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Chris Nahon | |
|---|---|
| Born | 5 December 1968 |
| Occupation(s) | actor, director, screenwriter |
| Years active | 2001–present |
Chris Nahon is a French film director best known for directing the films Kiss of the Dragon , Empire of the Wolves , and Blood: The Last Vampire .
|
Chris Nahon | |
|---|---|
| Born | 5 December 1968 |
| Occupation(s) | actor, director, screenwriter |
| Years active | 2001–present |
Chris Nahon is a French film director best known for directing the films Kiss of the Dragon , Empire of the Wolves , and Blood: The Last Vampire .
Film
| Year | Title | Director | Writer | Notes |
|---|---|---|---|---|
| 2001 | Kiss of the Dragon [1] [2] | Yes | No | |
| 2005 | Empire of the Wolves [3] | Yes | Yes | |
| 2008 | Skate or Die | No | Yes | |
| Blood: The Last Vampire [4] [5] | Yes | No | Also actor | |
| 2016 | Lady Bloodfight [6] | Yes | No | Also editor and camera operator |
Short film
Television
| Year | Title | Notes |
|---|---|---|
| 2011 | Plus belle la vie | 10 episodes |
| 2018-2019 | Un si grand soleil | 70 episodes |
Leonard Michael Maltin is an American film critic, film historian, and author. He is known for his book of film capsule reviews, Leonard Maltin's Movie Guide, published annually from 1969 to 2014. Maltin was the film critic on Entertainment Tonight from 1982 to 2010. He currently teaches at the USC School of Cinematic Arts and hosts the weekly podcast Maltin on Movies. He served two terms as President of the Los Angeles Film Critics Association, and votes for films to be selected for the National Film Registry.
Anything Else is a 2003 American romantic comedy film written and directed by Woody Allen, produced by Letty Aronson, and starring Allen, Jason Biggs, Stockard Channing, Danny DeVito, Jimmy Fallon, and Christina Ricci. The film premiered as the opening night selection of the 60th Venice International Film Festival. It was released theatrically in the United States on September 19, 2003, to mixed reviews.
What Dreams May Come is a 1998 American fantasy drama film directed by Vincent Ward and adapted by Ronald Bass from the 1978 novel of the same name by Richard Matheson. Starring Robin Williams, Annabella Sciorra and Cuba Gooding Jr., it won the Academy Award for Best Visual Effects and the Art Directors Guild Award for Excellence in Production Design. It was also nominated for the Academy Award for Best Art Direction. The title is from a line in Hamlet's "To be, or not to be" soliloquy. The film received mixed reviews, with praise for its scenery, but criticizing the plot. It was also a box-office bomb, grossing only $75.4 million against a budget of $85‒90 million.
The Howling is a 1981 American horror film directed and edited by Joe Dante. Written by John Sayles and Terence H. Winkless, based on the novel of the same name by Gary Brandner, the film follows a news anchor who, following a traumatic encounter with a serial killer, visits a resort secretly inhabited by werewolves. The cast includes Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, and Elisabeth Brooks.
Robert James Leslie Halliwell was a British film critic, encyclopaedist and television rights buyer for ITV, the British commercial network, and Channel 4. He is best known for his reference guides, Filmgoer's Companion (1965), a single volume film-related encyclopaedia featuring biographies and technical terms, and Halliwell's Film Guide (1977), which is dedicated to individual films.
Blue Movie is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn (1969–1984), which, before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969 with the release of Blue Movie at the Elgin Theater, and later, the New Andy Warhol Garrick Theatre, in New York City. Blue Movie helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities and taken seriously by film critics, in modern American culture, and shortly thereafter, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film starring Marlon Brando and released a few years after Blue Movie was made. Viva and Louis Waldon, playing themselves, starred in Blue Movie.
The Believers is a 1987 Canadian-American neo-noir thriller horror-noir film directed by John Schlesinger, starring Martin Sheen, Robert Loggia and Helen Shaver. It is based on the 1982 novel The Religion by Nicholas Conde.
Curly Sue is a 1991 American comedy drama film written, produced, and directed by John Hughes, and starring James Belushi, Kelly Lynch and Alisan Porter. It tells the story of a homeless con artist and his young orphan companion who gain shelter with a rich divorce lawyer. This was the final film directed by Hughes before his death in 2009. The film received generally negative reviews from critics.
Reeling is Pauline Kael's fifth collection of movie reviews, covering the years 1972 through 1975. First published in 1976 by Little Brown, the book is largely composed of movie reviews, ranging from her famous review of Last Tango in Paris to her review of A Woman Under the Influence, but it also contains a longer essay entitled "On the Future of Movies" as well as a book review of The Fred Astaire & Ginger Rogers Book, by fellow The New Yorker dance critic Arlene Croce. In 2010, four film critics polled by the British Film Institute listed Reeling among their favorite books related to cinema.
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released in 1972, three years after Blue Movie was shown in theaters.
Vida Ghahremani was an Iranian-born American film and stage actress, writer, and educator.
A news cinema or newsreel theatre is a cinema specialising in short films, shown in a continuous manner. However, despite its name, a news cinema does not necessarily show only cinematographical news.
This is a list of reference works involves encyclopedias and encyclopedic dictionaries of any language published on the subject of film/cinema, radio, television, and mass communications, including related biographical dictionaries of actors, directors, etc.
A Gothic film is a film that is based on Gothic fiction or contains Gothic elements. Since various definite film genres—including science fiction, film noir, thriller, and comedy—have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have also infused the horror film genre, contributing supernatural and nightmarish elements. To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism.
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