Claudia Clare is a British ceramicist and writer known for her large painted earthenware jars depicting the impact of big events in the lives of ordinary women.
Clare trained as a painter at Camberwell School of Art, apprenticed with Winchcombe pottery and gained a Phd at University of Westminster in 2007. [1] [2]
She has written for Ceramic Review [3] exhibited in galleries and museums [4] [5] including alongside Grayson Perry at the Zuleika Gallery. [6]
She has been described as a subversive ceramicist [7] and is the author of ‘Subversive Ceramics,’ (Bloomsbury 2016). [8] Clare co-wrote ‘The Pot Book’ (Phaidon, 2011) [9] with artist Edmund de Waal.
In 2023 she was involved in a controversy around an invitation to talk at University of The Arts London, [10] The University later apologised [11]
Sir Grayson Perry is an English contemporary artist, writer and broadcaster. He is known for his ceramic vases, tapestries, and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles".
Bernard Howell Leach, was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Dame Lucie Rie, was an Austrian-born British studio potter.
Edmund Arthur Lowndes de Waal, is a contemporary English artist, master potter and author. He is known for his large-scale installations of porcelain vessels often created in response to collections and archives or the history of a particular place. De Waal's book The Hare with Amber Eyes was awarded the Costa Book Award for Biography, Royal Society of Literature Ondaatje Prize in 2011 and Windham–Campbell Literature Prize for Non-Fiction in 2015. De Waal's second book The White Road, tracing his journey to discover the history of porcelain was released in 2015.
Elizabeth Fritsch CBE is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.
Judy Chartrand is a Cree artist from Manitoba, Canada. She is an artist who grew up in the Downtown Eastside neighbourhood of Vancouver, British Columbia. Her works frequently confronts issues of postcolonialism, Indigenous feminism, socio-economic inequity and Indigenous knowledge expressed through the mediums of ceramics, found objects, archival photography and traditional Indigenous techniques of beadwork, moose hair tufting and quillwork.
Clare Twomey is a London-based visual artist and researcher, working in performance, serial production, and site-specific installation.
Andrew Lord is an English artist based in New York, primarily known for ceramics and drawings. In a 2010 monograph on the occasion of his exhibition at the Milton Keynes Gallery, Dawn Adès commented that his sculpture, informed by painting, ceramics, poetry, the natural world and the city, exemplifies, "The centrality of material things to memory, experience, associations."
Chris Gustin is an American ceramicist. Gustin models his work on the human form, which is shown through the shape, color, and size of the pieces.
The Coxwold Pottery was a pottery studio based in the village of Coxwold, North Yorkshire, England, launched by artist potters Peter and Jill Dick in 1965, and in operation until 2012.
Nancy Selvin is an American sculptor, recognized for ceramic works and tableaux that explore the vessel form and balance an interplay of materials, minimal forms, and expressive processes. She emerged in the late 1960s among a "second generation" of Bay Area ceramic artists who followed the California Clay Movement and continued to challenge ceramic traditions involving expression, form and function, and an art-world that placed the medium outside its established hierarchy. Her work has been exhibited at the Los Angeles County Museum of Art (LACMA), Denver Art Museum, Daum Museum of Contemporary Art and Kohler Arts Center, and belongs to the public art collections of LACMA, the Smithsonian Institution, Oakland Museum of California, and Crocker Art Museum, among others. Critic David Roth has written, "Selvin's position in the top rank of ceramic artists has come through a process of rigorous self-examination … what differentiates [her] is that she eschews realism and functionality, indicating a level of intellectual engagement not always found among ceramicists." Writer and curator Jo Lauria described Selvin's tableaux as "elegiac and stylistically unified" works that serve as "forceful essays on the relationship between realism and abstraction, object and subject, decoration and use." Selvin lives and works in the Berkeley, California area.
Nina Edge is an English ceramicist, feminist and writer.
Jennifer Elizabeth Lee is a Scottish ceramic artist with an international reputation. Lee's distinctive pots are hand built using traditional pinch and coil methods. She has developed a method of colouring the pots by mixing metallic oxides into the clay before making. Her work is held in over forty museums and public collections worldwide, including the Metropolitan Museum of Art in New York, the Philadelphia Museum of Art, the Los Angeles County Museum and the Victoria and Albert Museum. In 2018 Lee won the Loewe Craft Prize, an award initiated by Jonathan Anderson in 2017. The prize was presented to her at an awards ceremony at The Design Museum in London.
Hitomi Hosono is a London-based ceramicist who won the inaugural Perrier-Jouët Arts Salon Prize. She is known for intricate ceramic pieces that are inspired by botanical studies and her memories of the Japanese landscape and the greenery of East London.
Marie Woo is a Chinese-American ceramicist and educator.
Anders Herwald Ruhwald is a Danish-American sculptor. He works primarily in clay, a medium he has been drawn to since he was 15. Ruhwald's work blends references from functional objects to classical sculpture and can take the form of singular objects as well as immersive installations
Jan Dunn born in Springvale, Victoria, Australia, was a potter, ceramicist and teacher.
Matthias Ostermann (1951-2009) was a Canadian potter, artist and author.