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Green Day is an American rock band formed in Rodeo, California in 1987 by lead vocalist and guitarist Billie Joe Armstrong and bassist and backing vocalist Mike Dirnt, with drummer Tré Cool joining in 1990. In 1994, their major-label debut Dookie, released through Reprise Records, became a breakout success and eventually shipped over 10 million copies in the U.S. Alongside fellow California punk bands Bad Religion, the Offspring, Rancid, NOFX, Pennywise and Social Distortion, Green Day is credited with popularizing mainstream interest in punk rock in the U.S.
Dookie is the third studio album by the American rock band Green Day, released on February 1, 1994, by Reprise Records. The band's major label debut and first collaboration with producer Rob Cavallo, it was recorded in late summer 1993 at Fantasy Studios in Berkeley, California. Written mostly by frontman and guitarist Billie Joe Armstrong, the album is largely based on his personal experiences and includes themes such as boredom, anxiety, relationships, and sexuality. It was promoted with four singles: "Longview", "Basket Case", a re-recorded version of "Welcome to Paradise", and "When I Come Around".
Lookout Records was an independent record label, initially based in Laytonville, California, and later in Berkeley, focusing on punk rock. Established in 1987, the label is best known for having released Operation Ivy’s only album, Energy, and Green Day's first two albums, 39/Smooth and Kerplunk.
1,039/Smoothed Out Slappy Hours is a compilation album comprising early recordings by American rock band Green Day, released October 1, 1991, on Lookout Records. Often erroneously referred to as the band's debut album, the compilation combines the band's actual debut 39/Smooth (1990) and its first two EPs 1,000 Hours (1989) and Slappy (1990), as suggested by the amalgamation of the titles of the debut album and two EPs for the resulting compilation album. The album includes one cover, "Knowledge", which was originally by influential California punk band Operation Ivy, whose singer, Jesse Michaels, contributed the artwork for the album. The cover art features the same image from 39/Smooth.
39/Smooth is the debut studio album by the American rock band Green Day, released on April 13, 1990, by Lookout Records. After finalizing their line-up, the band played frequent shows at the 924 Gilman Street venue, where they started attracting a following and eventually caught the attention of Lookout Records' founder Larry Livermore. Following the release of their debut EP 1,000 Hours (1989) and stints in other bands, Green Day went to Art of Ears Studio, located in San Francisco, California, to record their debut studio album, which was co-produced with Andy Ernst. Sessions started at late December 1989 and ended in January 1990, costing $675. 39/Smooth has been tagged as punk rock, pop-punk and skate punk, with comparisons made to the work of older punk bands the Buzzcocks and the Ramones, as well to contemporaries Crimpshrine and the Lookouts. Written mostly by frontman and guitarist Billie Joe Armstrong, unrequited love and longing for desire served as the main lyrical topics, while reminiscing on youth appeared in two of the songs.
Operation Ivy was an American punk rock band from Berkeley, California, formed in May 1987. They were critical to the emergence of Lookout Records and the so-called "East Bay Sound."
Kerplunk is the second studio album by the American rock band Green Day, released on December 17, 1991, by Lookout! Records. Following a US tour promoting their debut studio album 39/Smooth (1990), drummer John Kiffmeyer left to attend college and was replaced by Tré Cool, formerly of the Lookouts. By this stage, Green Day's audience expanded to teenage girls from suburban towns. In May 1991, they decamped to Art of Ears Studios in San Francisco, California, to record their next album with Andy Ernst, who co-produced the sessions with band. Six songs were recorded until the proceedings stopped in order for Green Day to resume touring, returning to the studio in September 1991 to finish the work.
The Lookouts were an American punk rock band that existed from 1985 to 1990 on Iron Peak, a remote rural mountain community outside Laytonville, California, United States. The members were Larry Livermore on guitar and vocals, Kain Kong on bass and vocals, and Tré Cool on drums and vocals. All three contributed on songwriting.
Lawrence Hayes, better known by his stage name Larry Livermore, is an American singer, musician, record producer, and author, best known as the co-founder of Lookout Records.
How to Make Enemies and Irritate People is the seventh studio album by the Chicago-based punk rock band Screeching Weasel. Planned as the group's final album, it was released in August 1994 on CD, vinyl, and cassette through Lookout Records. Shortly before recording the album, bassist/backing vocalist Dan Vapid left the band and, as a result, Green Day bassist Mike Dirnt was recruited to play on the album.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Move Back Home is the fifth studio album by the American punk rock band the Queers, released in May 1995 by Lookout! Records. The recording sessions were marred by the band members' drug problems, and many of the songs were written in the studio. Producer and Lookout! president Larry Livermore was so displeased with the result that he took his name off of the album, and several involved parties, including singer and guitarist Joe Queer, later regarded it as sub-par. After the Queers rescinded their master recordings from Lookout! in 2006, Move Back Home was reissued by Asian Man Records the following year, having been remixed and remastered by Queer and recording engineer Mass Giorgini and with the tracks from the Surf Goddess EP added.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Don't Back Down is the sixth studio album by the American punk rock band the Queers, released in August 1996 by Lookout! Records. The band and Lookout! president Larry Livermore, who served as executive producer, sought to balance the sounds of the Ramones and the Beach Boys, and enlisted the help of former Queers guitarist JJ Rassler and Cub singer Lisa Marr. The album's title track is a cover version of the Beach Boys song of the same name; it also features covers of the Hondells' "Little Sidewalk Surfer Girl" and Hawaiian punk band the Catalogs' "Another Girl". The album produced the band's first music videos, for "Punk Rock Girls" and "Don't Back Down".
The Pattern was an American punk garage rock band, based in Oakland, California, United States, from 2000 to 2004.
Chris Freeman is an American bassist and vocalist, best known as a member of the band Pansy Division.
Carlos Cañedo is an American rock musician, professional Argentine Tango dancer/choreographer, and documentary producer. As a musician, Cañedo performed in American punk rock and hardcore bands The PeeChees, Rice, and Beehive and the Barracudas, releasing albums on indie labels Kill Rock Stars, Lookout! Records, and Sub Pop. He is currently performing in Carlos Cañedo Is Filling Gaps with Adam Horovitz of the Beastie Boys. As a dancer, Cañedo has performed throughout the United States, Canada, Argentina, and Europe and his choreographies have been performed on Broadway and Europe. Carlos was also an associate producer of No No: A Dockumentary, a film about Dock Ellis, the baseball player turned drug abuse counselor who claims to have pitched a no-hitter on LSD. The documentary premiered at the 2014 Sundance Film Festival.
Can of Pork is a compilation album of various punk rock artists. It was released as two 12-inch vinyl records or one CD in April 1992 by Lookout Records. The vinyl version has a booklet of lyrics and photography and the CD version has information on contacting the bands and a detailed description of the compilation's production.
References
- ↑ Harris, Chris (August 4, 2005). "Green Day Pull Catalog From Lookout! Records, Label Lays Off Staff Band has reclaimed rights for four early releases following non-payment of royalties". MTV. Archived from the original on August 6, 2005. Retrieved 3 February 2010.
- ↑ Harvilla, Rob. "Kerplunk: The rise and fall of the Lookout Records empire." Archived December 23, 2014, at the Wayback Machine , East Bay Express, September 14, 2005. Accessed April 20, 2008.
- ↑ Ashman, Angela (April 25, 2002). "Attitude Adjustment – Pop Goes The Punk, And The Fans Keep Coming". The San Diego Union-Tribune. San Diego, Calif. Retrieved 3 February 2010.
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