Classical Recordings Quarterly (formerly Classic Record Collector) [1] was a quarterly British magazine devoted to vintage recordings of classical music, across the range of instrumental recordings, chamber music, orchestral, vocal and opera.
Based in London, the magazine was founded (as International Classical Record Collector) in 1995. [2] The magazine contains articles about artists and their recordings from the start of recording history through to the 1960s. There is also a letters page, reviews of new DVD and CD issues of pre-digital material, new LP and 78rpm repressings and books. [3] The International Opera Collector was another quarterly supplement published at the same time. [4]
Extended articles on the Kingsway Hall and on William Barrington-Coupe's record labels appeared, as well as features on a wide range of artists such as Louis Cahuzac, Tancredi Pasero, Montserrat Caballé, the Ballets Russes, the Griller Quartet, Albert Spalding and Oskar Fried, as well as many others.
Alan Sanders served as editor for the first two years from 1995-1997, after which Tully Potter was editor until 2008 (when he became Contributing editor), when Sanders returned to edit the magazine. [5]
Classical Recordings Quarterly employed a network of reviewers mainly from the UK and the USA, along with regular columns by Shuichiro Kawai (Japan) ‘Far Eastern Viewpoint’, Norbert Hornig (Germany) ‘Continental Report’, and a ‘Letter from America’ by Mortimer H Frank. Contributors to the magazine, both past and present, include Kenneth Morgan, Duncan Druce, Max Loppert, Benjamin Ivry, John T Hughes, Igor Kipnis, Colin Anderson, Michael Oliver, Rob Cowan, Robert Matthew-Walker, David Patmore, Antony Hodgson and J.B. Steane, among many others.
The magazine was printed in A5 size, with colour photos, and each edition consists of around 100 pages.
Classical Recordings Quarterly ceased publication in 2015. A series of reissued rare recordings, Classical Recordings Quarterly editions, still exists. [6]
Naxos comprises numerous companies, divisions, imprints and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings.
High Fidelity was an American magazine that was published from April 1951 until July 1989 and was a source of information about high fidelity audio equipment, video equipment, audio recordings, and other aspects of the musical world, such as music history, biographies, and anecdotal stories by or about noted performers.
The National Gramophonic Society (NGS) was founded in England in 1923 by the novelist Compton Mackenzie to produce recordings of music which was ignored by commercial record companies. The Society was proposed shortly after Mackenzie had launched his monthly The Gramophone, and its activities were announced and its releases promoted in the magazine's pages.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes "spoken word", in some cases, other recorded sounds. Although the typical focus is on vinyl records, all formats of recorded music can be collected.
Norbert Kraft is a Canadian guitarist, music teacher, producer and arranger.
Varèse Sarabande is an American record label, owned by Concord Music Group and distributed by Universal Music Group, which specializes in film scores and original cast recordings. It aims to reissue rare or unavailable albums, as well as newer releases by artists no longer under a contract. The label's name was derived from combining French-born composer Edgard Varèse's last name with the musical term sarabande, a slow Spanish dance.
Record Collector is a British monthly music magazine. It was founded in 1980 and distributes worldwide.
Igor Kipnis was a well-known American harpsichordist, pianist and conductor.
Romophone was a UK historical reissues record label dedicated to restoring and transferring historic 78 rpm recordings of opera singers to CD. It was founded in 1993 by Louise Barder and Virginia Barder.
The World Record Club Ltd. was the name of a company in the United Kingdom which issued long-playing records and reel-to-reel tapes, mainly of classical music and jazz, through a membership mail-order system during the 1950s and 1960s.
The Penguin Guide to Recorded Classical Music was a widely distributed annual publication from Britain published by Penguin Books that reviewed and rated currently available recordings of classical music. It was written by Ivan March, a music journalist, consultant and former professional musician; Edward Greenfield, music critic of The Guardian and Robert Layton, music writer and lecturer. All three were also reviewers for the UK classical music monthly Gramophone. From 2002, a fourth contributor, Paul Czajkowski, was credited, first as assistant editor and then as co-author.
John Barry Steane was an English music critic, musicologist, literary scholar and teacher, with a particular interest in singing and the human voice. His 36-year career as a schoolmaster overlapped with his career as a music critic and author of books on Elizabethan drama, and opera and concert singers.
The Preis der deutschen Schallplattenkritik was established in Germany in 1963 by publisher Richard Kaselowsky with the aim of setting the "most rigorous standards for supreme achievement and quality" in the field of music recording. Later on, it became closely linked to the German music industry's Deutsche Phono-Akademie e.V. – however, in 1980, the entire jury cut these ties and became an independent association. In 1988, in order to remain independent from commercial interests of the music industry, the jury officially registered as a non-profit organization, Preis der deutschen Schallplattenkritik e.V..
Gisèle Ben-Dor is an American Israeli orchestra conductor of Uruguayan origin.
Arturo Toscanini was an Italian conductor. He was one of the most acclaimed musicians of the late 19th and 20th century. Toscanini was a prolific recording artist, having conducted many recordings from 1920 until his retirement in 1954.
Dance Suite, Sz. 77, BB 86a, is a well-known 1923 orchestral work by the Hungarian composer Béla Bartók. The composer produced a reduction for piano in 1925, though this is less commonly performed.
Heresy Records is an independent classical record label based in Dublin.
Accentus Music is a German classical music record label and production company founded in March 2010 in Leipzig Germany, where the company is based. The label produces audio recordings (CD) and video (DVD/Blu-ray).
Henry Ward Marston IV is an American audio transfer engineer and producer, known for the conservation and reissue of historical recordings.
Classics Club was a British record label which was active between 1956 and 1964. It was a pioneer in the release of low-cost classical music LP records marketed direct to the public though a record club.