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Claerwen Laura James (born October 1970) [1] is a British painter.
James is the daughter of the Australian journalist Clive James and his wife, the scholar Prudence Shaw. [2] James studied zoology at the University of Oxford. [3]
James specialises in portraiture, particularly of young people, painted from photographs rather than live sittings. [4]
James began painting during her undergraduate studies. [5] Following the completion of her academic studies, she decided to revert to her original passion for art [6] and between 1999 and 2003 enrolled on a painting course at the Slade School of Art. [6] Graduating in 2003, James gained a first-class degree, and was awarded the Melvill Nettleship Prize for Figure Composition. [7] From 2003 to 2004 she continued her studies at the Prince's Drawing School after obtaining a graduate bursary. [8] Her work is held in the permanent collection of the Scheringa Museum of Realist Art in Spanbroek, Netherlands, [9]
In addition to her paintings, James produces prints, utilising techniques that include block-printing and hand-stencilled silk screening. [10] She is one third of design partnership, Cambridge Imprint, where she has designed decorative patterns for the sleeves for Persephone Books, [11] and collaborated with heritage shoe brand Grenson [12] on a new printed design shoe. [13]
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Vanessa Bell was an English painter and interior designer, a member of the Bloomsbury Group and the sister of Virginia Woolf.
Sir William Newzam Prior Nicholson was a British painter of still-life, landscape and portraits. He also worked as a printmaker in techniques including woodcut, wood-engraving and lithography, as an illustrator, as an author of children's books and as a designer for the theatre.
Mary Frances Pratt, D.Litt was a Canadian painter known for photo-realist still life paintings. Pratt never thought of her work as being focused on one subject matter: her early work is often of domestic scenes, while later work may have a darker undertone, with people as the central subject matter. She painted what appealed to her, being emotionally connected to her subject. Pratt often spoke of conveying the sensuality of light in her paintings, and of the "erotic charge" her chosen subjects possessed.
James Jean is a Taiwanese-American visual artist working primarily in painting and drawing. He lives and works in Los Angeles, where he moved from New York in 2003.
Trevor Thomas Phillips was an English visual artist. He worked as a painter, printmaker and collagist.
Bernard Cohen is a British painter. He is regarded as one of the leading British abstract artists of his time.
Mary Frank is a British and American visual artist who works as a sculptor, painter, printmaker, draftswoman, and illustrator.
Idelle Lois Weber was an American artist most closely aligned with the Pop art and Photorealist movements.
Bettina Shaw-Lawrence, also known as Betty Shaw-Lawrence, was an English figurative artist. Shaw studied painting and drawing under Fernand Léger, Cedric Morris and Arthur Lett-Haines, though she was mainly self-taught and worked professionally until the early 1980s.
Janet Fish is a contemporary American realist artist. Through oil painting, lithography, and screenprinting, she explores the interaction of light with everyday objects in the still life genre. Many of her paintings include elements of transparency, reflected light, and multiple overlapping patterns depicted in bold, high color values. She has been credited with revitalizing the still life genre.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Sarah Natasha Raphael was an English artist best known for her portraits and draughtsmanship.
Nicola Hicks is an English sculptor, known for her works made using straw and plaster.
Phyllis Bramson is an American artist, based in Chicago and known for "richly ornamental, excessive and decadent" paintings described as walking a tightrope between "edginess and eroticism." She combines eclectic influences, such as kitsch culture, Rococo art and Orientalism, in juxtapositions of fantastical figures, decorative patterns and objects, and pastoral landscapes that affirm the pleasures and follies of romantic desire, imagination and looking. Bramson shares tendencies with the Chicago Imagists and broader Chicago tradition of surreal representation in her use of expressionist figuration, vernacular culture, bright color, and sexual imagery. Curator Lynne Warren wrote of her 30-year retrospective at the Chicago Cultural Center, "Bramson passionately paints from her center, so uniquely shaped in her formative years […] her lovely colors, fluttery, vignette compositions, and flowery and cartoony imagery create works that are really like no one else's. Writer Miranda McClintic said that Bramson's works "incorporate the passionate complexity of eastern mythology, the sexual innuendos of soap operas and sometimes the happy endings of cartoons."
Judith Linhares is an American painter, known for her vibrant, expressive figurative and narrative paintings. She came of age and gained recognition in the Bay Area culture of the 1960s and 1970s and has been based in New York City since 1980. Curator Marcia Tucker featured her in the influential New Museum show, "'Bad' Painting" (1978), and in the 1984 Venice Biennale show, "Paradise Lost/Paradise Regained: American Visions of the New Decade." Linhares synthesizes influences including Expressionism, Bay Area Figuration, Mexican modern art and second-wave feminism, in work that flirts with abstraction and balances visionary personal imagery, expressive intensity, and pictorial rigor. Art historian Whitney Chadwick wrote, "Linhares is an artist for whom painting has always mattered as the surest path of synthesizing experience and interior life," her works "emerging as if by magic from an alchemical stew of vivid complementary hues and muted tonalities." Critic John Yau describes her paintings "funny, strange, and disconcerting," while writer Susan Morgan called them "unexpected and indelible" images exploring "an oddly sublime territory where exuberant bliss remains inseparable from ominous danger."
Lisa Wainwright is an American art historian at the School of the Art Institute of Chicago. She previously served SAIC as the Dean of Faculty and Vice President of Academic Affairs, as well as Title IX officer for faculty. Wainwright received a Ph.D. in the history of 19th and 20th-century art, University of Illinois, 1993; an M.A. in history of 19th and 20th-century art, University of Illinois, December 1986, and a B.A. cum laude, Vanderbilt University, art history, June 1982. She also studied at the Goethe-Institut in Blaubeuren, Germany, in summer 1982.
Marion Elizabeth Adnams was an English painter, printmaker and draughtswoman. She is notable for her surrealist paintings, in which apparently unconnected objects appear together in unfamiliar, often outdoor, environments. Some of her paintings depict landscapes and landmarks close to, or within, her native town of Derby.
Elizabeth Kitchenman Coyne was a Pennsylvania impressionist painter, best known for her landscapes and paintings of horses. Her works are included in the permanent collections of the Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum and the Philadelphia Art Alliance.
Harriet Shorr, was an American artist, writer, poet and professor. She was known for large-scale realistic still life paintings.
Elizabeth Gower is an Australian abstract artist who lives and works in Melbourne. She is best known for her work in paper and mixed-media monochrome and coloured collages, drawn from her sustained practice of collecting urban detritus.
