It was first published in 1977 by the Evangelical Movement of Wales, with a second edition being published in 2004. Large print and music editions of both editions are also published.
The first edition contains 901 hymns, carols and metrical psalms arranged into 14 sections. The second edition contains over 942 hymns, 235 newly added since the first version, and 190 removed, meaning that the hymn numbers in the two versions do not match up. The book is used not just by Welsh churches but can be found in use in England and the United States.
In 2007 a DVD was released that contains recordings of all the hymns in the second edition in MP3 format. This allows use in meetings where no musician is present, or for personal devotion. This is in addition to the standard words (normal and large print) and music books.
As of December 2008, the publishers of Christian Hymns are working on a new web site, iHymns.org to encourage people to write new hymn tunes to old hymns and release them free of charge. Although the web site is not yet functional, two new tunes have been added to the main Christian Hymns site.
In 2015 an App version of the hymnbook was released in the UK for IOS and Android. It was decided that this would be the mechanism used to release new tunes for existing hymns in the hymnbook.
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook. They are used in congregational singing. A hymnal may contain only hymn texts ; written melodies are extra, and more recently harmony parts have also been provided.
"Love Divine, All Loves Excelling" is a Christian hymn by Charles Wesley on Christian perfection. Judging by general repute, it is among Wesley's finest. Judging by its distribution, it is also among his most successful.
A metrical psalter is a kind of Bible translation: a book containing a verse translation of all or part of the Book of Psalms in vernacular poetry, meant to be sung as hymns in a church. Some metrical psalters include melodies or harmonisations. The composition of metrical psalters was a large enterprise of the Protestant Reformation, especially in its Calvinist manifestation.
"How Can I Keep From Singing?" is an American folksong originating as a Christian hymn. The author of the lyrics was known only as 'Pauline T', and the original tune was composed by American Baptist minister Robert Lowry. The song is frequently, though erroneously, cited as a traditional Quaker or Shaker hymn. The original composition has now entered into the public domain, and appears in several hymnals and song collections, both in its original form and with a revised text that omits most of the explicitly Christian content and adds a verse about solidarity in the face of oppression. Though it was not originally a Quaker hymn, Quakers adopted it as their own in the twentieth century and use it widely today.
Mission Praise is a hymn book used in a wide variety of churches, including the Church of Scotland and the Church of England.
Decisions concerning the conduct of public worship in the Church of Scotland are entirely at the discretion of the parish minister. As a result, a wide variety of musical resources are used. However, at various times in its history, the General Assembly has commissioned volumes of psalms and hymns for use by congregations.
Cwm Rhondda is a popular hymn tune written by John Hughes (1873–1932) in 1907. The name is taken from the Welsh name for the Rhondda Valley.
Yigdal is a Jewish hymn which in various rituals shares with Adon Olam the place of honor at the opening of the morning and the close of the evening service. It is based on the 13 principles of faith formulated by Maimonides. This was not the only metrical presentment of the Creeds, but it has outlived all others, whether in Hebrew or the vernacular. A translation can be found in any bilingual siddur.
The Lutheran Hymnal (TLH) is a hymnal first published in 1941 by Concordia Publishing House in St. Louis, Missouri, for the Evangelical Lutheran Synodical Conference of North America. Its development had been started by the conference's largest member, the Lutheran Church – Missouri Synod (LCMS), as a replacement for that denomination's first official English-language hymnal, the 1912 Evangelical Lutheran Hymn-Book. In 1969 the LCMS published the Worship Supplement containing additional hymns and service music.
Hymns are an important part of the history and worship of the Church of Jesus Christ of Latter-day Saints.
Hymns of the Church of Jesus Christ of Latter-day Saints is the official hymnal of the Church of Jesus Christ of Latter-day Saints . Published in English in 1985, and later in many other languages, it is used throughout the LDS Church. This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Hymns Ancient and Modern is a hymnal in common use within the Church of England, a result of the efforts of the Oxford Movement. The hymnal was first published in 1861. The organization publishing it has now been formed into a charitable trust, Hymns Ancient and Modern Ltd, and As of 2022 it publishes a wide range of hymnals as well as other theological and religious books and magazines, under imprints including the acquired publishers Canterbury Press and SCM Press.
"Onward, Christian Soldiers" is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune "St Gertrude," after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favoured processional. The piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3 (KJV): "Thou therefore endure hardness, as a good soldier of Jesus Christ."
"Es ist ein Ros entsprungen" is a Christmas carol and Marian hymn of German origin. It is most commonly translated into English as "Lo, how a rose e'er blooming" and is also called "A Spotless Rose" and "Behold a Rose of Judah". The rose in the German text is a symbolic reference to the Virgin Mary. The hymn makes reference to the Old Testament prophecies of Isaiah, which in Christian interpretation foretell the Incarnation of Christ, and to the Tree of Jesse, a traditional symbol of the lineage of Jesus. Because of its prophetic theme, the hymn is popular during the Christian season of Advent.
"How Great Thou Art" is a Christian hymn based on an original Swedish hymn entitled "O Store Gud" written in 1885 by Carl Boberg (1859–1940). The English version of the hymn and its title are a loose translation by the English missionary Stuart K. Hine from 1949. The hymn was popularised by George Beverly Shea and Cliff Barrows during Billy Graham's crusades. It was voted the British public's favourite hymn by BBC's Songs of Praise. "How Great Thou Art" was ranked second on a list of the favourite hymns of all time in a survey by Christianity Today magazine in 2001 and in a nationwide poll by Songs Of Praise in 2019.
The Lutheran Hymnal with Supplement is the second official hymnal of the Lutheran Church of Australia, first published in its present form in 1989.
The Little Flock hymnbook is in common use amongst Exclusive Brethren in various editions which nevertheless derive from a common source. It exists in almost as many variations and editions as there are distinct groups of Exclusive Brethren.
Christian Worship: A Lutheran Hymnal (CW) is a hymnal of the Wisconsin Evangelical Lutheran Synod (WELS) published in 1993. It was prepared by the WELS Commission on Worship and published by Northwestern Publishing House, the official publisher of the WELS.
Church music in Scotland includes all musical composition and performance of music in the context of Christian worship in Scotland, from the beginnings of Christianisation in the fifth century, to the present day. The sources for Scottish Medieval music are extremely limited due to factors including a turbulent political history, the destructive practices of the Scottish Reformation, the climate and the relatively late arrival of music printing. In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, which led to the development of a distinct form of liturgical Celtic chant. It was superseded from the eleventh century by more complex Gregorian chant. In the High Middle Ages, the need for large numbers of singing priests to fulfill the obligations of church services led to the foundation of a system of song schools, to train boys as choristers and priests. From the thirteenth century, Scottish church music was increasingly influenced by continental developments. Monophony was replaced from the fourteenth century by the Ars Nova consisting of complex polyphony. Survivals of works from the first half of the sixteenth century indicate the quality and scope of music that was undertaken at the end of the Medieval period. The outstanding Scottish composer of the first half of the sixteenth century was Robert Carver, who produced complex polyphonic music.
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