Related Research Articles
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.
Bob Dylan is the debut studio album by the American singer-songwriter Bob Dylan, released on March 19, 1962, by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a controversial decision at the time. The album primarily features folk standards but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a significant influence in Dylan's early career.
"Chimes of Freedom" is a song written and performed by Bob Dylan and featured on his Tom Wilson produced 1964 album Another Side of Bob Dylan. The song depicts the thoughts and feelings of the singer and his companion as they shelter from a lightning storm under a doorway after sunset. The singer expresses his solidarity with the downtrodden and oppressed, believing that the thunder is tolling in sympathy for them.
"4th Time Around" is a song by American singer-songwriter Bob Dylan, which was released as the 12th track on his seventh studio album Blonde on Blonde on June 20, 1966. The song was written by Dylan and produced by Bob Johnston. Commentators often interpret it as a parody of the Beatles' 1965 song "Norwegian Wood ". John Lennon composed "Norwegian Wood" after being influenced by the introspective lyrics of Dylan. Lennon later reflected on his feelings of paranoia when Dylan first played him "4th Time Around".
"Visions of Johanna" is a song written and performed by Bob Dylan on his 1966 album Blonde on Blonde. Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, praising the allusiveness and subtlety of the language. Rolling Stone included "Visions of Johanna" on their list of the 500 Greatest Songs of All Time. In 1999, Sir Andrew Motion, Poet Laureate of the United Kingdom, listed it as the greatest song lyric ever written.
Bob Dylan's Greatest Hits Vol. II, also known as More Bob Dylan Greatest Hits, is the second compilation album by American singer-songwriter Bob Dylan, released on November 17, 1971 by Columbia Records. With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material. Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September 1971 to recut several Basement songs, with Happy Traum providing backup.
"The Ballad of Frankie Lee and Judas Priest" is a song by American singer-songwriter Bob Dylan. It was released as the fifth track on his eighth studio album John Wesley Harding (1967). The track was written by Dylan and produced by Bob Johnston. It was recorded in one take on October 17, 1967, at Columbia Studio A in Nashville. The song's lyrics refer to two friends, Frankie Lee and Judas Priest. Lee asks Priest for a loan of money and Priest offers it freely. Lee spends it in a brothel over 16 days, then dies of thirst in Priest's arms. It has been suggested by commentators that the song refers to Dylan's relationship with his manager Albert Grossman or to his contractual negotiations with his record company. The song received a mixed critical reception. Dylan performed the song live in concert 20 times, from 1987 to 2000.
Sara Dylan is an American former actress and model who was the first wife of singer-songwriter Bob Dylan. In 1959, Noznisky married magazine photographer Hans Lownds; during their marriage, she was known as Sara Lownds.
"Tombstone Blues" is a song by American singer-songwriter Bob Dylan, which was released as the second track on his sixth studio album Highway 61 Revisited (1965). The song was written by Dylan, and produced by Bob Johnston. Critical interpretations of the song have suggested that the song references the Vietnam War and US President Lyndon Baines Johnson.
Bob Dylan is an American singer-songwriter. Often considered to be one of the greatest songwriters, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when songs such as "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
"The Times They Are a-Changin'" is a song written by Bob Dylan and released as the title track of his 1964 album of the same name. Dylan wrote the song as a deliberate attempt to create an anthem of change for the time, influenced by Irish and Scottish ballads. Released as a 45-rpm single in Britain in 1965, it reached number 9 on the UK Singles Chart. The song was not released as a single in the US. In 2019 it was certified Silver by BPI.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"To Ramona" is a song by American singer-songwriter Bob Dylan, first released on his fourth studio album, Another Side of Bob Dylan (1964). The song was written by Dylan, and produced by Tom Wilson. The lyrics were started at the May Fair Hotel in London in May 1964, and finished during a week-long stay in the Greek village of Vernilya later that month. Dylan recorded all the tracks for the album, including the song, in a single three-hour session on June 9, 1964, at Studio A, Columbia Recording Studios, New York. Its narrator advises Ramona, who is preparing to return to "the South", not to follow the advice of others. Critics have suggested several different people as inspirations for the song, including Joan Baez, Suze Rotolo, and Sara Lownds.
"Most Likely You Go Your Way and I'll Go Mine", or "Most Likely You Go Your Way (and I'll Go Mine)", is a song by American singer-songwriter Bob Dylan. It was released as the first track on side three of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan recounted that he had probably written the song after the end of a relationship. The song's narrator criticizes the lies and weakness of a woman, and says that he finds it hard to care. The final verse establishes that the woman has been unfaithful to the narrator by having a relationship with another man, as he suspected all along.
"John Brown" is a song by American singer-songwriter Bob Dylan. The song, written in October 1962 was released under his pseudonym "Blind Boy Grunt" on the Folkways Records compilation album Broadside Ballads, Vol. 1 (1963). Live performances have been officially released on MTV Unplugged (1995), Live at The Gaslight 1962 (2005), and Live 1962–1966 – Rare Performances From The Copyright Collections (2018). A demo version was issued on The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964 (2010).
"John Wesley Harding" is a song by American singer-songwriter Bob Dylan that appears as the opening track on his 1967 album of the same name.
This is a list of books published by and about Bob Dylan.
"Obviously 5 Believers" is a song by American singer-songwriter Bob Dylan, which was released as the last track of side three of his double album Blonde on Blonde (1966), and was the B-side to the single release of "Just Like a Woman" for releases in America and some other countries. The song was written by Dylan and produced by Bob Johnston. It was recorded at Columbia Music Row Studios, in the early morning hours of a March 9–10, 1966 session. Four takes were recorded, although the first two were incomplete. It has been interpreted as a blues song about loneliness, with critics noting similarities in melody and structure to Memphis Minnie's "Chauffeur Blues". Dylan's vocals and the musicianship of the band on the track have both received critical acclaim, although the track has been regarded as insubstantial by some commentators.
"Temporary Like Achilles" is a song by American singer-songwriter Bob Dylan that was released on side three of his double album, Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. It was recorded at Columbia Studio A, Nashville, Tennessee on March 9, 1966. The song is a blues number that incorporates elements of Dylan's incomplete "Medicine Sunday", which he had recorded with members of the Band in New York in October 1965. The song describes a narrator's frustration at being kept waiting by a woman that he wishes to be romantically involved with, who is guarded by "Achilles". Some critics have suggested that the song references the Iliad.
"I Shall Be Free No. 10" is a song by American singer-songwriter Bob Dylan, which was released as the fifth track on his fourth studio album Another Side of Bob Dylan (1964). The song was written by Dylan and produced by Tom Wilson. The song is a humorous talking blues, indebted to earlier songs including Lead Belly's "We Shall Be Free". Dylan opens the song by proclaiming that he is normal and average, but then acknowledges his reputation by singing the self-aware doggerel "Yippee! I'm a poet, and I know it/ Hope I don't blow it".
References
- ↑ Schulberg, Budd (1 May 2005). "The Kane Mutiny". New York Times. Retrieved 10 March 2010.
- ↑ Shaw, Kevin (21 July 2009). "So Long as Men Can Breathe by Clinton Heylin". PopMatters.com. Retrieved 31 January 2014.
- ↑ Peters, Susan (1 June 2009). "Literature, So Long as Men Can Breathe". The Library Journal. Archived from the original on 8 June 2009. Retrieved 10 March 2010.
- ↑ Mark, Amanda (3 January 2013). "E Street Shuffle: The Glory Days of Bruce Springsteen and the E Street Band". New York Journal of Books. Retrieved 11 March 2014.
- ↑ Robb, John (8 June 2016). "Anarchy In The Year Zero: Clinton Heylin: book review". louderthanwar.com. Retrieved 30 June 2016.
- ↑ "They're Selling Postcards of the Stoning". Dublin Review of Books. Archived from the original on 6 August 2019. Retrieved 9 April 2017.
- ↑ ""Bob Dylan: The 1966 Live Recordings" to be Released in November". bobdylan.com. 27 September 2016. Archived from the original on 30 September 2016. Retrieved 28 September 2016.
- ↑ Motion, Andrew (8 April 2021). "Bob Dylan — from respected young songwriter to Voice of a Generation". The Spectator. Retrieved 8 April 2021.
- ↑ "Trouble In Mind website". route-online.com. Retrieved 31 October 2017.
