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Mexican cinema dates to the late nineteenth century during the rule of President Porfirio Díaz. Seeing a demonstration of short films in 1896, Díaz immediately saw the importance of documenting his presidency in order to present an ideal image of it. With the outbreak of the Mexican Revolution in 1910, Mexican and foreign makers of silent films seized the opportunity to document its leaders and events. From 1915 onward, Mexican cinema focused on narrative film.
Cinema arrived in Cuba at the beginning of the 20th century. Before the Cuban Revolution of 1959, about 80 full-length films were produced in Cuba. Most of these films were melodramas. Following the revolution, Cuba entered what is considered the "Golden age" of Cuban cinema.
Cinema of Colombia refers to film productions made in Colombia, or considered Colombian for other reasons. Colombian cinema, like any national cinema, is a historical process with industrial and artistic aspects.
The Golden Age of Mexican Cinema is a boom period in the history of Mexican cinema, which began in 1936 with the premiere of the film Allá en el Rancho Grande, and Let's Go with Pancho Villa, culminated in 1956. Characterized by the production of high-quality films that contributed to shaping Mexican national identity and culture. Films such as Luis Buñuel's "Los Olvidados" illuminated the social realities of Mexico, leaving a profound impact on audiences both within the country and abroad.
While the Peruvian film industry has not been nearly as prolific as that of some other Latin American countries, such as Mexico or Argentina, some Peruvian movies produced enjoyed regional success. Historically, the cinema of Peru began in Iquitos in 1932 by Antonio Wong Rengifo because of the rubber boom and the intense arrival of foreigners with technology to the city, and thus continued an extensive, unique filmography, with a different style than the films made in the capital, Lima.
Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Argentina, Brazil and Mexico. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border.
The Havana Film Festival is a Cuban festival that focuses on the promotion of Latin American filmmakers. It is also known in Spanish as Festival Internacional del Nuevo Cine Latinoamericano de La Habana, and in English as International Festival of New Latin American Cinema of Havana. It takes place every year during December in the city of Havana, Cuba.
Mexploitation is a film genre of low-budget films that combine elements of an exploitation film and Mexican culture or portrayals of Mexican life within Mexico often dealing with crime, drug trafficking, money and sex.
The Sahara International Film Festival, also known as FiSahara, is an annual event which takes place in the Sahrawi refugee camps, at the southwest corner of Algeria, near the border with Western Sahara. It is the only film festival in the world held in a refugee camp. The first festival was in large part organised by Peruvian film director Javier Corcuera.
The Berlin International Film Festival, usually called the Berlinale, is a major international film festival held annually in Berlin, Germany. Founded in 1951 and originally run in June, the festival has been held every February since 1978 and is one of Europe's "Big Three" film festivals alongside the Venice Film Festival held in Italy and the Cannes Film Festival held in France. Furthermore, it is one of the "Big Five", the most prestigious film festivals in the world. The festival regularly draws tens of thousands of visitors each year.
Antonino Isordia Llamazares is a Mexican film and documentary director known for making documentary films in a more cinematic style. His films have been shown at International Film Festivals and received awards in his native Mexico, Argentina, Austria, Canada, Chile, Colombia, Cuba, France, Germany, Spain, and the United States. He has had a documentary feature film and a documentary short each nominated for Ariel Awards.
The cinema of Venezuela is the production and industry of filmmaking in Venezuela. Venezuelan cinema has been characterised from its outset as propaganda, partially state-controlled and state-funded, commercial cinema. The nation has seen a variety of successful films, which have reaped several international awards. Still, in terms of quality, it is said that though "we can point to specific people who have made great films in Venezuela [and] a couple of great moments in the history of Venezuelan cinema, [...] those have been exceptions". In the 21st century, Venezuelan cinema has seen more independence from the government, but has still been described as recently as 2017 to be at least "influenced" by the state.
The Huelva Ibero-American Film Festival, held since 1975 in Huelva, Spain, is the oldest film festival in Europe dedicated to the Ibero-American cinema.
The Instituto Cubano del Arte e Industria Cinematográficos was established by the Cuban government in March 1959 after the Cuban Revolution. Its prominent members are Sara Gómez, Tomás Gutiérrez Alea, Julio García Espinosa, Alfredo Guevara and Santiago Álvarez.
The Bogotá Film Festival is an annual international film festival held in Bogotá, Colombia, inaugurated in 1984. It takes place in late October each year, with most films being in Spanish and very few in English.
Jomí García Ascot was a poet, essayist, filmmaker, director and educator. Born in Tunisia, he was a Spanish exile who lived in Mexico.
Jorge Enrique González Pacheco is an international award-winning Cuban poet, film industry professional, and cultural entrepreneur. He has a Bachelor's Degree in Latin American Literature from University of Havana, Cuba, and a Master's Degree in Hispanic Literature from Complutense University of Madrid, Spain.
The Mexico International Short Film Festival - Shorts México - is a film festival exclusively dedicated to short films in Mexico.
Ernesto Daranas Serrano is a Cuban filmmaker. Daranas' three feature films have had unprecedented success in Cuba and were submitted to the Academy Award for Best International Feature Film. Daranas is a Latin Grammy nominee for Best Long Form Music Video and a recipient of the King of Spain Award. His filmography includes Sergio & Sergei (2017), starring Ron Perlman, and Behavior, often considered the greatest Cuban film of the 21st century.
The Havana Film Festival New York (HFFNY) is a film festival, based in New York City, that screens cinema from across Latin America with a special focus on Cuba and its film industry. It is a project of The American Friends of the Ludwig Foundation of Cuba, a 501(c)(3) tax-exempt organization with the mission of building cultural bridges between the United States and Cuba through arts projects.
References
- ↑ Kuhn, Annette; Westwell, Guy (2012-06-21). A Dictionary of Film Studies. OUP Oxford. ISBN 978-0-19-958726-1.
- ↑ MacKenzie, Scott (2021-01-21). Film Manifestos and Global Cinema Cultures: A Critical Anthology. Univ of California Press. ISBN 978-0-520-37747-9.
- ↑ "Instituto Mexicano de Cinematografia". IMCINE. 2019. Archived from the original on 7 October 2019. Retrieved Oct 7, 2019.
- ↑ Richie, Joseph; Russell, Karen; Taylor, Airielle J.; Winston, Tameka (2022-07-29). An Introduction to Film and TV Production: From Concept to Market. Taylor & Francis. ISBN 978-1-000-60658-4.
- ↑ "Over 100 Films to Compete in Cine Pobre Festival – Escambray". en.escambray.cu. Retrieved 2024-06-16.
- ↑ "CINE POBRE - Probably the most authentic and charming film festival this year". 2009-09-26. Archived from the original on 2009-09-26. Retrieved 2024-06-16.
- ↑ "British Film Council". British Film Council. 2019. Retrieved Oct 7, 2019.