Charles Poekel | |
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Born | April 17, 1984 40) Summit, New Jersey, U.S. | (age
Alma mater | Goddard College St. Lawrence University |
Occupation(s) | Filmmaker, cinematographer |
Years active | 2009–present |
Website | www |
Charles Poekel (born April 17, 1984) is an American filmmaker and cinematographer known for his work in independent cinema.
Poekel made his directorial debut with Christmas, Again (2014), a feature inspired by his personal experience working at a Christmas tree stand in New York City. [1] [2] The film premiered at the Locarno Film Festival and the Sundance Film Festival, and was nominated for a John Cassavetes Award at the Independent Spirit Awards. [3] [4] [5] [6] Known for blending semi-documentary realism with fiction, Christmas, Again helped establish Poekel's reputation for a style rooted in intimate storytelling, often featuring real-life locations and settings. [7] [8]
Poekel is currently the interim chair of film at Cornish College of the Arts in Seattle and director of the Bainbridge Island Film Festival. [9] [10]
Year | Title | Role | Notes |
---|---|---|---|
2009 | All In: The Poker Movie | Cinematographer | |
2011 | Making the Boys | Cinematographer | Documentary about the play The Boys in the Band (and movie) |
2011 | Fake It So Real | Producer | |
2014 | Hey Bartender | Cinematographer | |
2014 | Uncle Floyd (short) | Director, Producer | |
2014 | Christmas, Again | Director, Writer, Producer | Premiered at Locarno and Sundance |
2015 | Drunk Stoned Brilliant Dead | Cinematographer | Documentary about National Lampoon |
2018 | Tomnoddy (short) | Director | Documentary about bubble artist Tom Noddy |
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