Stephen Lawrence Schwartz is an American musical theater lyricist and composer. In a career spanning over five decades, Schwartz has written such hit musicals as Godspell (1971), Pippin (1972), and Wicked (2003). He has contributed lyrics to a number of successful films, including Pocahontas (1995), The Hunchback of Notre Dame (1996), The Prince of Egypt, and Enchanted (2007). Schwartz has won the Drama Desk Award for Outstanding Lyrics, three Grammy Awards, three Academy Awards, and has been nominated for six Tony Awards. He received the 2015 Isabelle Stevenson Award, a special Tony Award, for his commitment to serving artists and fostering new talent.
Alan Irwin Menken is an American composer, best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), and Disenchanted (2022), among others. His accolades include eight Academy Awards, becoming the second most prolific Oscar winner in the music categories after Alfred Newman, a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of seventeen people to have won an Oscar, an Emmy, a Grammy, and a Tony. He is one of two people who to have won a Razzie, an Emmy, a Grammy, an Oscar, and a Tony ("REGOT").
Do I Hear a Waltz? is a musical with a book by Arthur Laurents, music by Richard Rodgers, and lyrics by Stephen Sondheim. It was adapted from Laurents' 1952 play The Time of the Cuckoo, which was the basis for the 1955 film Summertime starring Katharine Hepburn.
Frank Wildhorn is an American composer of both musicals and popular songs. His musical Jekyll & Hyde ran for four years on Broadway. He also wrote the #1 International hit song "Where Do Broken Hearts Go" for Whitney Houston.
Oh, Kay! is a musical with music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse. It is based on the play La Présidente by Maurice Hennequin and Pierre Veber. The plot revolves around the adventures of the Duke of Durham and his sister, Lady Kay, English bootleggers in Prohibition Era America. Kay finds herself falling in love with a man who seems unavailable. The show is remembered for its enduring song, "Someone to Watch Over Me".
Disney Theatrical Productions Limited (DTP), also known as Disney on Broadway, is the flagship stageplay and musical production company of the Disney Theatrical Group, a subsidiary of The Walt Disney Studios, a major business unit of The Walt Disney Company.
Sir George Dance was an English lyricist and librettist in the 1890s and an important theatrical manager at the beginning of the 20th century.
Pins and Needles (1937) is a musical revue with a book by Arthur Arent, Marc Blitzstein, Emmanuel Eisenberg, Charles Friedman, David Gregory, Joseph Schrank, Arnold B. Horwitt, John Latouche, and Harold Rome, and music and lyrics by Rome. The title Pins and Needles was created by Max Danish, long-time editor of the International Ladies Garment Workers Union (ILGWU)'s newspaper Justice.
Robert L. Freedman is an American screenwriter and dramatist. He is best known for his teleplays for Rodgers & Hammerstein's Cinderella (1997) and Life with Judy Garland: Me and My Shadows (2001), and for his Tony-winning book and lyrics of A Gentleman's Guide to Love and Murder (2014).
Stepping Out is a play written by Richard Harris in 1984. It was produced in the West End, London, where it received the Evening Standard Comedy of the Year Award, and on Broadway, New York.
Copperfield is a 1981 musical with a book, music, and lyrics by Al Kasha and Joel Hirschhorn, who were nominated for the 1981 Tony Award for Best Original Score. It is based on the classic 1850 novel David Copperfield by Charles Dickens.
Peter Kellogg is a musical theater book writer and lyricist. He wrote the lyrics and the book for the 1992 production of the Broadway musical Anna Karenina, for which he received two 1993 Tony Award nominations, one for Best Book of a musical and one for the Best Original Score. He also wrote the lyrics and book for the musicals Chasing Nicolette, Desperate Measures, Lincoln In Love, Stunt Girl, Money Talks, and The Rivals which have been read and produced regionally. Kellogg also received the New York Musical Theatre Festival 2006 award for Excellence in Musical Theatre Writing (Book) for Desperate Measures. On June 3, 2018, Kellogg won the 2018 Drama Desk Award for Outstanding Lyrics for Desperate Measures.
Peter Pan: A Musical Adventure is a musical based on J. M. Barrie's 1904 play Peter Pan, or the Boy Who Wouldn't Grow Up, with a book by Willis Hall and music and lyrics by George Stiles and Anthony Drewe. The show opened in Copenhagen in 1996. The production was first broadcast in 2001 as a New Year's Eve concert, starring Sheila Hancock, Laura Michelle Kelly, and Joe McFadden. It was presented at Festival Hall in the 2002/2003 Christmas period.
Stephen Keeling is a British composer and musician who works predominantly in musical theatre.
Ryan Scott Oliver is an American musical theatre composer and lyricist. He is a 2011 Lucille Lortel Award Nominee and the recipient of both the 2009 Jonathan Larson Grant and the 2008 Richard Rodgers Award for Musical Theater. Oliver is an adjunct professor at Pace University in New York, and Artistic Director of the Pasadena Musical Theatre Program in California. He received his B.A. in Music Composition from UCLA and his M.F.A. in Musical Theatre Writing from the Tisch School of the Arts at New York University. He is also creator of the blog Crazytown and member of A.S.C.A.P. Oliver's work has been heard at the Writers Guild Awards, Off-Broadway in TheatreWorksUSA's We the People, and countless showcases.
Different Times is a musical with music, lyrics, and book by Michael Brown. It was originally produced on Broadway in 1972. It opened on May 1, 1972 at the ANTA Playhouse and closed on May 20, 1972 after 24 performances.
The Ames Center, formerly the Burnsville Performing Arts Center, is a performing arts venue in Burnsville, Minnesota, adjacent to Nicollet Commons Park, which features green space, water fountains, and a 250-seat outdoor performance amphitheater. The Ames Center features an eclectic range of performances on the main stage and the black box theatres including: dance, theatre, concerts, comedians, and written word. Past performances include the Girl Singers of the Hit Parade, Larry Carlton, Louie Anderson, Lori Lane, Richard Marx, Church Basement Ladies, Melissa Manchester, Bill Engvall, Nick Colionne, Celtic Crossroads, Twin Cities Ballet of Minnesota, Elizabeth Gilbert, Rob Lake, Tommy Emmanuel, Sinbad, Ralphie May, Dakota Valley Symphony, Chameleon Theater Circle, Miss Minnesota USA/Teen USA, and Cirque D’Or. Additionally, productions of Mame, A Christmas Carol and Peter Pan were presented utilizing sets created for the Kennedy Center, the Kodak Theatre and the original Cathy Rigby Broadway production respectively.
Ladies in Black is an Australian musical with music and lyrics by Tim Finn and book by Carolyn Burns, based on the 1993 novel The Women in Black by Madeleine St John.
Drayton Entertainment is a not-for-profit professional theatre company based in Southwestern Ontario operating seven venues across the province: the original Drayton Festival Theatre in Drayton, Huron Country Playhouse and Playhouse II in Grand Bend, King's Wharf Theatre in Penetanguishene, Schoolhouse Theatre in St. Jacobs, St. Jacobs Country Playhouse in Waterloo, and Hamilton Family Theatre Cambridge, formerly Dunfield Theatre Cambridge in Cambridge.
British Youth Music Theatre (BYMT), formerly Youth Music Theatre UK, is a UK-based national performing arts organisation founded in December 2003. BYMT provides music theatre training to young people aged 11–21 and a stepping stone to drama school or conservatoire. Members can join either through auditions in January and February onto productions or, without audition, onto summer camps. Most of its productions and summer camps are residential and situated around the UK with productions taking place in both regional and London theatres.
