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Claerwen Laura James (born October 1970) [1] is a British painter.
James is the daughter of the Australian journalist Clive James and his wife, the scholar Prudence "Prue" Shaw. [2] James studied zoology at the University of Oxford. [3]
James specialises in portraiture, particularly of young people, painted from photographs rather than live sittings. [4]
James began painting during her undergraduate studies. [5] Following the completion of her academic studies, she decided to revert to her original passion for art [6] and between 1999 and 2003 enrolled on a painting course at the Slade School of Art. [6] Graduating in 2003, James gained a first-class degree, and was awarded the Melvill Nettleship Prize for Figure Composition. [7] From 2003 to 2004 she continued her studies at the Prince's Drawing School after obtaining a graduate bursary. [8] Her work is held in the permanent collection of the Scheringa Museum of Realist Art in Spanbroek, Netherlands, [9]
In addition to her paintings, James produces prints, utilising techniques that include block-printing and hand-stencilled silk screening. [10] She is one third of design partnership, Cambridge Imprint, where she has designed decorative patterns for the sleeves for Persephone Books, [11] and collaborated with heritage shoe brand Grenson [12] on a new printed design shoe. [13]
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Vanessa Bell was an English painter and interior designer, a member of the Bloomsbury Group and the sister of Virginia Woolf.
Sir William Newzam Prior Nicholson was a British painter of still-life, landscape and portraits. He also worked as a printmaker in techniques including woodcut, wood-engraving and lithography, as an illustrator, as an author of children's books and as a designer for the theatre.
Mary Frances Pratt, CC, RCA was a Canadian painter specializing in photo-realistic still life paintings. While Pratt never thought of her work as being focused on one subject matter, her early works focus on domestic scenes, while some of her later work have a darker undertone, with people as the central subject matter. She painted what appealed to her, being emotionally connected to her subject. Pratt often spoke of conveying the sensuality of light in her paintings, and of the "erotic charge" her chosen subjects possessed.
James Jean is a Taiwanese-American visual artist working primarily in painting and drawing. He lives and works in Los Angeles, where he moved from New York in 2003.
Bernard Cohen is a British painter. He is regarded as one of the leading British abstract artists of his time.
Ceri Giraldus Richards was a Welsh painter, print-maker and maker of reliefs.
Mary Frank is an English visual artist who works as a sculptor, painter, printmaker, draftswoman, and illustrator.
Rita Ackermann is a Hungarian-American artist. She is currently living and working in New York City
Idelle Lois Weber was an American artist most closely aligned with the Pop art and Photorealist movements.
Bettina Shaw-Lawrence, also known as Betty Shaw-Lawrence, was an English figurative artist. Shaw studied painting and drawing under Fernand Léger, Cedric Morris and Arthur Lett-Haines, though she was mainly self-taught and worked professionally until the early 1980s.
Janet Fish is a contemporary American realist artist. Through oil painting, lithography, and screenprinting, she explores the interaction of light with everyday objects in the still life genre. Many of her paintings include elements of transparency, reflected light, and multiple overlapping patterns depicted in bold, high color values. She has been credited with revitalizing the still life genre.
Heather T. Hart is a visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing gender gap and diversity representation in the arts on Wikipedia.
Nicola Hicks is an English sculptor, known for her works made using straw and plaster.
Phyllis Bramson is an American artist, based in Chicago and known for "richly ornamental, excessive and decadent" paintings described as walking a tightrope between "edginess and eroticism." She combines eclectic influences, such as kitsch culture, Rococo art and Orientalism, in juxtapositions of fantastical figures, decorative patterns and objects, and pastoral landscapes that affirm the pleasures and follies of romantic desire, imagination and looking. Bramson shares tendencies with the Chicago Imagists and broader Chicago tradition of surreal representation in her use of expressionist figuration, vernacular culture, bright color, and sexual imagery. Curator Lynne Warren wrote of her 30-year retrospective at the Chicago Cultural Center, "Bramson passionately paints from her center, so uniquely shaped in her formative years […] her lovely colors, fluttery, vignette compositions, and flowery and cartoony imagery create works that are really like no one else's. Writer Miranda McClintic said that Bramson's works "incorporate the passionate complexity of eastern mythology, the sexual innuendos of soap operas and sometimes the happy endings of cartoons." Bramson's work has been exhibited in exhibitions and surveys at the Museum of Contemporary Art, Chicago (MCA), the Art Institute of Chicago, the Smithsonian Institution, and Corcoran Gallery of Art. In more than forty one-person exhibitions, she has shown at the New Museum, Fort Wayne Museum of Art, Boulder Art Museum, University of West Virginia Museum, and numerous galleries. She has been widely reviewed and recognized with John S. Guggenheim and Rockefeller foundation grants and the Anonymous Was A Woman Award, among others. She was one of the founding members of the early women's art collaborative Artemisia Gallery and a long-time professor at the School of Art and Design at the University of Illinois at Chicago, until retiring in 2007.
Victoria Elizabeth Crowe OBE, DHC, FRSE, MA (RCA) RSA, RSW is a Scottish artist known for her portrait and landscape paintings. She has works in several collections including the National Galleries of Scotland, the National Portrait Gallery, London, and the Royal Scottish Academy.
Judith Linhares is an American painter, known for her vibrant, expressive figurative and narrative paintings. She came of age and gained recognition in the Bay Area culture of the 1960s and 1970s and has been based in New York City since 1980. Curator Marcia Tucker featured her in the influential New Museum show, "'Bad' Painting" (1978), and in the 1984 Venice Biennale show, "Paradise Lost/Paradise Regained: American Visions of the New Decade." Linhares synthesizes influences including Expressionism, Bay Area Figuration, Mexican modern art and second-wave feminism, in work that flirts with abstraction and balances visionary personal imagery, expressive intensity, and pictorial rigor. Art historian Whitney Chadwick wrote, "Linhares is an artist for whom painting has always mattered as the surest path of synthesizing experience and interior life," her works "emerging as if by magic from an alchemical stew of vivid complementary hues and muted tonalities." Critic John Yau describes her paintings "funny, strange, and disconcerting," while writer Susan Morgan called them "unexpected and indelible" images exploring "an oddly sublime territory where exuberant bliss remains inseparable from ominous danger."
Katherine Gili is a British sculptor. Born in Oxford in 1948, is the daughter of Catalan publisher and translator Joan Gili and sister of the film-maker Jonathan Gili. She graduated from Bath Academy of Art in 1970 and then studied for two years at St Martin's School of Art. Gili subsequently taught at a number of art schools; most notably St Martin's and Norwich between 1972 and 1985.
Marion Elizabeth Adnams was an English painter, printmaker and draughtswoman. She is notable for her surrealist paintings, in which apparently unconnected objects appear together in unfamiliar, often outdoor, environments. Some of her paintings depict landscapes and landmarks close to, or within, her native town of Derby.
Elizabeth Kitchenman Coyne was a Pennsylvania impressionist painter, best known for her landscapes and paintings of horses. Her works are included in the permanent collections of the Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum and the Philadelphia Art Alliance.
Barbara Grad is an American artist and educator, known for abstract, fractured landscape paintings, which combine organic and geometric forms, colliding planes and patterns, and multiple perspectives. Her work's themes include the instability of experience, the ephemerality of nature, and the complexity of navigating cultural environments in flux. While best known as a painter, Grad also produces drawings, prints, mixed-media works and artist books. She has exhibited in venues including the Art Institute of Chicago, Kemper Museum of Contemporary Art, Danforth Art, Rose Art Museum, Indianapolis Museum of Art and A.I.R., and been reviewed in publications, including Artforum, Arts Magazine and ARTnews. Grad co-founded Artemisia Gallery, one the country's first women-artist collectives, in Chicago in 1973. She has been an educator for over four decades, most notably at the Massachusetts College of Art and Design. Grad has been based in the Boston area since 1987.
