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Claude Pichois was a French academic and a leading scholar on the life and work of Charles Baudelaire. He was born in Paris and studied at the Ecole des Hautes Etudes Commerciales and at Sorbonne University. He taught at Vanderbilt University for many years.
He published extensively on Baudelaire and collaborated with scholars such as Jacques Crepet and Jean Ziegler. He also wrote on classic French authors such as Gerard Nerval and Colette. His life of Colette (co-written with Alain Brunet) won a Prix Goncourt. [1]
Charles Pierre Baudelaire was a French poet who also worked as an essayist, art critic and translator. His poems are described as exhibiting mastery of rhyme and rhythm, containing an exoticism inherited from Romantics, and are based on observations of real life.
(Achille) Claude Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Sidonie-Gabrielle Colette, known mononymously as Colette, was a French author and woman of letters. She was also a mime, actress, and journalist. Colette is best known in the English-speaking world for her 1944 novella Gigi, which was the basis for the 1958 film and the 1973 stage production of the same name. Her short story collection The Tendrils of the Vine is also famous in France.
Graham Macdonald RobbFRSL is a British author and critic specialising in French literature.
Antoine Doinel is a fictional character created by François Truffaut and portrayed by actor Jean-Pierre Léaud in five films directed by Truffaut. Doinel is to a great extent an alter ego for Truffaut; they share many of the same childhood experiences, look somewhat alike and are even mistaken for one another on the street. Although Truffaut did not initially plan for Doinel to be a recurring character, he eventually returned to the character in one short and three features after introducing him in his debut film The 400 Blows (1959). In all, Truffaut followed the fictional life of Antoine Doinel for over 20 years, depicting his romance with Christine in Stolen Kisses, then Antoine and Christine's marriage in Bed and Board and their subsequent divorce in Love on the Run.
Jean Starobinski was a Swiss literary critic.
Pascal Pia, born Pierre Durand, was a French writer, journalist, illustrator and scholar. He also used the pseudonyms Pascal Rose, Pascal Fely and others.
Margaret Anne Doody is a Canadian author of historical detective fiction and feminist literary critic. She is professor of literature at the University of Notre Dame, helped found the PhD in Literature Program at Notre Dame, and served as its director from 2001 to 2007.
Colette Caillat was a French professor of Sanskrit and comparative grammar. She was also one of the world's leading Jain scholars.
David Macey was an English translator and intellectual historian of the French left. He translated around sixty books from French to English, and wrote biographical studies of Jacques Lacan, Michel Foucault and Frantz Fanon.
Antoine Compagnon is a Professor of French Literature at Collège de France, Paris (2006–), and the Blanche W. Knopf Professor of French and Comparative Literature at Columbia University, New York City (1985–).
Mathilde de Morny was a French aristocrat and artist. She was also known by the nickname "Missy" or by the artistic pseudonym "Yssim", or as "Max", "Uncle Max", or "Monsieur le Marquis". Active as a sculptor and painter, Morny studied under Comte Saint-Cène and the sculptor Édouard-Gustave-Louis Millet de Marcilly.
Charles Asselineau was a French writer and art critic. He is also notable as one of the few close friends of the poet Charles Baudelaire. He was born in Paris and died in Châtel-guyon.
The Dead Man is an 1860s oil on canvas painting by Édouard Manet, produced during a period in which Manet was strongly influenced by Spanish themes and painters such as Diego Velázquez, Francisco de Goya and bullfighting.
The Bullfight is an 1864-1865 oil on canvas painting by Édouard Manet, now in the Frick Collection in New York. Its dimensions are 48x60.4 cm. Like The Dead Man, it was originally part of a larger composition entitled Episode in a Bullfight. The scene was inspired by a trip that Manet took to Spain for ten days in the fall of 1865. He described the bullfight he witnessed in a letter to Charles Baudelaire as "one of the finest, most curious and most terrifying sights to be seen."
Bullfight is an 1865-1866 painting by Édouard Manet, now in the Musée d'Orsay in Paris. It was produced after the artist's trip to Spain in 1865 and forms part of his Spanish period (1862-1867).
Alain Brunet is a French scholar and specialist on the writer Colette. He served as vice-president of the Société des Amis de Colette. He co-edited the collected works of Colette and co-authored her biography with Claude Pichois. The book won the Prix Goncourt.
Antonio Watripon (1822–1864) was a French journalist, critic and Republican activist.
Mathieu Georges Dairnvaell was a French journalist and pamphleteer using the pen name Satan, publishing during the years 1838 to 1851. In 1846 he published a 36-page pamphlet launching the antisemitic canard that the fabulous wealth of the Rothschild banking dynasty was amassed by Nathan Rothschild through obtaining advance knowledge of the outcome of the Battle of Waterloo (1815) and using this information to successfully play the stock market. In this way, Dairnvaell contributed to the rise of what Michel Dreyfus has called "economic antisemitism".