Circus Maximus was an American band in the late 1960s, which combined influences from folk music, rock, and jazz into a form of psychedelic rock. [1]
The band, originally called the Lost Sea Dreamers, was formed in 1967 by Bob Bruno and Jerry Jeff Walker. Vanguard Records insisted on a name change, as the initials "LSD" were considered too linked to the drug culture. Bruno's song "Wind", from the band's self-titled first album, became a minor hit in the United States, particularly through airplay on "progressive" FM radio stations.
In late December 1967, the band performed in an unusual pair of "Electric Christmas" concerts together with New York Pro Musica, an ensemble that performed early music. There were two 80-minute performances. The material performed included a reworking of 14th-century composer Guillaume de Machaut's "La douce dame jolie" as an English-language song "Sweet Lovely Lady" arranged by Robert M. Bruno for the ensemble, and Bruno original "Chess Game" that, unbeknownst to Bruno but noted by John White, director of the Pro Musica, strongly echoed the "Romanesca", a piece that first appears in 16th-century Spanish lute books. [2]
The concert was not a critical success. Donal Henahan, writing in The New York Times , said that it "fell somewhat short of being the total-environmental trip that was promised… the night summed up most of the esthetic ideas now in the air: incongruity, simultaneity, games theory, the put-on, the parody, the Trip… and the effort to create a 'Total Environment' in which all the senses can come into play." Henahan asserted that the concert's commercial success showed a breakdown in the separation of classical and popular audiences. [3]
Bruno's interest in jazz apparently diverged from Walker's interest in folk music, and by July 1968 the band had broken up and Walker was appearing at the Bitter End in Greenwich Village, sharing a bill with Joni Mitchell. [4] Bassist Gary White went on to write Linda Ronstadt's first solo hit, "Long, Long Time." By 1972 Bruno was appearing with Noah Howard's groups which included several appearances at the NY Free Jazz Festival. He is on the recording called Noah Howard Live at the Village Vanguard with Noah Howard, Frank Lowe, Earl Freeman, Juma Sultan, and Rashied Ali (Freedom Records, re-released on Iron Man in 2004 as a CD). Robert Shelton included the Circus Maximus album Neverland Revisited in a November 1968 list selected to represent "the breadth… of today's rock". [5]
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The Grateful Dead was an American rock band formed in Palo Alto, California in 1965. Known for their eclectic style that fused elements of rock, blues, jazz, folk, country, bluegrass, rock and roll, gospel, reggae, and world music with psychedelia, the band is famous for improvisation during their live performances, and for their devoted fan base, known as "Deadheads". According to the musician and writer Lenny Kaye, the music of the Grateful Dead "touches on ground that most other groups don't even know exists." For the range of their influences and the structure of their live performances, the Grateful Dead are considered "the pioneering godfathers of the jam band world".
"Desolation Row" is a 1965 song by the American singer-songwriter Bob Dylan. It was recorded on August 4, 1965, and released as the closing track of Dylan's sixth studio album, Highway 61 Revisited. The song has been noted for its length (11:21) and surreal lyrics in which Dylan weaves characters into a series of vignettes that suggest entropy and urban chaos.
Country Joe and the Fish was an American psychedelic rock band formed in Berkeley, California, in 1965. The band was among the influential groups in the San Francisco music scene during the mid- to late 1960s. Much of the band's music was written by founding members Country Joe McDonald and Barry "The Fish" Melton, with lyrics pointedly addressing issues of importance to the counterculture, such as anti-war protests, free love, and recreational drug use. Through a combination of psychedelia and electronic music, the band's sound was marked by innovative guitar melodies and distorted organ-driven instrumentals which were significant to the development of acid rock.
The Jeff Beck Group was a British rock band formed in London in January 1967 by former Yardbirds guitarist Jeff Beck. Their innovative approach to heavy-sounding blues, rhythm and blues and rock was a major influence on popular music.
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Jerry Jeff Walker was an American country and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement. He wrote the 1968 song "Mr. Bojangles".
Psychedelic folk is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music.
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David Bromberg is an American multi-instrumentalist, singer, and songwriter. An eclectic artist, Bromberg plays bluegrass, blues, folk, jazz, country and western, and rock and roll. He is known for his quirky, humorous lyrics, and the ability to play rhythm and lead guitar at the same time.
The Frost was an American psychedelic rock band from Alpena, Michigan in the late 1960s, led by singer-guitarist Dick Wagner, who went on to play with Ursa Major, Lou Reed, Alice Cooper, Peter Gabriel in the 1970s. The rest of the band consisted of Gordy Garris, Bob Rigg (drums), and Don Hartman (guitar).
H. P. Lovecraft was an American psychedelic rock band, formed in Chicago in 1967 and named after the horror writer H. P. Lovecraft. Much of the band's music was inspired by the writings of the author whose name they had adopted and combining elements of psychedelia and folk rock.
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The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent recording and release of John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
"One Too Many Mornings" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. The chords and vocal melody are in some places very similar to the song "The Times They Are A-Changin'". "One Too Many Mornings" is in the key of C Major and is fingerpicked.
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Elizabeth was an American psychedelic rock/progressive rock band that were active from 1967 to 1970. They were based out of Philadelphia and known for their unique musical and sonic blend of baroque, classical, folk, American rock, British rock, country, and ragtime. Elizabeth's members were: Steve Weingarten, who died in 2007; Bob Patterson ; Jim Dahme ; Steve Paul Bruno ; and, Hank Ransome (drums).
The Symphony No. 3, Circus Maximus, is a composition for wind ensemble in eight movements by the American composer John Corigliano. The work was commissioned by the University of Texas at Austin Butler School of Music for the University of Texas Wind Ensemble. It was given its world premiere by the University of Texas Wind Ensemble under their conductor Jerry Junkin at the Bass Concert Hall in the University of Texas Performing Arts Center on February 16, 2005. The symphony is dedicated to Junkin and is the composer's first piece written specifically for concert band.
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