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Cines del Sur is an international film festival in Granada, Spain, that focuses on emerging cinemas belonging to what is known as the geo-political south. Film productions (from Asia, Africa and Latin America) which often have limited distribution and screening opportunities find in Cines del Sur a platform to help them gain recognition. Beyond its appearance as a showcase of films, Cines del Sur is also a place for encounters, discussion and sharing among professionals, film lovers and people interested in broadening their social, cultural, economic and political perspective of the globalized world. The festival encourages reflection and debate on the enormous value of diversity and cultural exchange.
Cines del Sur was first held in 2007. [1]
Cines del Sur has two competitive sections: the Official Section, for feature-length works filmed in 35 mm, and the Mediterráneos Section, with awards given to films made in video. The Itineraries Section (an informative section) is a sample of productions from countries of the geopolitical south.
The Festival brings together an international jury each year to choose the winning films.
The festival offers two retrospectives that can have different focal points, ranging from tributes to particular filmmakers to film series organised by subject matter, and even retrospectives that take an in-depth look at filmmakers who are still active, at a certain historical period or at a country with limited production.
While the festival takes place, several squares and public buildings in Granada become large outdoor cinemas, where a diverse audience joins to enjoy the films.
A number of events with scholars in the field are organised during the festival and throughout the year, as are film and video workshops, exhibits, seminars, round tables and outdoor screenings.
Study and reflection on the cinemas of the south find their place in the Festival's publications, which serve to inform readers about the films screened and the subjects and figures who receive tribute in the retrospectives.
A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors.
Cinema of Colombia refers to film productions made in Colombia, or considered Colombian for other reasons. Colombian cinema, like any national cinema, is a historical process with industrial and artistic aspects.
Carthage Film Festival is an annual film festival that takes place in Tunis and was founded in 1966. It is also called by its abbreviation JCC, from its French name, Journées cinématographiques de Carthage, or by its Arabic title, أيام قرطاج السينمائية. Initially biennial alternating with the Carthage Theatre Festival, the festival became an annual event in 2014. A directing committee chaired by the Tunisian Ministry of Culture, joined with professionals of the cinema industry, is in charge of the organization.
The Locarno Film Festival is a major international film festival, held annually in Locarno, Switzerland. Founded in 1946, the festival screens films in various competitive and non-competitive sections, including feature-length narrative, documentary, short, avant-garde, and retrospective programs. The Piazza Grande section is held in an open-air venue that seats 8,000 spectators.
The Guanajuato International Film Festival or GIFF is an annual international film festival, held since 1998. It is held during the final week of July in San Miguel de Allende and Guanajuato City, Mexico. GIFF was formerly known as Expresión en Corto International Film Festival.
The Hour of the Furnaces is a 1968 Argentine film directed by Octavio Getino and Fernando Solanas. 'The paradigm of revolutionary activist cinema', it addresses the politics of the 'Third worldist' films and Latin-American manifesto of the late 1960s. It is a key part of the 'Third Cinema', a movement that emerged in Latin America around the same time as the film's release. The work is a four-hour trilogy, divided into chapters and united by the theme of dependency and liberation. The first part - "Neo-Colonialism and Violence" - is conceived for diffusion in all types of circuits, and is the one presented at Cannes Classics.
Chilean cinema refers to all films produced in Chile or made by Chileans. It had its origins at the start of the 20th century with the first Chilean film screening in 1902 and the first Chilean feature film appearing in 1910. The oldest surviving feature is El Húsar de la Muerte (1925), and the last silent film was Patrullas de Avanzada (1931). The Chilean film industry struggled in the late 1940s and in the 1950s, despite some box-office successes such as El Diamante de Maharajá. The 1960s saw the development of the "New Chilean Cinema", with films like Three Sad Tigers (1968), Jackal of Nahueltoro (1969) and Valparaíso mi amor (1969). After the 1973 military coup, film production was low, with many filmmakers working in exile. It increased after the end of the Pinochet regime in 1989, with occasional critical and/or popular successes such as Johnny cien pesos (1993), Historias de Fútbol (1997) and Gringuito (1998).
Ciné-Asie is a Montreal-based, non-profit film and media company that seeks to explore the unique identity of Asian-Canadian media arts and artists. Its mission is to develop and create cinema that empowers people who are marginalized by mass media and to introduce the Asian cult and genre films to the wider public. Ciné-Asie is involved in many different projects including film contests, exhibitions and film screenings at the Cinémathèque québécoise.
The Cine Las Americas International Film Festival is an annual film festival based in Austin, Texas, featuring Latine and indigenous films from the Americas and the Iberian Peninsula. Patrons of the festival are offered a wide variety of films to choose from including narrative and documentary features, short films, music videos, films made in Texas, and youth films. Discussions and networking with visiting filmmakers, parties, and resource fairs are also featured throughout the 5-day event.
LesGaiCineMad, Festival Internacional de Cine LGBT de Madrid(Madrid International Gay and Lesbian Film Festival) is an LGBT film festival held in Madrid, Spain, organised by the Fundación Triángulo and usually held in November.
The cinema of Venezuela is the production and industry of filmmaking in Venezuela. Venezuelan cinema has been characterised from its outset as propaganda, partially state-controlled and state-funded, commercial cinema. The nation has seen a variety of successful films, which have reaped several international awards. Still, in terms of quality, it is said that though "we can point to specific people who have made great films in Venezuela [and] a couple of great moments in the history of Venezuelan cinema, [...] those have been exceptions". In the 21st century, Venezuelan cinema has seen more independence from the government, but has still been described as recently as 2017 to be at least "influenced" by the state.
The Morelia International Film Festival was founded in 2003 in the city of Morelia, Michoacán, México. It is an annual event that takes place during the second week of October.
The Festival of African Cinema (FCAT), also known as Tarifa-Tangier African Film Festival, originally African Film Showcase of Tarifa (2004–2006) and formerly African Film Festival of Tarifa (2007–2014), the African Film Festival of Cordoba (2012–2015), is an annual festival devoted to African cinema held in the Spanish city of Tarifa and the Moroccan city of Tangier.
The Munich International Film Festival is the largest summer film festival in Germany and second only in size and importance to the Berlinale. It has been held annually since 1983 and takes place in late June or early July. The latest festival was held from June 23 to July 2, 2022. It presents feature films and feature-length documentaries. The festival is also proud of the role it plays in discovering talented and innovative young filmmakers. With the exception of retrospectives, tributes and homages, all of the films screened are German premieres and many are European and world premieres. There are a dozen competitions with prizes worth over €250,000 which are donated by the festival's major sponsors and partners.
Rossana Lacayo de Herguedas known professionally as Rossana Lacayo is a Nicaraguan photographer, scriptwriter, and filmmaker. She is considered a pioneer of Nicaraguan cinema as stated by the Nicaraguan Cultural Institute. In 2003 she founded Gota Films (Nicaragua) an independent film company. She is a member of ANCI. Lacayo resides in Nicaragua with her family.
Gran Cine is a non-profit civil association founded on 13 June 1996. It functions as an alternative film distributor in Venezuela. The aims of the organisation are a rough group of objectives with the overall goal being to widen the reach of film, especially independent, diverse and global film, in Venezuela. It has a group of associated cinemas, used for exhibition and education.
Barbara Zecchi is a feminist film scholar, film critic, videoessayist, and film festival curator. She is professor of Film Studies and director of the Interdepartmental Program in Film Studies at the University of Massachusetts Amherst.
The Havana Film Festival New York (HFFNY) is a film festival, based in New York City, that screens cinema from across Latin America with a special focus on Cuba and its film industry. It is a project of The American Friends of the Ludwig Foundation of Cuba, a 501(c)(3) tax-exempt organization with the mission of building cultural bridges between the United States and Cuba through arts projects.
The Seville European Film Festival is an annual film festival dedicated to European cinema held in November in Seville, Spain, since 2004.
Close Your Eyes is a 2023 Spanish-Argentine drama film directed by Víctor Erice from a screenplay by Erice and Michel Gaztambide which stars Manolo Solo, José Coronado, and Ana Torrent.