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In Greek mythology, Iphigenia was a daughter of King Agamemnon and Queen Clytemnestra, and thus a princess of Mycenae.
Martha Graham was an American modern dancer and choreographer. Her style, the Graham technique, reshaped American dance and is still taught worldwide.
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema.
Appalachian Spring is a ballet created by the American composer Aaron Copland and the choreographer Martha Graham, later arranged as an orchestral work. Commissioned by Elizabeth Sprague Coolidge, Copland composed the ballet for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi. The music was well-received at the 1944 premiere, earning Copland the Pulitzer Prize for Music after the ballet's 1945 United States tour. The orchestral suite composed in 1945 was played that year by many symphony orchestras; the suite is among Copland's best-known works, and the ballet remains essential in the Martha Graham Dance Company repertoire.
Halim Abdul Messieh El-Dabh was an Egyptian-American composer, musician, ethnomusicologist, and educator, who had a career spanning six decades. He is particularly known as an early pioneer of electronic music. In 1944 he composed one of the earliest known works of tape music, or musique concrète. From the late 1950s to early 1960s he produced influential work at the Columbia-Princeton Electronic Music Center.
Glen Tetley was an American ballet and modern dancer as well as a choreographer who mixed ballet and modern dance to create a new way of looking at dance, and is best known for his piece Pierrot Lunaire.
Clytemnestra, in Greek mythology, was the wife of Agamemnon, king of Mycenae, and the half-sister of Helen of Troy. In Aeschylus' Oresteia, she murders Agamemnon – said by Euripides to be her second husband – and the Trojan princess Cassandra, whom Agamemnon had taken as a war prize following the sack of Troy; however, in Homer's Odyssey, her role in Agamemnon's death is unclear and her character is significantly more subdued.
Episodes is a ballet choreographed by Martha Graham and George Balanchine, to compositions by Anton Webern. The ballet was a co-production between the Martha Graham Dance Company and Balanchine's New York City Ballet (NYCB). Though it was conceived to be a collaboration between Graham and Balanchine, leading choreographers in modern dance and neoclassical ballet respectively, they ultimately worked separately on the ballet's two halves. Episodes I was choreographed by Graham, for dancers from her company and four NYCB members, and depicts Mary, Queen of Scots remembering the events in her life before her execution. Episodes II, by Balanchine, is completely plotless, and made for members of the NYCB and Graham dancer Paul Taylor, who originated a solo. The ballet uses all seven orchestral compositions by Webern.
Yuriko Kikuchi, known to audiences by her stage name Yuriko, was an American dancer and choreographer who was best known for her work with the Martha Graham Dance Company.
Reflections of the Oresteia in the arts and popular culture show the influence of the classic trilogy of tragedies by Aeschylus.
The Martha Graham Dance Company, founded by Martha Graham in 1926, is both the oldest dance company in the United States and the oldest integrated dance company. The company is critically acclaimed in the artistic world and has been recognized as "one of the great dance companies of the world" by the New York Times and as "one of the seven wonders of the artistic universe" by the Washington Post.
Hérodiade de Stéphane Mallarmé: Recitation orchestrale is a composition by Paul Hindemith written in June 1944 on commission from Martha Graham, supported by funds from the Elizabeth Sprague Coolidge Foundation. The ballet premiered under the title of Herodiade in the Elizabeth Sprague Coolidge Auditorium at the Library of Congress in Washington DC. The premiere took place on 30 October 1944, sharing the program with Aaron Copland's Appalachian Spring and Darius Milhaud's Jeux du printemps, with Martha Graham and May O'Donnell in the leading roles. The choreography was by Martha Graham, stage design was by the Japanese American sculptor Isamu Noguchi, and costumes by Edythe Gilfond.
Cave of the Heart is a one-act ballet choreographed by Martha Graham to music by Samuel Barber. It was first performed on May 10, 1946, with the title Serpent Heart, at the second annual Festival of Contemporary American Music in the McMillin Theater of Columbia University. Serpent Heart was commissioned by the festival sponsor, The Alice M. Ditson Fund.
Bertram Ross was an American dancer best known for his work with the Martha Graham Dance Company, with which he performed for two decades. He was Martha Graham’s longtime dance partner and the originator of male roles in most of her major ballets from the 1950s and 1960s, including Adam in Embattled Garden, and both Agamemnon and Orestes in Clytemnestra. After leaving Graham's company, Ross taught, choreographed and formed his own dance company. In later life, he toured in a cabaret duo with his real life partner, the composer and pianist John Wallowitch.
Imagined Wing is a ballet choreographed by Martha Graham to Jeux de Printemps by composer Darius Milhaud. The piece was first presented on October 30, 1944, in the Elizabeth Sprague Coolidge Auditorium at the Library of Congress, Washington, D.C. Costumes were designed by Edythe Gilfond; the set was created by Isamu Noguchi. Elizabeth Sprague Coolidge commissioned the work, along with two other Graham dances, and musical scores for all three dances. Also on the program were Mirror Before Me set to music by Paul Hindemith and Appalachian Spring performed to music by Aaron Copland. Imagined Wing's initial showing was also its last. Following tepid reviews, the piece was never performed again.
El Penitente is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask.
Judith is a solo work created by dancer/choreographer Martha Graham. William Schuman composed the music. Charles Hyman designed the original set, which was replaced almost immediately by one conceived by Isamu Noguchi. He also added jewelry and a headdress. Jean Rosenthal provided the lighting. The piece premiered on January 4, 1950, at the Columbia Auditorium in Louisville, Kentucky.
Frontier is a solo dance choreographed by Martha Graham to music by Louis Horst. The set was designed by Isamu Noguchi; Graham created the costume. The work began as an ensemble piece, Perspectives: Frontier and Marching Song also known as Frontiers and Frontier. The ballet's Marching Song portion was set to music by Lehman Engle. The work premiered on April 28, 1935, at the Guild Theatre in New York City. By the end of 1935, Graham was performing Frontier exclusively as a solo. The piece was the first of her works to explore American identity through an archetypal character.
Night Journey is a Martha Graham ballet performed to music by William Schuman with costumes designed by Graham and a set by Isamu Noguchi. Commissioned by the Elizabeth Sprague Coolidge Foundation of the Library of Congress, the work premiered on May 3, 1947, at Cambridge High School in Boston, Massachusetts. Night Journey is the third of Graham's dances derived from Greek mythology, following Cave of the Heart and Errand into the Maze.
Masks have a long history of use in rituals and dance. In the Western world, masks have been used in dances to portray certain characters, disguise identity, and to depersonalize the dancer. The types of masks and their usage in dance have evolved in time, and are still employed in modern choreographic works.
References
- 1 2 3 Yaari, Nurit (2003). "Myth into Dance: Martha Graham's Interpretation of the Classical Tradition". International Journal of the Classical Tradition. 10 (2): 221–242. ISSN 1073-0508.
- ↑ "Martha Graham Dance Company Honors Halim El-Dabh with Revival of 'Clytemnestra'". WKSU. 2016-10-07. Retrieved 2022-02-11.
- ↑ Jowitt, Deborah (1998), "Graham, Martha", The International Encyclopedia of Dance, Oxford University Press, doi:10.1093/acref/9780195173697.001.0001/acref-9780195173697-e-0718, ISBN 978-0-19-517369-7 , retrieved 2021-11-11