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Clare Johnson is an American writer and artist from Seattle, Washington. [1] Her work deals with the parallel themes of memory and loss.
Technically trained at Brown University, Providence, USA, Slade School of Fine Art, London, England and Central St Martins College of Art and Design, London, England her intricate ink drawings deal obsessively with the frontier between solitude and loneliness, comfort and disconsolation. The work was originally inspired by imagery from nightly drawings on post-it notes. [2] Johnson's drawings have been described as "intimate both in content and nature. Exploring personal illness and anxieties, her work is much more than art therapy, but a delicate, illustrative analysis of vulnerability, fear and the looming dangers of life both physical and metaphorical." [3]
Johnson's paintings are exhibited on unframed, stretched canvas, which, by avoiding the smug completeness of a frame, reminds the viewer that pictures miss as much as they reveal. On the subject of painting, she writes "I object to the belief that a painting should always be a statement about painting itself. If one has to extract such a statement from my paintings, it would be simply that paintings should relate to something significant about life, something worth spending that time on. They should be for anyone - for an unrestricted potential audience, rather than an elite group of experts." [4]
She has won numerous awards for both her art and her writing, including the Michael S. Harper Poetry Prize in 2004. She has been published in Blithe House Quarterly [5] and Cranky Literary Journal, for which she was briefly an assistant editor. Her artwork has been exhibited at Lauderdale House, [6] the Jerwood Space and The Bargehouse Gallery in London. Johnson's 35 drawing piece, My Parents Told Me to Stay Calm, which formed part of the Deep Inspiration benefit for Asthma UK in 2007 [7] received special mention by the organisers, including Gavin Turk. In 2009, exhibitions include the Oxford Contemporary at Ovada (7 February to 21 March 2009) [8] and Will I Live Here When I Grow Up? a solo show at The North Wall Gallery, Oxford (11–29 May 2009). [9]
Johnson discussed how contemporary music has informed her writing in a talk for the University of Cambridge Festival of Ideas at Kettle's Yard, in November 2008. [10]
Johnson has been a campaigner for gay, lesbian and transgender rights since high school [11] and at university advocated for reform of the residence hall criteria, arguing that the current male/ female option was discriminatory and that insufficient attention was being given to issues like safe bathrooms for transgender students, who are often at high risk of assault in gender-specific zones. [12] In 2009, Johnson taught a children's stories class for Tower Hamlets Council Children's Services as part of LGBT History month. [13]
Tracey Karima Emin, CBE, RA is a British artist known for her autobiographical and confessional artwork. Emin produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué. Once the "enfant terrible" of the Young British Artists in the 1980s, Tracey Emin is now a Royal Academician.
Jennifer Anne Saville is a contemporary British painter and an original member of the Young British Artists. She is known for her large-scale painted depictions of nude women. Saville has been credited with originating a new and challenging method of painting the female nude and reinventing figure painting for contemporary art. Saville works and lives in Oxford, England.
Ginny Ruffner is a pioneering American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.
Inka Essenhigh is an American painter based in New York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, 303 Gallery, Stefan Stux Gallery, and Jacob Lewis Gallery in New York, Tomio Koyama Gallery in Tokyo, and Il Capricorno in Venice.
Cecily Brown is a British painter. Her style displays the influence of a variety of contemporary painters, from Willem de Kooning, Francis Bacon and Joan Mitchell, to Old Masters like Rubens, Poussin and Goya. Brown lives and works in New York.
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Jane R. Hammond is an American artist who lives and works in New York City. She was influenced by the late composer John Cage. She collaborated with the poet John Ashbery, making 62 paintings based on titles suggested by Ashbery; she also collaborated with the poet Raphael Rubinstein.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
Josephine Gail Baer is an American painter associated with minimalist art. She began exhibiting her work at the Fischbach Gallery, New York, and other venues for contemporary art in the mid-1960s. In the mid-1970s, she turned away from non-objective painting. Since then, Baer has fused images, symbols, words, and phrases in a non-narrative manner, a mode of expression she once termed "radical figuration." She currently lives and works in Amsterdam, Netherlands.
Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Barbara Ann Rosenthal is an American avant-garde artist, writer and performer. Her existential themes have contributed to contemporary art and philosophy. Her pseudonyms include "Homo Futurus," taken from the title of one of her books and "Cassandra-on-the-Hudson," which alludes to "the dangerous world she envisions" while creating art in her studio and residence, located since 1998 on the Hudson River in Greenwich Village, NYC.
Laylah Ali (born 1968, Buffalo, New York) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Kalki Subramaniam is a transgender rights activist, artist, actress, writer, inspirational speaker and entrepreneur from Tamil Nadu.
Clare B Dimyon MBE is a LGBT+ rights campaigner. In 2010 she was awarded the Member of the Order of the British Empire for "services to promoting the rights of lesbian, gay, bisexual and transgender people in central and eastern Europe".
Holly Farrell is a Canadian painter.
Rhode Island Pride is an LGBT organization that serves the Rhode Island LGBTQ community, most notably holding its annual PrideFest in June. The organization traces its roots to the 1976 march, in which 75 individuals protested the city's refusal of a permit to host an official march. Today, Rhode Island Pride is one of the largest and most active LGBTQ organizations in Rhode Island, hosting community events and offering resources to Rhode Island's LGBTQ population.
Caitlin Cherry is an African-American painter, sculptor, and educator.
Sharon Butler is an American artist and arts writer. She is known for teasing out ideas about contemporary abstraction in her art and writing, particularly a style she called "new casualism" in a 2011 essay. Butler uses process as metaphor and has said in artist's talks that she is keenly interested in creating paintings as documentation of her life. In a 2014 review in the Washington Post, art critic Michael Sullivan wrote that Butler "creates sketchy, thinly painted washes that hover between representation and abstraction.Though boasting such mechanistic titles as 'Tower Vents' and 'Turbine Study,' Butler’s dreamlike renderings, which use tape to only suggest the roughest outlines of architectural forms, feel like bittersweet homages to urban decay." Critic Thomas Micchelli proposed that Butler's work shares "Rauschenberg’s dissolution of the barriers between painting and sculpture," particularly where the canvases are "stapled almost willy-nilly to the front of the stretcher bars, which are visible along the edges of some of the works."
Tania Kovats is an English visual artist, best known for her sculpture, installation art and drawing.
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