Chris Pig

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Chris Pig is a British artist printmaker known for politically astute prints that combine of expanses of black ink with carefully worked areas of detail. His work, inspired by the formal aesthetic of Victorian wood-engraving and influenced by Anarchism, is made by engraving and printing from Lino and/or boxwood. Chris Pig is the director of the Black Pig Printmaking Studio, Somerset, and has work in public and private collections throughout the world, including Guangdong Museum of Art China, Douro Museum of Printmaking Portugal, Ashmolean Museum Oxford, the British Museum in London, Pallant House Gallery, Chichester and the Victoria and Albert Museum in London. [1]

Contents

Career

Chris Pig has been an artist printmaker for over 40 years. After studying for a BA at Exeter, and an MA in Barcelona with Winchester School of Art, he became principal lecturer in Printmaking at City and Islington College for seven years. He left to set up his own studio in Córdoba where he lived for six years before returning to London and working at East London Printmakers. He is now director of Black Pig Printmaking Studio.

Critical response

In a review of a show in Atlanta, Catherine Fox wrote "Pig is a master of stagecraft. ... The crisp lines, bottomless black planes and complex details in these prints demonstrate his technical command." [2]

Selected awards

Society of Wood Engravers 'Originals' 2009 Award (joint winner with Hilary Paynter) [3]

Publications

Related Research Articles

<span class="mw-page-title-main">Printmaking</span> Process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.

<span class="mw-page-title-main">Engraving</span> Incising designs by cutting into a surface

Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking.

<span class="mw-page-title-main">Woodcut</span> Relief printing technique

Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain. The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas.

<span class="mw-page-title-main">Wood engraving</span> Printmaking technique

Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.

<span class="mw-page-title-main">Intaglio (printmaking)</span> Family of printing and printmaking techniques

Intaglio is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.

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Leonard Beaumont (1891–1986) was an English printmaker, graphic designer, illustrator and publisher. He was one of the earliest exponents of the new art of linocut printmaking in Britain during the early 1930s. He was one of a small group of progressive and highly regarded printmakers who exhibited at the Redfern and Ward Galleries in central London. Whilst working in relative isolation in Yorkshire, most of his contemporaries were linked in some way to the Grosvenor School of Modern Art, located in Pimlico, London.

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References

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  2. Fox, Catherine (18 March 2007). "Outcasts come out of the dark; tiny vistas tower". The Atlanta Journal-Constitution . ProQuest   337388556.
  3. "About the Society of Wood Engravers". Archived from the original on 19 June 2009. Retrieved 17 July 2009.
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  5. "I couldn't paint golden angelsby Albert Meltzer".
  6. "Mental Health Shop - Despite Anything". Archived from the original on 14 April 2009. Retrieved 10 July 2009.
  7. Lede Limited (29 December 2015). "Printmaking Today Contemporary Graphic Art Worldwide - Printmaking,Artists,Prints,Limited edition fine art printing,Original Print,Contemporary graphic Art,Relief".
  8. "Home". creativeloafing.com.
  9. "AJC.com: Atlanta News, Sports, Atlanta Weather, Business News".