Christian Wahnschaffe | |
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Directed by | Urban Gad |
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Distributed by | Terra Film |
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Country | Germany |
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Christian Wahnschaffe is a 1920 German silent drama film directed by Urban Gad and starring Conrad Veidt, Lillebil Ibsen, Hermann Vallentin and Fritz Kortner. [1] It was released in two parts World Ablaze (Weltbrand) in November 1920 and The Escape from the Golden Prison (Die Flucht aus dem goldenen Kerker) in March 1921. It is an adaptation of the novel of the same title by Jakob Wassermann. The film is extant, and was restored in 2018 by the Friedrich-Wilhelm-Murnau-Stiftung. [2]
The film's sets were designed by the art director Robert A. Dietrich.
The year 1919 in film involved some significant events.
Hans Walter Conrad Veidt was a German actor. He attracted early attention for his roles in the films Different from the Others (1919), The Cabinet of Dr. Caligari (1920), and The Man Who Laughs (1928). After a successful career in German silent films, where he was one of the best-paid stars of UFA, Veidt and his new Jewish wife Ilona Prager left Germany in 1933 after the Nazis came to power. The couple settled in Britain, where he took citizenship in 1939. He appeared in many British films, including The Thief of Bagdad (1940), before emigrating to the United States around 1941, which led to his being cast in what may be his best remembered role as Major Strasser in Casablanca (1942). This was Veidt's last film role to be released during his lifetime.
Heinrich Wilhelm "Heinz" Rühmann was a German film actor who appeared in over 100 films between 1926 and 1993. He is one of the most famous and popular German actors of the 20th century, and is considered a German film legend. Rühmann is best known for playing the part of a comic ordinary citizen in film comedies such as Three from the Filling Station and The Punch Bowl. During his later years, he was also a respected character actor in films such as The Captain from Köpenick and It Happened in Broad Daylight. His only English-speaking movie was Ship of Fools in 1964.
Different from the Others is a silent German melodramatic film produced during the Weimar Republic. It was first released in 1919 and stars Conrad Veidt and Reinhold Schünzel. The story was co-written by Richard Oswald and Magnus Hirschfeld, who also had a small part in the film and partially funded the production through his Institute for Sexual Science. The film was intended as a polemic against the then-current laws under Germany's Paragraph 175, which made homosexuality a criminal offense. It was one of the first sympathetic portrayals of gay men in cinema.
Carl Wilhelm, was a prolific German film director, film producer and screenwriter of the silent film era, at the end of which his career apparently entirely faded away and he vanished into obscurity.
Ilka Grüning was an Austrian-Hungarian actress. Born in Vienna in the old Austrian-Hungarian Empire, she was one of many Jewish actors and actresses that were forced to flee Europe when the Nazis came to power in 1933. A respected and famous actress of her time in the German-language area, she was forced to play bit parts in Hollywood.
Theodor August Konrad Loos was a German actor.
The Hands of Orlac is a 1924 Austrian silent film directed by Robert Wiene and starring Conrad Veidt, Alexandra Sorina and Fritz Kortner. It is based on the novel Les Mains d'Orlac by Maurice Renard.
Lady Hamilton is a 1921 German silent historical film directed by Richard Oswald and starring Liane Haid, Conrad Veidt and Werner Krauss. The film depicts the love affair between the British Admiral Lord Nelson and Lady Emma Hamilton. It was based on two novels by Heinrich Vollrath Schumacher. A copy of the film exists in a Russian film archive.
Catherine the Great is a 1920 German silent historical film directed by Reinhold Schünzel and starring Lucie Höflich, Fritz Kortner, and Fritz Delius. The film was an epic portrayal of the life of Catherine the Great of Russia. 4,000 extras and 500 horses were used.
Debit and Credit is a 1924 German silent drama film directed by Carl Wilhelm and starring Hans Brausewetter, Mady Christians, and Theodor Loos. It is based on the 1855 novel Debit and Credit.
Bigamy is a 1922 German silent drama film directed by Rudolf Walther-Fein and starring Alfred Abel, Margit Barnay, and Reinhold Schünzel.
Prostitution is a 1919 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Reinhold Schünzel and Gussy Holl. It was released in two parts Das gelbe Haus and Die sich verkaufen. It was one of several enlightenment films made during the era by Oswald. The physician Magnus Hirschfeld was an advisor on the production. The first part premiered at the Marmorhaus in Berlin.
Paula Barra was a German film actress. She starred in several films including the 1918 Max Nivelli film Pathways to Life, the 1919 film The Peace Rider, and the 1920 film The Air Pirates
Kunst und Künstler: illustrierte Monatsschrift für bildende Kunst und Kunstgewerbe was a German periodical, that shaped the reception of art during the first third of the 20th century. It was in circulation between 1902 and 1933.