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Author | Adeline Yen Mah |
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Cover artist | Adeline Yen Mah |
Language | English |
Series | Chinese Cinderella Series |
Genre | Children's novel historical novel |
Published | 2009 Puffin Books |
Publication place | China |
Media type | Paperback |
Pages | 280 |
Preceded by | Chinese Cinderella and the Secret Dragon Society |
Chinese Cinderella: The Mystery of the Song Dynasty Painting is the seventh book made by the Chinese American author Adeline Yen Mah, also known for writing Chinese Cinderella and Falling Leaves both selling around one million copies. This 2009 novel is the sequel to a fictitious story of the Chinese Cinderella and the Secret Dragon Society .
While going out to buy ingredients for lunch with David, Ye Xian/CC is pursued by a mysterious woman in black. Panicked and frightened that she will be discovered with her involvement in the World War II, CC climbs onto a slippery roof and suffers a nasty fall, whereupon she faints and David carries her to a clinic. Despite it being only a slight abrasion, CC frequently suffers from headaches, lapses in and out of consciousness, haunted by vivid and familiar yet strange dreams and finds herself fascinated with a famous Chinese painting known as Along The River at Qing Ming . Grandma Wu arranges an appointment with the doctor to conduct hypnotherapy to try and cure her by getting it out of her system. Under hypnosis, CC becomes a different person and recounts a story from more than 800 years ago, during the Song dynasty.
Taking on the life of Zhang Mei Lan (张美兰), a daughter of a rich court official, she lives with her older brother Zhang Zeduan (张择端) (called "Gege", the Chinese term for "older brother"), father, and beautiful but icy-cold stepmother called "Niang" in Bian Liang (汴梁). Soon, her father hires a poor orphan boy named Ah Li to help out around the garden after noticing his jade-carving work, and Mei Lan and Gege form a friendship with him despite the difference in their social statuses. They soon find out that Ah Li has an incredible ability to capture the beauty of the natural world, and despite being illiterate, can write better than Gege in shufa (书法). Gege and Mei Lan inform their father of Ah Li's ability immediately. His big moment arrives when the Song emperor, Emperor Huizong (徽宗), orders Ah Li to carve a jade dog for his birthday due to him being born in the Year of the Dog. Impressed with his work, the emperor gifts Ah Li 5 ounces of silver, as well as the permission to use the royal surname "Zhao". From then on Ah Li will be called Ah Zhao.
Meanwhile, Niang is forcing Mei Lan to marry and bind her feet, which she only manages to do halfway for her right foot before Mei Lan flees. The children go to the Qingming Festival together on an errand, where Ah Zhao and Gege get inspiration for a painting capturing everything happening at once in a perfect, time-stopping moment. Ah Zhao's talent is also further demonstrated through a painting of a dragon rock for Mei Lan and Zeduan's father on his birthday, and Emperor Huizong decides to recruit Ah Zhao to be one of his artists-in-residence, or even a eunuch, where he can paint pictures for the Emperor all day long and be rewarded. In addition, the Emperor also takes ownership of the painting and names it Xiang Long Shi (祥龙石). Knowing that the Emperor will not take no for an answer, Ah Zhao decides to run away from home aided by the siblings. Before he goes, however, he promises Mei Lan that he will meet her by the bridge on the night of the Qingming Festival in three years' time.
Three years have passed. Gege is preparing to induct into the palace and become an official, but he is annoyed at being unable to paint and write nearly as well as Ah Zhao, whom he misses too but is secretly becoming jealous of. Mei Lan also notices other subtle changes in her brother: he is becoming more and more altered and obedient to the rules of Chinese society and not supporting her but rather Niang, unlike his former self. As the date of the Qingming Festival nears, Mei Lan decides to use that opportunity to run away from marriage and her family. Before the date of departure, Ah Zhao sends over two lacquered boxes for the siblings: the one for Gege contains the finished painting of Along The River at Qing Ming , while the second for Mei Lan contains an unfinished painting a poem relating their imperfections together, as well as a note telling her to "Be careful". Puzzled with this cryptic meaning, Mei Lan meets up with Ah Zhao as planned, but is thwarted on the way by Gege, who tells her to come home, saying that "it's our little secret", but she recognizes that her brother is no longer himself and jumps from the roof where she met Ah Zhao, slipping on the cobblestones in her attempt to escape.
The memories stop and Grandma Wu explains the tale to probably be experienced by CC during her past life. The main thing is that CC is now cured and free to return home.
Publishers Weekly calls the book a "painstakeningly researched novel" that "brings to life the sights and sounds of ancient China" and provides "a clear interpretation of the era's rigid social structures". [1] Jennifer Rothchild of Prince George's County Memorial Library System in a review for School Library Journal , on the other hand, describes the book's set-up as "promising", but states it "suffers from a clunky framework and stilted storytelling" in which "the story and characters are often lost in excessive historical detail and background". [2]
Erlang Shen, or simply Erlang, is a god in Chinese folk religion and Daoism, associated with water, justice, warriorhood, hunting, and demon subdual. He is commonly depicted as a young man with a third, truth-seeing eye in the middle of his forehead, wielding a three-pronged spear, and being accompanied by his loyal hunting dog, Xiaotian Quan.
Emperor Huizong of Song, personal name Zhao Ji, was the eighth emperor of the Song dynasty of China and the penultimate emperor of the Northern Song dynasty. He was also a very well-known painter, poet and calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan while Huizong assumed the honorary title of Taishang Huang. The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family were taken captive by the Jurchens and brought back to the Jin capital, Huining Prefecture in 1128. The Emperor Taizong of Jin, gave the former Emperor Huizong a title, Duke Hunde, to humiliate him. After Zhao Gou, the only surviving son of Huizong to avoid capture by the Jin, declared himself as the dynasty's tenth emperor as Emperor Gaozong, the Jurchens used Huizong, Qinzong, and other imperial family members to put pressure on Gaozong and his court to surrender. Emperor Huizong died in Wuguocheng after spending about nine years in captivity. He, along with his successors, were blamed for the Song dynasty's decline.
Emperor Gaozong of Song, personal name Zhao Gou, courtesy name Deji, was the tenth emperor of the Chinese Song dynasty and the first of the Southern Song dynasty, ruling between 1127 and 1162 and retaining power as retired emperor from 1162 until his death in 1187. The ninth son of Emperor Huizong and a younger half-brother of Emperor Qinzong, Zhao Gou was not present in the capital of Bianjing when it fell to the Jurchen-led Jin dynasty in 1127 during the beginning of the Jin-Song Wars. Narrowly avoiding capture by Jin forces, he escaped first to Yangzhou and then Lin'an, assuming the throne and reestablishing the Song court. Despite initial setbacks, including Jin invasions and a brief deposition in 1129, Emperor Gaozong consolidated his political position and presided over the continued military conflict with Jin. Prior to 1141, military commanders including Han Shizhong and Yue Fei reconquered portions of the Central Plains while chancellors like Lü Yihao, Zhao Ding, Zhang Jun, and Qin Hui managed the civil bureaucracy.
Zhang Zeduan, courtesy name Zhengdao, was a Chinese painter of the Song dynasty. He lived during the transitional period from the Northern Song to the Southern Song, and was instrumental in the early history of the Chinese landscape art style known as shan shui. He is known for painting Along the River During the Qingming Festival.
Along the River During the Qingming Festival is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing during the Northern Song. The theme is often said to be the spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Read right to left, as a viewer would unroll it, successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as economic activities in both rural areas and the city, and offer glimpses of clothing and architecture. The painting is considered the most renowned work among all Chinese paintings, and it has been called "China's Mona Lisa."
Li Shishi (?-?) was a courtesan(Chinese: 歌妓 / 歌伎; pinyin: Jiǎojì) from Bianjing, the capital of the Song Empire. At the time,courtesan refers to women who engaged in the performing arts for a living, and their scope of work included: singing, dancing, reciting poetry and painting during the Northern Song dynasty. According to Gui Er Ji written by Zhang Duanyi, Emperor Huizong was a regular patron of hers. She fled to Zhejiang or Hunan after the Jingkang Incident of the Jin–Song wars occurred in year 1127 AD, as recorded in Mo Man Lu by Zhang Bangji.
Chinese Cinderella and the Secret Dragon Society is a 2004 historical novel by Adeline Yen Mah. It is the fictional sequel to her autobiography for children, Chinese Cinderella.
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