Christfried Schmidt | |
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![]() Schmidt in 2021 | |
Born | Markersdorf, Saxony, Germany | 26 November 1932
Died | 26 April 2025 92) Berlin, Germany | (aged
Occupations |
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Website | www |
Christfried Schmidt (German pronunciation: [ˈkʁɪstfʁiːtˈʃmɪt] ; 26 November 1932 –29 April 2025) was a German composer who worked as a church musician and piano teacher. In composition, he felt mostly self-taught. Some of his works for large choirs and orchestras were not performed during the period of East Germany, but were premiered decades after he wrote them, such as his 1975 St Mark Passion in Berlin in 2019 and his 1968 Second Symphony in memory of Martin Luther King in Dresden in 2021.
Schmidt was born in Markersdorf in Upper Lusatia on 26 November 1932, [1] [2] the son of a miller. [3] [4] He attended the grammar school In Görlitz and received piano and organ lessons from Humperdinck's pupil Emil Kühnel. From 1951 to 1954, he studied church music at the Kirchenmusikschule Görlitz (B exam) and from 1955 to 1959 at the University of Music and Theatre Leipzig (A exam), organ with Werner Buschnakowski and composition with Johannes Weyrauch. [1] [2] [4] In Leipzig, he familiarised himself with contemporary music with Hermann Heyer. He discovered compositions by 20th-century composers of the Second Viennese School on radio, music that was rarely performed in East Germany, being regarded as not suitable to socialist realism. [4]
From 1960 to 1962, Schmidt was a church musician in Forst. [1] [2] From 1963 to 1964, he worked as kapellmeister at the theatre of Quedlinburg. From 1965 to 1980, he was a freelance piano teacher and choir director in Quedlinburg. [1] [2] He began to focus on composition which was mostly self-taught, [5] teaching on three days per week and composing the rest of the time. [6] In Warsaw, he met the Japanese musicologist Ichirō Tamura, who enabled him to perform his works in Japan, including the first premiere of one of his pieces in 1970. [5]
From 1980 until his death, Schmidt lived as a freelance composer in Berlin-Prenzlauer Berg. [1] [2] [5] [6] Lacking commissions or a publisher, he composed major works for choir and orchestra. He was inspired by Bach, Anton Bruckner and Max Reger, and Alban Berg in the 20th century whose expressiveness based on formal construction was a model for his works. [5] He preferred early works by Schoenberg to later more formal compositions, and felt close to the music of Bernd Alois Zimmermann. He travelled to the Warsaw Autumn festival several times where he was impressed by the free aleatoric music of Witold Lutosławski. [4] Schmidt composed Lieder setting texts by Friedrich Hölderlin and Heiner Müller, and a cycle of orchestral works inspired by graphic art of Edvard Munch. [5] Schmidt's artistic breakthrough came with the premiere of his Oboe Concerto performed by Burkhard Glaetzner at the DDR-Musiktage 1984. [7] He remained an outsider in East Germany where his major works were not performed. [3] He was a member of the Akademie der Künste der DDR from 1990 to 1991. [1]
After the fall of the Berlin Wall, performances of Schmidt's compositions for large choirs and orchestra remained rare. He was a member of the Sächsische Akademie der Künste from 1998; [1] the institution holds his archive. [7] His new orchestral work Memento was premiered in 2002 in the Leipzig Gewandhaus by the MDR Leipzig Radio Symphony Orchestra conducted by Fabio Luisi. [8] [9] The work is memorial of the composer's mother. [9] In 2009 his Munch-Musik was played, and a reviewer from Die Zeit described its "unheard colours, magical and sometimes intoxicating, a music about love". [6] In 2019, the Sing-Akademie zu Berlin conducted by Kai-Uwe Jirka premiered his St Mark Passion from 1974 after 45 years. [4] The highly expressive, headstrong work combines aleatoric compositional procedures with a polyphonic way of thinking in the wake of Bach and the Viennese School. [10] [5] It ends with a Kyrie described as humble. [11] Schmidt's Second Symphony "In memoriam Martin Luther King" was produced for radio on 3 October 2021 by Deutschlandfunk, live from the Kulturpalast in Dresden with the Dresden Philharmonic conducted by Jonathan Stockhammer. [12] His Horn Concerto, which includes an episode in memory of Nelson Mandela, and his opera have remained unperformed. [6]
Schmidt lived in Berlin from 1980, [7] first in a basement apartment that he shared with a colleague. [6] He was married; his wife also worked as an artist, and the couple had a daughter. They moved within Prenzlau. [6]
Schmidt's awards included: [7] [1]
Year | Title [7] [15] | Premiere year | Premiere location |
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1965 | Motet Landnahme after Hans Magnus Enzensberger for 8-part choir [1] | 1994 | Berlin |
1965 | Motet An die Sonne after Ingeborg Bachmann for 6-part choir [1] | ||
1967 | Symphony No. 1 "Hamlet" | ||
1968 | Symphony No. 2 "Martin Luther King" | 2021 | Dresden |
1969 | Piano Concerto | 1974 | Berlin |
1969/1995 | Kammermusik I ‒ "Von Menschen und Vögeln", for flute, oboe, trumpet and strings | 1998 | Görlitz |
1970 | Petite Suite | 1970 | Tokyo |
1970 | Psalm 21 | 1971 | Nürnberg |
1971 | Wind Quintet | 1974 | Berlin |
1971 | Geistliches Konzert (Psalm 60) | ||
1971 | Kammermusik II for flute (also Cor Anglais), clarinet in B (also bass clarinet), percusion and piano | 1998 | Görlitz |
1971 | Cantiones sacrae | ||
1972 | Musica per i DueBoemi, for bass clarinet and piano | ||
1973 | Kammermusik VI | 1983 | Berlin |
1973 | Tonsetzers Alptraum | 1976 | Dresden |
1974 | Violin Concerto | 1991 | Berlin |
1974 | Cello Concerto | 1976 | Leipzig |
1974 | St Mark's Passion | 2019 | Berlin |
1974 | Kammermusik VII "Epitaph auf einen Bohemien", for wind quintet and Klavier | 1983 | Berlin |
1975 | Die Niemandsrose und das Unsichtbare | 2007 | Nürnberg |
1975 | Aulodie, episodes for oboe | 2001 | Berlin |
1976 | Moments musicaux, pour piano | ||
1977 | Flute Concerto | 1978 | Berlin |
1978 | Ein Märchen – kein Märchen, after texts by Harry Martinson, Eduard Mörike and Hugo von Hofmannsthal | 1981 | Berlin |
1979 | Ich, so voll Hoffnung, after texts by Hölderlin, for choir | ||
1979 | Zwoller Schnitgerei, for organ | ||
1980 | Munch-Musik (Sieben Orchesterstücke nach Graphiken von Edvard Munch) inspired by graphic art of Edvard Munch | 1981 | Leipzig |
1980 | String Quartet No. 2 | ||
1981 | Kammermusik VIII, for flute (also alto flute), oboe (also Cor Anglais), clarinet in B, percussion, piano, violin, viola and cello | ||
1981 | Kammermusik IX | ||
1982 | Die Zeit und die Zeit danach, after texts by Giuseppe Ungaretti, Cesare Pavese, Salvatore Quasimodo and Bachmann | 1985 | Berlin |
1983 | Oboe Concerto | 1984 | Berlin |
1985 | Orchestermusik I | 1988 | Berlin |
1986 | Kammermusik X, for trombone, piano and percussion | ||
1989 | Das Herz, Opera after Heinrich Mann | ||
1990 | Orchestermusik II, for oboe, cello and piano | ||
1996 | Clarinet Quintet | 1997 | Berlin |
1996/2000 | Drei späte Lieder, for tenor und piano, after texts by Heinz Czechowski, Günter Kunert and Heiner Müller | ||
1996 | Clarinet Quintet | 1997 | Berlin |
1999 | Orchestermusik V "Memento" 1 | 2000 | Leipzig |
2004 | Orchestermusik VI "Memento" 2 | ||
2006 | Pièce de flûte | 2007 | Berlin |
2013 | Horn Concerto, in memory of Nelson Mandela [6] | ||
2015 | Canto funebre, in memory of Georg Elser, for piano | 2017 [16] | Berlin |