The Sydney Film Festival is an annual film festival held in Sydney, usually over 12 days in June. The competitive film festival draws international and local attention, with films being showcased in several venues across the city centre and includes features, documentaries, short films, retrospectives, films for families and animations. The festival's director is Nashen Moodley, who commenced in early 2012, replacing Clare Stewart.
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves filmmaking and television in the United Kingdom. The BFI uses lottery funds to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport.
The Sarajevo Film Festival is the premier and largest film festival in Southeast Europe, and is one of the largest film festivals in Europe. It was founded in Sarajevo in 1995 during the siege of Sarajevo in the Bosnian War, and brings international and local celebrities to Sarajevo every year. It is held in August and showcases an extensive variety of feature and short films from around the world. The current director of the festival is Mirsad Purivatra, former CEO of the Bosnian branch of McCann Erickson.
The Australian Centre for the Moving Image (ACMI), at Federation Square, Melbourne, is Australia's national museum of film, video games, digital culture and art. During the 2014-15 financial year, 1.3 million people visited ACMI, the second-highest attendance of any gallery or museum in Australia. In May 2019, ACMI closed to the public to begin a $40 million redevelopment.
The BFI London Film Festival is an annual film festival founded in 1957 and held in the United Kingdom, running for two weeks in October with co-operation from the British Film Institute. It screens more than 300 films, documentaries and shorts from approximately 50 countries.
Benjamin Peter Speed is an Australian musician who composes scores for film, television and theatre. He performs and records as Mister Speed and was vocalist and songwriter in the Australian alternative, electronic and hip hop band The New Pollutants.
The San Francisco Film Society is a nonprofit arts organization located in San Francisco, California that presents year-round programs and events in film exhibition, media education, and filmmaker services.
Michael James Rowland is an Australian film director.
The Australian International Documentary Conference (AIDC) is an Australian conference for the promotion of documentary, factual and unscripted screen content, regarded as one of two major national conferences for filmmakers.
Dina Iordanova is an educationalist and Professor of Film Studies at the University of St. Andrews. A specialist in world cinema, her special expertise is in the cinema of the Balkans, Eastern Europe, and Europe in general. Her research approaches cinema on a meta-national level and focuses on the dynamics of transnational film; she has special interest in issues related to cinema at the periphery and in alternative historiography. She has published extensively on international and transnational film art and film industry, and convenes research networks on film festivals and on the Dynamics of World Cinema, with funding from the Leverhulme Trust.
The RMIT School of Applied Communication was an Australian tertiary education school within the College of Design and Social Context of RMIT University. The school hosted RMIT's Advertising, Communication Design, Editing and Publishing, Journalism, Media, Professional Communication and its Public Relations programs. It merged with the RMIT School of Creative Media on 6 July 2009 to form the RMIT School of Media and Communication.
Gideon Obarzanek is an Australian choreographer, director and performing arts curator. He was Artistic Associate with the Melbourne Festival (2015-2017), co-curator and director of 'XO State' at the inaugural Asia-Pacific Triennial of Performing Arts (2015-2017). Obarzanek was appointed Chair of the Melbourne Fringe Festival in 2015 and Strategic Cultural Engagement Manager at Chancellery at the University of Melbourne in 2018.
Kris Stewart is Chief Executive Officer of QMusic, the peak body for live music in Queensland and producer of BIGSOUND, Australia's largest live music industry event.
Deb Verhoeven is currently the Canada 150 Research Chair in Gender and Cultural Informatics at the University of Alberta. Previously she was Associate Dean of Engagement and Innovation at the University of Technology Sydney, and before this she was Professor of Media and Communication at Deakin University. Until 2011 she held the role of director of the AFI Research Collection at RMIT. A writer, broadcaster, film critic and commentator, Verhoeven is the author of more than 100 journal articles and book chapters. Her book Jane Campion published by Routledge, is a detailed case study of the commercial and cultural role of the auteur in the contemporary film industry.
Jarod Green is an Australian film director, screenwriter and animator most notable for his work on the short film Beached Whale and the Australian Broadcasting Corporation television series Beached Az. Together with actor Nicholas Boshier, Green is also the creator of the online fictional character Trent from Punchy.
Sheila Hazel Whitaker was an English film programmer and writer.
Katrina Anne-Marie Sedgwick is the Australian CEO and director of the Australian Centre for the Moving Image.
Sandra Sdraulig is an executive coach and owner of Through the Roof offering executive coaching specifically tailored for women. She is also the chairman of the Adelaide Film Festival, chair of the Adelaide Festival of Ideas, a board member of both the Adelaide Festival of the Arts and the South Australian Art Gallery, a former creative and executive director of the Melbourne International Film Festival, and a former chief executive of Film Victoria. In 2012, she was awarded an Order of Australia (AM) for leadership in film and TV.
Chauka, Please Tell Us the Time is a documentary film co-directed by Kurdish-Iranian refugee Behrouz Boochani and Netherlands-based Iranian filmmaker Arash Kamali Sarvestani released in 2017. It was shot by Boochani from inside Australia's Manus Island detention centre in Papua New Guinea. The whole film was shot over six months on a smartphone, which had to be kept secret from the prison authorities.
Ian David Darling is a documentary film director and producer.
