Chicano (disambiguation)

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Chicano is an ethnic, political, and cultural term used to refer to some Mexican Americans.

It may also refer to:

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<span class="mw-page-title-main">Chicano</span> Ethnic identity of some Mexican Americans

Chicano or Chicana is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture.

<span class="mw-page-title-main">Chicano rock</span> Rock music performed by Chicano groups

Chicano rock, also called chicano fusion, is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.

<span class="mw-page-title-main">Pachuco</span> Anti-assimilationist Chicano counterculture from the late 1930s through the early 1960s

Pachucos are male members of a counterculture that emerged in El Paso, Texas, in the late 1930s. Pachucos are associated with zoot suit fashion, jump blues, jazz and swing music, a distinct dialect known as caló, and self-empowerment in rejecting assimilation into Anglo-American society. The pachuco counterculture flourished among Chicano boys and men in the 1940s as a symbol of rebellion, especially in Los Angeles. It spread to women who became known as pachucas and were perceived as unruly, masculine, and un-American.

The Mission District, commonly known as the Mission, is a neighborhood in San Francisco, California. One of the oldest neighborhoods in San Francisco, the Mission District's name is derived from Mission San Francisco de Asís, built in 1776 by the Spanish. The Mission is historically one of the most notable centers of the city's Chicano/Mexican-American community.

<span class="mw-page-title-main">Greaser (subculture)</span> 1950s and 60s youth subculture in the United States

Greasers are a youth subculture that emerged in the 1950s and early 1960s from predominantly working class and lower-class teenagers and young adults in the United States and Canada. The subculture remained prominent into the mid-1960s and was particularly embraced by certain ethnic groups in urban areas, particularly Italian Americans and Hispanic Americans.

Latin rock is a term to describe a subgenre blending traditional sounds and elements of Latin American and Hispanic Caribbean folk with rock music. However, it is widely used in the English-language media to refer any kind of rock music featuring Spanish or Portuguese vocals. This has led to controversy about the scope of the terminology.

<span class="mw-page-title-main">Rock music in Mexico</span> Mexican appreciation of, and contributions to, rock music genres

Mexican rock music, often referred to in Mexico as rock nacional, originated in the 1950s. Standards by The Beatles, Elvis Presley, The Everly Brothers, Nancy Sinatra, and Chuck Berry were soon covered by bands such as Los Apson, Los Teen Tops, Los Twisters, Los Hitters, Los Nómadas, Los Rockets, Los Rebeldes del Rock, Los Locos del Ritmo, Los Crazy Boys, and Javier Bátiz, which later led to original compositions, often in English. The group "Los Nómadas" was the first racially integrated band of the 1950s. Their lead guitarist, Bill Aken, wrote most of their original material, including the raucous Donde-Donde, and co-wrote the material for their Sounds Of The Barrio album, which is still being sold. Their 1954 recording of She's My Babe was the first top 40 R&B recording by a Latino band. In the southwestern United States, Spanish guitar rhythms and Mexican musical influences may have inspired some of the music of American musicians Ritchie Valens, Danny Flores, Sam the Sham, Roy Orbison, and later, Herb Alpert. Initially, the public exhibited only moderate interest in them, because the media attention was focused on La Ola Inglesa.

Los Illegals is an American Chicano punk band from Los Angeles.

<span class="mw-page-title-main">Quinto Sol</span>

Quinto Sol was the first fully independent publishing house to surface from the Chicano movement in the Sixties. Editorial Quinto Sol was founded in 1967 at UC Berkeley by Octavio I. Romano, a professor of Behavioral Science and Public Health, in collaboration with Nick C. Vaca and Andres Ybarra. The name "Quinto Sol" is Spanish for "Fifth Sun" and it refers to the Aztec myth of creation and destruction. Since the beginning of the Chicano movement in the 1960s, this concept has become a pathway to cultural expression. The Fifth Sun has constantly been integrated into the music, art and literature of the Chicano idea.

<span class="mw-page-title-main">Royal Chicano Air Force</span> Art collective in Sacramento, California

The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by Ricardo Favela, José Montoya and Esteban Villa. It was one of the "most important collective artist groups" in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.

<span class="mw-page-title-main">Chicanismo</span> Ideology of the Chicano movement

Chicanismo emerged as the cultural consciousness behind the Chicano Movement. The central aspect of Chicanismo is the identification of Chicanos with their Indigenous American roots to create an affinity with the notion that they are native to the land rather than immigrants. Chicanismo brought a new sense of nationalism for Chicanos that extended the notion of family to all Chicano people. Barrios, or working-class neighborhoods, became the cultural hubs for the people. It created a symbolic connection to the ancestral ties of Mesoamerica and the Nahuatl language through the situating of Aztlán, the ancestral home of the Aztecs, in the southwestern United States. Chicanismo also rejected Americanization and assimilation as a form of cultural destruction of the Chicano people, fostering notions of Brown Pride. Xicanisma has been referred to as an extension of Chicanismo.

<span class="mw-page-title-main">Chicano Movement</span> Social and political movement combating racism in the United States

The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.

<span class="mw-page-title-main">Rock en espaƱol</span> Spanish-language rock

Rock en español is a term used to refer to any kind of rock music featuring Spanish vocals. Compared to English-speaking bands, very few acts reached worldwide success or between Spanish-speaking countries due to a lack of promotion. Despite rock en español's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some rock en español artists did become internationally popular with the help of a promotional campaign from the mid-1980s to the mid-1990s called "Rock en tu idioma". Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are Latin rock ; Latin alternative, an alternative rock scene that blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or Andalusian rock, a flamenco-influenced style that emerged in Spain.

Latino punk is punk music created by Latino people in Latin America and the United States. The angst and protest qualities of punk music and style have had a strong appeal to Latino youth in the U.S., and to the people in Latin America. It is impossible to pinpoint the exact location or moment when Latinos began engaging in the punk subculture. However, Latin American rock began showing aspects of punk music during the mid-1960s with the Peruvian band Los Saicos; this band reflected many aspects of other proto-punk bands such as the Yardbirds. The Saicos were predecessors to some of the most influential proto-punk bands in the U.S., such as New York Dolls, MC5, and The Stooges

<span class="mw-page-title-main">Chicano poetry</span> Subgenre of Mexica-American literature

Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.

Gothic or Gothics may refer to:

<span class="mw-page-title-main">Chicano art movement</span> Movements by Mexican-American artists

The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.

<span class="mw-page-title-main">Asco (art collective)</span> East Los Angeles Chicano artist collective

Asco was an East Los Angeles based Chicano artist collective, active from 1972 to 1987. Asco adopted its name as a collective in 1973, making a direct reference to the word's significance in Spanish ("asco"), which is disgust or repulsion. Asco's work throughout 1970s and 1980s responded specifically to socioeconomic and political problems surrounding the Chicano community in the United States, as well the Vietnam War. Harry Gamboa Jr., Glugio "Gronk" Nicandro, Willie F. Herrón III and Patssi Valdez form the core members of the group.

<span class="mw-page-title-main">Index of articles related to Mexican Americans</span>

A Mexican American is a resident of the United States who is of Mexican descent. Mexican American-related topics include the following:

<span class="mw-page-title-main">Mission Cultural Center for Latino Arts</span> United States historic place

Mission Cultural Center for Latino Arts (MCCLA) is an arts nonprofit that was founded in 1977, and is located at 2868 Mission Street in the Mission District in San Francisco, California. They provide art studio space, art classes, an art gallery, and a theater. Their graphics department is called Mission Grafica, and features at studio for printmaking and is known for the hand printed posters. It was formerly named, Centro Cultural de La Mission.