacher.
Jean Boyer was a French viol player and composer, active in Paris during the first half of the 17th century.
Germain Pinel was a French lutenist and composer.
Antoine Francisque was a 16th-century French lutenist and composer.
Jonathan Dunford is an American violist specialising in the baroque repertoire.
François Lesure was a French librarian and musicologist.
Marie Bobillier, real name Antoinette Christine Marie Bobillier was a French musicologist, music critic, writing under her pseudonym Michel Brenet.