Christiane Baumgartner

Last updated

Christiane Baumgartner (born 1967 in Leipzig) is a German artist best known for her woodcut printmaking.

Life and work

Baumgartner studied at the Hochschule fur Grafik und Buchkunst, Leipzig, from 1988 to 1994 before completing her master's degree in Printmaking at the Royal College of Art in London in 1999. [1] Baumgartner is best known for the monumental woodcuts based on her own films and video stills, for example 1 Sekunde, [2] in which she documented a single second of video in a series of 25 woodcuts. She has said that she is "interested in woodcut for conceptual reasons and not just for the love of the material...it's about bringing together the different mediums of the video still and the woodcut, about combining the first and the latest reproduction techniques to produce an image...." [3] She first came to public attention in the UK in EAST international [4] in 2004 with her print Shack and a year later with a major solo exhibition at the Ikon Gallery in Birmingham. [5] She was included in the groundbreaking exhibition at MoMA, NY, Eye on Europe. [6]

In 2009 she received the Teresa Bulgarini Prize [7] for her woodcuts which deal with concepts of time, motion, velocity and acceleration. In 2012 she was awarded the first ever Goethe-Institut artist's residency in Vietnam, [8] jointly sponsored by the state of Saxony. She began her three-month stay with an exhibition at the Goethe-Institut in Hanoi, Holzschnitt im digitalen Zeitalter (woodcut in the digital age) and finished with a tour around the country's art schools, sharing her experience in the art of woodcut. Her work was subject to a traveling retrospective in 2014–2015, with exhibitions at the Centre de la Gravure et de l'Image Imprimée in La Louviere, the Museum Kunstpalast in Düsseldorf, and the Musée d'Art et d'Histoire in Geneva; it was accompanied by the first oeuvre catalog in her career. [9]

Baumgartner's works are included in the collections of Albertina (Vienna), the British Museum (London), the Städel (Frankfurt), Kadist Art Foundation (Paris), Kunsthaus Zurich, Museum der bildenden Künste (Leipzig), Museum of Fine Arts, (Boston), Museum of Modern Art (New York), Spendhaus (Reutlingen), Staatliche Kunstsammlungen Dresden, Stedelijk Museum (Amsterdam), The New Art Gallery Walsall and Victoria and Albert Museum (London), among others.

Her working process is largely intuitive. She begins by selecting an image from existing film footage she shoots off of a television screen. The grainy lines of the screen appear in her final images. She decides on the size and frequency of the lines and creates a half-tone image. Then she prints the image and transfers it onto a woodblock and starts cutting. She describes the wood cutting process as meditative and uses the cutting as time for reflection. Once the cutting is complete, at such a large scale she must ink and print by hand, using no press. [10] "I also like the handmade aspect of the cutting with all its inaccuracies and mistakes – this is an important aspect of the final print." [11]

Related Research Articles

<span class="mw-page-title-main">Printmaking</span> Process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.

<span class="mw-page-title-main">Gillian Ayres</span> British artist (1930-2018)

Gillian Ayres was an English painter. She is best known for abstract painting and printmaking using vibrant colours, which earned her a Turner Prize nomination.

<span class="mw-page-title-main">Jim Dine</span> American artist

Jim Dine is an American artist whose œuvre extends over sixty years. Dine’s work includes painting, drawing, printmaking, sculpture and photography; his early works encompassed assemblage and happenings, while in recent years his poetry output, both in publications and readings, has increased.

<span class="mw-page-title-main">Käthe Kollwitz</span> German artist

Käthe Kollwitz was a German artist who worked with painting, printmaking and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.

<span class="mw-page-title-main">Grace Albee</span>

Grace Thurston Arnold Albee was an American printmaker and wood engraver. During her sixty-year career life, she created more than two hundred and fifty prints from linocuts, woodcuts, and wood engravings. She received over fifty awards and has her works in thirty-three museum collections. She was the first female graphic artist to receive full membership to the National Academy of Design.

<span class="mw-page-title-main">Anni Albers</span> German-American textile artist (1899–1994)

Anni Albers was a German textile artist and printmaker credited with blurring the lines between traditional craft and art.

Besides surface qualities, such as rough and smooth, dull and shiny, hard and soft, textiles also includes colour, and, as the dominating element, texture, which is the result of the construction of weaves. Like any craft it may end in producing useful objects, or it may rise to the level of art.

<span class="mw-page-title-main">Sybil Andrews</span> English-Canadian artist (1898–1992)

Sybil Andrews was an English-Canadian artist who specialised in printmaking and is best known for her modernist linocuts.

Founded in 2000, Philagrafika is a regional consortium of individuals and organizations interested in understanding the impact of the printed image in contemporary art. In April 2006 its founding name was changed from the Philadelphia Print Collaborative to Philagrafika, but its mission to promote and sustain printmaking as a vital and valued art form by providing artistic, programmatic and administrative leadership for large-scale, cooperative initiatives with broad public exposure remains the same. Building upon the region's rich history and abundant artistic resources, Philagrafika not only encourages a critical dialogue, but it continues to provide benefits for the local arts community by enhancing the city's presence as an international center for printmaking. All of this is realized through international contemporary art festivals, an annual invitational portfolio, and various notable public projects. Philagrafika's programs have been designed to promote new curatorial and critical models for printmaking-disciplines in which the medium is (re)presented as an integral component of current artistic practices.

<span class="mw-page-title-main">Elaine Kowalsky</span> Canadian printmaker and artists rights campaigner

Elaine Kowalsky was a Canadian printmaker and artists' rights campaigner. She lived and worked in the United Kingdom for over 30 years. Her prints and various other artworks are held in public collections around the world, including the Victoria and Albert Museum in London and the Smithsonian Institution in Washington.

<span class="mw-page-title-main">Anne Ryan</span> American painter

Anne Ryan (1889–1954) was an American Abstract Expressionist artist associated with the New York School. Her first contact with the New York City avant-garde came in 1941 when she joined the Atelier 17, a famous printmaking workshop that the British artist Stanley William Hayter had established in Paris in the 1930s and then brought to New York when France fell to the Nazis. The great turning point in Ryan's development occurred after the war, in 1948. She was 57 years old when she saw the collages of Kurt Schwitters at the Rose Fried Gallery, in New York City, in 1948. She right away dedicated herself to this newly discovered medium. Since Anne Ryan was a poet, according to Deborah Solomon, in Kurt Schwitters’s collages “she recognized the visual equivalent of her sonnets – discrete images packed together in an extremely compressed space.” When six years later Ryan died, her work in this medium numbered over 400 pieces.

<span class="mw-page-title-main">Elke Rehder</span>

Elke Rehder is a German artist living in Barsbüttel Germany.

Lill Tschudi was a Swiss artist associated with the Grosvenor School of Modern Art.

Anne Desmet is a British artist who specializes in wood engravings, linocuts and mixed media collages. She has had three major museum retrospectives, received over 30 international awards, and her work is in museum collections and publications worldwide.

Ulrike Theusner( born 1982 in Frankfurt, Germany) is a German artist working primarily in drawing and printmaking. She studied at École Nationale Supérieure d'Arts à la Villa Arson in Nice, France and graduated in 2008 from Bauhaus University in Weimar, Germany. Amongst others, her work was exhibited in groupshows at Kunsthalle Darmstadt, Musée des Beaux-Arts de Nice, Neues Museum Weimar and several solo shows in New York, Berlin, Frankfurt, Toulouse, Paris and Shanghai. She lives and works between Weimar and Berlin.

<span class="mw-page-title-main">Frances Gearhart</span> American painter

Frances Gearhart was an American printmaker and watercolorist known for her boldly drawn and colored woodcut and linocut prints of American landscapes. Focused especially on California's coasts and mountains, this body of work has been called "a vibrant celebration of the western landscape." She is one of the most important American color block print artists of the early 20th century.

Barbara Jones-Hogu was an African-American artist best known for her work with the Organization of Black American Culture (OBAC) and for co-founding the artists' collective AfriCOBRA.

Clare Romano (1922–2017) was an internationally known American printmaker and painter with works in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Cooper Hewitt, Smithsonian Design Museum and other major collections. As an advocate, innovator, and educator in the field of printmaking, Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for artists books in 1991.

Thumbprint Editions is a printmaking studio in London. The studio makes etchings and woodcuts with artists including Damien Hirst, Anish Kapoor, Michael Craig-Martin, Antony Gormley, Gillian Ayres, Cornelia Parker, Yinka Shonibare CBE and Gary Hume.

Cristea Roberts Gallery, formerly Alan Cristea Gallery, is a commercial gallery in central London that was founded by Alan Cristea in 1995. David Cleaton-Roberts, Helen Waters and Kathleen Dempsey are also senior directors. Cristea Roberts Gallery has a particular focus on original prints and works on paper. It is located at 43 Pall Mall, London.

<span class="mw-page-title-main">Sylvia Solochek Walters</span> American artist and printmaker

Sylvia Solochek Walters is an American artist and educator. She has produced drawings, paintings and collage works in her career, but is best known for complex woodcut prints created through the "reduction and stencil" process. Her work combines elements of realist, decorative and formalist art, flat and illusionistic space, and varied patterning and textures. She has largely focused on portraits, still lifes and domestic interiors, and collage-like combinations of personal symbolism—concerns that writers often align with early feminist art.

References

  1. Royal College of Art Alumni Archived 2013-03-12 at the Wayback Machine
  2. "Christiane Baumgartner, 1 Sekunde, 2004 Cream cloth covered box containing". The Independent. 2011-02-14. Retrieved 2013-04-04.
  3. Baumgartner, Christiane; Cristea, Alan; Waters, Helen; Alan Cristea Gallery (2011-01-01). Christiane Baumgartner: reel time. London: Alan Cristea Gallery. ISBN   9780956487650.
  4. "EASTinternational". EASTinternational. Retrieved 2013-04-04.
  5. "Programme : Past : Christiane Baumgartner : Christiane Baumgartner". Ikon Gallery. 2005-09-18. Archived from the original on 2010-01-03. Retrieved 2013-04-04.
  6. "Interactives | Exhibitions | 2006 | Eye On Europe". MoMA.org. Retrieved 2013-04-04.
  7. "Teresa Bulgarini Preis". Teresa Bulgarini Preis. Retrieved 2013-04-04.
  8. "Hanoi - Welcome to the Goethe-Institut in Vietnam - Goethe-Institut". Goethe.de. 2012-09-30. Retrieved 2013-04-04.
  9. Kettner, Jasper. "Christiane Baumgartner: White Noise," Art in Print, Vol. 4 No. 3 (September–October 2014).
  10. Coldwell, Paul. "Christiane Baumgartner Between States," Art in Print Vol. 1 No. 1 (May–June 2011), p. 3.
  11. Baumgartner, Christiane; Cristea, Alan; Waters, Helen; Alan Cristea Gallery (2011-01-01). Christiane Baumgartner: reel time. London: Alan Cristea Gallery. ISBN   9780956487650.