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Amanda Church is an American artist known for abstract paintings that reference the human figure and other discernible elements. Her works straddle representational and formalist art traditions, suggesting recognizable body parts, objects, and perspectival elements in an otherwise abstract field. Church's distinctive use of contrasting style elements has been consistently noted by critics such as Hyperallergic's Cora Fisher, who described Church's work as "whimsically overruling the left-right brain dichotomy as well as the traditionally gendered axis that divides geometric and decorative art." Church received a Guggenheim Fellowship in 2015 and a Pollock-Krasner Foundation grant in 2017, among other awards. Her work has been covered in publications such as The New York Times, The Boston Globe, ARTnews, Hyperallergic and Forbes Magazine. Her paintings have been exhibited in major U.S. cities as well as internationally, in galleries and museums such as the Brooklyn Museum of Art and the Aldrich Museum. She lives and works in New York.
References
- 1 2 3 4 Grimes, William (April 16, 2015). "Distinct Prisms in an Ever-Shifting Kaleidoscope". The New York Times.
- ↑ Genocchio, Benjamin (August 22, 2008). "Beguiled by Fresh Talent". The New York Times.
- ↑ "Clare Grill - What You're Told @ jen bekman". jenbekman.com.
- ↑ Ollman, Leah (November 28, 2014). "Clare Grill paintings: Muted bits of memory, melancholy". Los Angeles Times.
- 1 2 Griffin, Nora (May 6, 2015). "CLARE GRILL Touchd Lustre". The Brooklyn Rail.
- 1 2 "A Refreshing Dose of Cynicism-Free Abstraction". Hyperallergic.