Claire Breay | |
---|---|
Born | Mary Claire Breay 18 October 1968 |
Nationality | British |
Education | Institute of Historical Research |
Occupation | Curator |
Years active | 1998–present |
Employer | British Library |
Notable work | Anglo-Saxon Kingdoms: Art, Word, War |
Claire Breay, MBE (born 18 October 1968) is an English manuscript curator and medieval historian. She is the Head of Ancient, Medieval and Early Modern Manuscripts at the British Library, where she specializes in Western medieval manuscripts in the Department of Collections. [1] [2]
Breay studied history and classics for her bachelor's degree at Newnham College, Cambridge, [3] after which she proceeded to do a one-year archival work experience post at the Borthwick Institute for Archives in York, and then trained as an archivist at Aberystwyth University. [4] She did a PhD in medieval history at the Institute of Historical Research in London.
Breay started her career as an archivist at Lambeth Palace Library for two years after her PhD. She joined the British Library in 1998 as a curator of medieval historical manuscripts. She became the head of the medieval manuscripts section of the Library in 2006. While working in the section, she was in charge of the Codex Sinaiticus Project (2002–2010). She also worked on the acquisition of the St Cuthbert Gospel (2010–2012) and was a co-investigator for the AHRC-funded Magna Carta Project (2012–2015). Breay was lead curator of the 2018 exhibition, Magna Carta: Law, Liberty, Legacy and also the lead curator of the exhibition, Anglo-Saxon Kingdoms: Art, Word, War [5] [6] [7] [8] [9] which is the largest ever exhibition on the history, literature and culture of Anglo-Saxon kingdoms spanning six centuries – from the eclipse of Roman Britain in the 5th century to the Norman Conquest of 1066, as at the time of the exhibition in October 2018. [10] [11] She jointly supervised an AHRC Collaborative Doctoral Partnership student (2015–2018) with Professor Joanna Story of the University of Leicester. She is a Committee member of the Association for Archives and Manuscripts in Research Collections and the Cathedral Libraries and Archives Association. [2]
In 2017, Breay was awarded an MBE for her services to medieval history. [12] [13]
In 2019, she received the Longman-History Today Trustees' Award for the promotion of history. [14]
Magna Carta Libertatum, commonly called Magna Carta, is a royal charter of rights agreed to by King John of England at Runnymede, near Windsor, on 15 June 1215. First drafted by the Archbishop of Canterbury, Cardinal Stephen Langton, to make peace between the unpopular king and a group of rebel barons, it promised the protection of church rights, protection for the barons from illegal imprisonment, access to swift justice, and limitations on feudal payments to the Crown, to be implemented through a council of 25 barons. Neither side stood behind their commitments, and the charter was annulled by Pope Innocent III, leading to the First Barons' War.
The Lindisfarne Gospels is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements.
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland, Scotland or England, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is regarded as a masterwork of Western calligraphy and the pinnacle of Insular illumination. The manuscript takes its name from the Abbey of Kells, County Meath, which was its home for centuries.
The St Cuthbert Gospel, also known as the Stonyhurst Gospel or the St Cuthbert Gospel of St John, is an early 8th-century pocket gospel book, written in Latin. Its finely decorated leather binding is the earliest known Western bookbinding to survive, and both the 94 vellum folios and the binding are in outstanding condition for a book of this age. With a page size of only 138 by 92 millimetres, the St Cuthbert Gospel is one of the smallest surviving Anglo-Saxon manuscripts. The essentially undecorated text is the Gospel of John in Latin, written in a script that has been regarded as a model of elegant simplicity.
The Book of Durrow is an illuminated manuscript dated to c. 700 that consists of text from the four Gospels gospel books, written in an Irish adaption of Vulgate Latin, and illustrated in the Insular script style.
The Textus Roffensis, fully titled the Textus de Ecclesia Roffensi per Ernulphum episcopum and sometimes also known as the Annals of Rochester, is a mediaeval manuscript that consists of two separate works written between 1122 and 1124. It is catalogued as "Rochester Cathedral Library, MS A.3.5" and is currently on display in a new exhibition at Rochester Cathedral, Rochester, Kent. It is thought that the main text of both manuscripts was written by a single scribe, although the English glosses to the two Latin entries were made by a second hand. The annotations might indicate that the manuscript was consulted in some post-Conquest trials. However, the glosses are very sparse and just clarify a few uncertain terms. For example, the entry on f. 67r merely explains that the triplex iudiciu(m) is called in English, ofraceth ordel.
A carpet page is a full page in an illuminated manuscript containing intricate, non-figurative, patterned designs. They are a characteristic feature of Insular manuscripts, and typically placed at the beginning of a Gospel Book. Carpet pages are characterised by mainly geometrical ornamentation which may include repeated animal forms. They are distinct from pages devoted to highly decorated historiated initials, though the style of decoration may be very similar.
The Parker Library is the rare books and manuscripts library of Corpus Christi College, Cambridge. It is known throughout the world due to its invaluable collection of over 600 manuscripts, particularly medieval texts, the majority of which were bequeathed to the college by Archbishop of Canterbury Matthew Parker, a former Master of Corpus Christi College.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
Comoere or Wulsige Comoere was a medieval Bishop of Cornwall.
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport.
The Old English Hexateuch is the collaborative project of the late Anglo-Saxon period that translated the six books of the Hexateuch into Old English, presumably under the editorship of Ælfric of Eynsham. It is the first English vernacular translation of the first six books of the Old Testament, i.e. the five books of the Torah and Joshua. It was probably made for use by lay people.
The Mac Durnan Gospels or Book of Mac Durnan is an illuminated manuscript Gospel book made in Ireland in the 9th or 10th century, a rather late example of Insular art. Unusually, it was in Anglo-Saxon England soon after it was written, and is now in the collection of Lambeth Palace Library in London.
Janet Moira Backhouse was an English manuscripts curator at the British Museum, and a leading authority in the field of illuminated manuscripts.
Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London. She was previously (1986–2004) Curator of Illuminated Manuscripts at the British Library. She has been a historical consultant and on-screen expert on several radio and television programmes. She has published books on the Lindisfarne Gospels, the Luttrell Psalter and the Holkham Bible.
Joanna Elizabeth Story is a British historian whose speciality is the history of and relationship between Anglo-Saxon England and Carolingian Francia.
Magna Carta is a 2015 work by English installation artist Cornelia Parker. The artwork is an embroidered representation of the complete text and images of an online encyclopedia article for Magna Carta, as it appeared in English Wikipedia on 15 June 2014, the 799th anniversary of the document.
Derek Howard Turner was an English museum curator and art historian who specialised in liturgical studies and illuminated manuscripts. He worked at the British Museum and the British Library from 1956 until his death, focusing on exhibitions, scholarship, and loans.
Rachel Moss is an Irish art historian and professor specialising in medieval art, with a particular interest in Insular art, medieval Irish Gospel books and monastic history. She is the current head of the Department of the History of Art at Trinity College Dublin, where she was became a fellow in 2022.
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