Chink-a-chink is a simple close-up magic coin trick in which a variety of small objects, usually four, appear to magically transport themselves from location to location when covered by the performer's hands, until the items end up gathered together in the same place. Variations, especially the Sympathetic Coins, also known as Coins-n-Cards, have been performed since the 1800s. Popular modern variations are Shadow Coins and Matrix. A variation using playing cards as the objects is known as Sympathetic Aces.
In the typical layout, the magician places four small objects on a table in a square, rectangular or diamond formation (although even a single straight line formation is possible). The objects are usually equidistant from each other. The magician then covers any two of the objects with their hands, performs a flourish, and then lifts their hands to reveal that one of the objects has somehow jumped from its original location to join one of the other three objects. The same effect is repeated until all of the objects are gathered together in a single location. Objects most commonly used for the trick are wine corks, dice, bottle caps, brass weights, and coins. A version using coins that are covered by cards is a variation on the same concept, known as "Matrix", credited to the magician Al Schneider.
Sean McWeeney, the author of the first dedicated e-book on chink-a-chink, demonstrated that the trick is much older than was previously thought, with a history stretching back to at least early/mid-19th-century Germany. The trick was famously covered in Edwin Sach's seminal book Sleight of Hand in 1877, utilizing four sugar cubes. [1] Yank Hoe is reputed to have performed it as early as 1891, and introduced the name "Sympathetic Coins". [2]
Max Malini, who popularized the trick in the early 20th century, using cut-down wine corks, is generally credited with naming the trick. Although the name was probably meant to be onomatopoetic, it can be interpreted as a racial slur, and, as a result, has been given alternative names.
Leo Horowitz perpetuated Malini's version while adding refinements of his own, using covered sugar cubes of a type popular in supper clubs and night spots in the 1930s, 1940s and 1950s. Doug Henning performed chink-a-chink on television in the early 1970s, using seashells. Dutch magicians Fred Kaps and Tommy Wonder were also associated with the trick.
Pre-fabricated chink-a-chink sets are available on order from various magic-makers, including Auke van Dokkum of the Netherlands, François Danis of France and Jim Riser of the US. Professional magicians, however, generally prefer the traditional "found objects" (such as corks and bottle caps) to the artificial ones, reducing demand for the purpose-built sets.
Chink-a-chink involves sleight of hand along with one extra object of whatever sort is being used. To start the trick, four of the objects are arranged on the table while the fifth is palmed. The magician places their hands over two of the objects on the table and performs some flourish to cover movement. During the flourish, the previously-palmed fifth object is dropped, while the object under the empty hand is palmed. This leaves the newly palmed object in the opposite hand of the original. The magician then switches their hands so the other hand, with the newly lifted object, is held over the pile, and the process is repeated. Sachs' gives a complete list of suggested moves to achieve this alternating motion. When the pile is completely constructed, one object is still in the magician's hand, which is then pocketed or simply dropped in their lap. [1]
The Matrix variations on the basic trick use playing cards to cover the coins instead of the magician's hands. [3] The trick is otherwise identical, although in some cases there is no fifth coin, and instead one of the coins is picked up during what appears to be a pre-trick explanation. The location of the missing coin is covered by dropping the other card on that location and leaving it there. A handkerchief is sometimes used to provide a temporary holding area for the extra coin. Alternation takes place by handing the playing card from hand to hand between drops, or alternating hands to lift the card covering the growing pile. Sympathetic Aces is a variation using four cards, the aces, in place of coins. [4]
Sympathetic Coins was invented by Yank Hoe and was first performed in 1891. [5] Another variation is called "Shadow Coins".
Matrix is a close-up magic coin and card trick developed in 1960 by magician Al Schneider, [6] in which four coins are placed under four cards then the coins appear to magically teleport from one card to another until all four coins are under one card. The trick is a variation of chink-a-chink.
Four coins appear to be set under four cards, which are placed in a square. In the process of placing the coins, the magician uses sleight of hand to steal a coin from under one card and place it under a different card, giving the illusion that the coin has invisibly jumped from one card to another. While picking up other cards, the magician repeatedly slips a stolen coin under a selected card, until all four coins are under the same card. [3]
It was published in 1970 in Genii 1970 November. [7] Fellow magician Karrell Fox suggested calling the trick "Al-ternating Coins"; however, Schneider decided on "Matrix" due to his math background.
Close-up magician Ryan Hayashi created a more advanced version of the trick, which he calls "Ultimate Matrix", in which part of the trick is performed with one hand. [8]
Sleight of hand refers to fine motor skills when used by performing artists in different art forms to entertain or manipulate. It is closely associated with close-up magic, card magic, card flourishing and stealing. Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic; however, it is a separate genre of entertainment and many artists practice sleight of hand as an independent skill. Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, Derek DelGaudio, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Jerry Sadowitz, Cardini, Tony Slydini, Helder Guimarães and Tom Mullica.
Card manipulation, commonly known as card magic, is the branch of magic that deals with creating effects using sleight of hand techniques involving playing cards. Card manipulation is often used in magical performances, especially in close-up, parlor, and street magic. Some of the most recognized names in this field include Dai Vernon, Tony Slydini, Ed Marlo, S.W. Erdnase, Richard Turner, John Scarne, Ricky Jay and René Lavand. Before becoming world-famous for his escapes, Houdini billed himself as "The King of Cards". Among the more well-known card tricks relying on card manipulation are Ambitious Card, and Three-card Monte, a common street hustle also known as Find the Lady.
Coin magic is the manipulating of coins to entertain audiences. Because coins are small, most coin tricks are considered close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire.
A trick deck is a deck of playing cards that has been altered in some way to allow magicians to perform certain card tricks where sleight of hand would be too difficult or impractical.
David Frederick Wingfield Verner, better known by his stage names Dai Vernon or The Professor, was a Canadian magician.
Max Malini was a magician who at his peak performed for several US Presidents and at Buckingham Palace, receiving gifts from monarchs across Europe and Asia. Many magicians, such as Dai Vernon and Ricky Jay, have held him in high esteem for his skill and bold accomplishments.
This is a glossary of conjuring terms used by magicians.
Close-up magic is magic performed in an intimate setting usually no more than 3 meters from one's audience and is usually performed while sitting at a table.
Brother John Charles Hamman S.M. was a close-up magician and Marianist Brother. The tricks he invented are still an integral part of many close-up magician's repertoire. Hamman was world-renowned in the magic community. His initial interest in the art started as a child. As he recuperated from polio, he spent hours learning, practicing and inventing card tricks and other magic involving sleight-of-hand. In many cases, he "reinvented" classic maneuvers or streamlined them. He was a member of the International Brotherhood of Magicians, the Catholic Magicians' Guild and the Society of American Magicians.
The Tarbell Course in Magic is a notable encyclopedia of magic amongst professional and amateur magicians. It has eight volumes; the first five were part of the original home-study correspondence course compiled in 1928 by Harlan Tarbell, the remaining three volumes being added on later.
Karl Fulves was a magician and author and editor of publications on magic, including the Pallbearers Review, a series of books on sleight of hand and close-up magic.
William Ellis Stanyon was a professional magician and magic dealer in London.
The Bamberg Magical Dynasty were a Dutch family of magicians, consisting of six generations of Bambergs. The Bambergs were an upper middle-class Jewish family. Three Bambergs were court magicians who entertained the Dutch royal family, and many of the Bambergs were also trained actors. This chain was unbroken for 165 years, from the 18th to the 20th centuries.
Lawrence Grey was an English magician known for his card tricks. He also worked as an occasional actor and is known for voicing Bill the Lizard in Walt Disney's Alice in Wonderland.
The art form of card flourishing, commonly referred to as cardistry, grew out of simple flourishes used in close-up magic by magicians in the 1990s to early 2000s. Chris Kenner's notable two-handed Sybil cut from his 1992 publication Totally Out of Control has carried great influence and gave birth to a series of advanced flourishes which today represents the foundation of the performance art. Sleight of hand pioneers Dan and Dave Buck popularized cardistry on the world stage with their instructional DVD releases from 2004 and 2007. Journalist Kevin Pang of Vanity Fair characterized the art of card flourishing as, "It's yo-yo tricks performed by cardsharps with the street cred of a Parkour video. There's a name for it: cardistry."
Yank Hoe was an Italian magician known for performing the trick "Card through Cigarette" and inventing "Sympathetic Coins" also known as "Coins-n-Cards". Hoe began performing in London at the Trocadero in December 1885.
Alvin Duane Schneider is an American magician, author, physicist and mathematician known for his contributions to magic. He developed the Matrix magic trick, a modern version of Yank Hoe's "Sympathetic Coins".
David Williamson is an American professional sleight-of-hand artist, magician, actor, and writer.
The Rising Card is a popular category of magical illusion in which the magician causes randomly selected playing cards to spontaneously rise from the center of a deck. Many variations of this trick exist and are performed widely. The effect can be accomplished using a variety of methods and techniques, ranging from pure sleight of hand to complex electronic and mechanical solutions.