Christophe Malavoy (born 21 March 1952 in Reutlingen, West Germany), is a French actor. [1]
Year | Title | Role | Director | Notes |
---|---|---|---|---|
1979 | Heroes Are Not Wet Behind the Ears | The Driver | Charles Nemes | |
1980 | Le Voyage en douce | L'homme du train | Michel Deville | |
1982 | La Balance | Tintin | Bob Swaim | |
A Captain's Honor | Automarchi | Pierre Schoendoerffer | ||
1984 | Souvenirs, Souvenirs | Rego Boccara / John B. Cutton | Ariel Zeitoun | |
1985 | Death in a French Garden | David Aurphet | Michel Deville | |
Bras de fer | Pierre Wagnies | Gérard Vergez | ||
1986 | The Woman of My Life | Simon | Régis Wargnier | |
1987 | Association of Wrongdoers | Gérard | Claude Zidi | |
The Cry of the Owl | Robert | Claude Chabrol | ||
1990 | The Amusements of Private Life | Honoré de Dumont | Cristina Comencini | |
1991 | Madame Bovary | Rodolphe Boulanger | Claude Chabrol | |
1997 | Love, Math and Sex | |||
2004 | The Last Day | Jean-Louis | ||
The Cry of the Owl is a 1987 French-Italian psychological thriller film, adapted from the 1962 novel The Cry of the Owl by Patricia Highsmith. The film was directed by Claude Chabrol and stars Christophe Malavoy, Mathilda May and Virginie Thévenet.
Dossier 51 is a 1978 French crime drama film directed by Michel Deville and based on a novel by Gilles Perrault. Deville and Perrault won a César Award for Best Writing for their adaptation. The film was screened in the Un Certain Regard section at the 1978 Cannes Film Festival.
La Balance is a 1982 French film directed by Bob Swaim. It stars Nathalie Baye, Philippe Léotard, Tchéky Karyo, Maurice Ronet and Jean-Paul Comart. It won the César Award for Best Film, Best Actor and Best Actress, and was nominated for Most Promising Actor (twice), Best Director, Best Writing – Original and Best Editing. The film had a total of 4,192,189 admissions in France becoming the 5th highest-grossing film of the year.
A Captain's Honor is a 1982 French war film directed by Pierre Schoendoerffer.
La Ville dont le prince est un enfant is a play published in 1951–67 by the French dramatist Henry de Montherlant. The title is taken from Ecclesiastes 10:16: "Woe to thee, O land, when thy king is a child, and thy princes eat in the morning!"
La Ville dont le prince est un enfant is a 1997 made-for-television film adapted from a 1951 play by French dramatist Henry de Montherlant of the same title.
Étienne Périer was a Belgian film director.
L’Homme idéal is a 1997 French film directed by Xavier Gélin.
Association of Wrongdoers is a 1987 French comedy film directed by Claude Zidi.
Paul and Gaëtan Brizzi are twin French artists, painters, illustrators, animators, and film directors.
Le Voyage en douce is a 1980 French drama film directed by Michel Deville. The screenplay is shaped around 15 different sexual anecdotes, penned by 15 writers. The film stars Dominique Sanda and Geraldine Chaplin. It was entered into the 30th Berlin International Film Festival.
Death in a French Garden is a 1985 French drama film directed by Michel Deville. It was entered into the 35th Berlin International Film Festival.
The Woman of My Life is a French film by Régis Wargnier released in 1986.
The Amusements of Private Life ) is a 1990 Italian-French comedy film co-written and directed by Cristina Comencini. According to the film critic Paolo Mereghetti, the film is very ambitious and has a careful attention to detail but also has some awkwardness and a confusing plot.
Josephine, Guardian Angel is a French television series. It has been aired since 1997 on TF1 (France).
Souvenirs, Souvenirs is a 1984 French comedy film directed by Ariel Zeitoun.
The Last Day is a 2004 French romantic drama film written and directed by Rodolphe Marconi, starring Nicole Garcia and Gaspard Ulliel.
Heroes Are Not Wet Behind the Ears or Les héros n'ont pas froid aux oreilles is a 1979 French comedy film directed by Charles Nemes.
Ma femme s'appelle reviens is a 1982 French comedy film directed by Patrice Leconte.
Love, Math and Sex is a 1997 French drama film directed by Charlotte Silvera. It was screened in the Contemporary World Cinema section of the 1997 Toronto International Film Festival.