Dorothy Revier was an American actress.
Love Bound is a 1932 American Pre-Code mystery film directed by Robert F. Hill and starring Jack Mulhall, Natalie Moorhead, Clara Kimball Young. It is a second feature produced by the Poverty Row studio Peerless Pictures. The film is also known as Murder on the High Seas, the alternative title it was later reissued under.
Sally of the Subway is a 1932 American pre-Code crime film directed by George B. Seitz and starring Jack Mulhall, Dorothy Revier and Blanche Mehaffey. It was produced as a second feature for release by Mayfair Pictures.
Temptation's Workshop is a 1932 American pre-Code drama film directed by George B. Seitz and starring Helen Foster, Tyrell Davis and Dorothy Granger. It was released by the independent Poverty Row studio Mayfair Pictures.
The Widow in Scarlet is a 1932 American pre-Code mystery crime film directed by George B. Seitz and starring Dorothy Revier, Kenneth Harlan and Lloyd Whitlock. It was distributed by the independent Mayfair Pictures.
The Honor of the Press is a 1932 American Pre-Code crime film directed by B. Reeves Eason and starring Edward J. Nugent, Rita La Roy and Dorothy Gulliver. It was produced as a second feature for release by Mayfair Pictures. The film's sets were designed by the art director Paul Palmentola.
Adrienne Dore was an American actress, model, and beauty pageant winner. She was first runner-up in the Miss America 1925 pageant, competing as Miss Los Angeles. Dore went on to have a modest career in motion pictures before retiring in 1934.
The Law of the 45's is a 1935 American Western film directed by John P. McCarthy. The screenplay was based on the 1933 novel of the same name by William Colt MacDonald. It was the first film to be made of MacDonald's characters The Three Mesquiteers, that later became a film series at Republic Pictures. Though only two of the characters, Tucson and Stoney, appeared in this film, Williams would appear as the missing member "Lullaby" Joslyn in Powdersmoke Range shot in the same year for RKO.
One in a Million is a 1934 American drama film directed by Frank R. Strayer and starring Dorothy Wilson, Charles Starrett and Guinn 'Big Boy' Williams.
Roland D. Reed was an American film editor, producer and director. He worked on many films for the low-budget Chesterfield Pictures and later started Roland Reed Productions, Inc. that shut down in November 1956. In addition to TV series, Reed made industrial and Christian films as well as television commercials that were filmed at Hal Roach Studios.
Cheaters is a 1934 American crime film directed by Phil Rosen and starring William Boyd, June Collyer and Dorothy Mackaill.
Social Error is a 1935 American crime film directed by Harry L. Fraser and starring David Sharpe, Gertrude Messinger and Monte Blue. It was re-released by Astor Pictures in 1948.
Without Children, also known as Penthouse Party, is a 1935 American drama film directed by William Nigh and starring Marguerite Churchill, Bruce Cabot and Evelyn Brent.
Sweepstake Annie is a 1935 American comedy film directed by William Nigh and starring Tom Brown, Marian Nixon and Wera Engels.
School for Girls is a 1935 American drama film directed by William Nigh and starring Sidney Fox, Paul Kelly and Lois Wilson.
Ship of Wanted Men is a 1933 American pre-Code crime film directed by Lewis D. Collins and starring Dorothy Sebastian, Fred Kohler and Leon Ames. The film's sets were designed by the art director Fred Preble.
Manhattan Butterfly is a 1935 American crime film directed by Lewis D. Collins and starring Dorothy Granger, William Bakewell and Kenneth Thomson.
Malay Nights is a 1932 American pre-Code drama film directed by E. Mason Hopper and starring Johnny Mack Brown, Dorothy Burgess and Raymond Hatton. It was produced on Poverty Row as a second feature for release by Mayfair Pictures. It is also known by the alternative title Shadows of Singapore.
Unknown Blonde is a 1934 American pre-Code crime drama film directed by Hobart Henley and starring Edward Arnold, Barbara Barondess and Dorothy Revier. It was released by the independent Majestic Pictures. It was based on the 1932 novel Collusion by Theodore D. Irwin. The film's sets were designed by the art director Ralph Oberg.
A Scarlet Week-End is a 1932 American mystery film directed by George Melford and starring Dorothy Revier, Theodore von Eltz and Phyllis Barrington. It was made as a second feature on Poverty Row by the independent producer Willis Kent. It is an adaptation of the 1931 novel The Woman in Purple Pajamas by Wilson Collison.
