Coal Face | |
---|---|
Directed by | Alberto Cavalcanti |
Written by | W.H. Auden |
Produced by | John Grierson |
Cinematography | Stuart Legg |
Edited by | William Coldstream |
Music by | Benjamin Britten |
Production company | |
Release date |
|
Running time | 11 minutes |
Country | United Kingdom |
Language | English |
Coal Face is a 1935 British documentary film short directed by Alberto Cavalcanti. With a film score by Benjamin Britten [1] and a poem written and narrated by W.H. Auden, [2] the film gives a glimpse into the lives of a Yorkshire mining community and the dangerous working conditions the miners routinely faced. The film largely reuses older footage from Tour of a British Coal Mine (1928), which was shot in Barnsley, Yorkshire. [3]
A documentary film or documentary is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
Edward Benjamin Britten, Baron Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
The 1984–1985 United Kingdom miners' strike was a major industrial action within the British coal industry in an attempt to prevent closures of pits that the government deemed "uneconomic" in the coal industry, which had been nationalised in 1947. It was led by Arthur Scargill of the National Union of Mineworkers (NUM) against the National Coal Board (NCB), a government agency. Opposition to the strike was led by the Conservative government of Prime Minister Margaret Thatcher, who wanted to reduce the power of the trade unions.
The National Union of Mineworkers (NUM) is a trade union for coal miners in Great Britain, formed in 1945 from the Miners' Federation of Great Britain (MFGB). The NUM took part in three national miners' strikes, in 1972, 1974 and 1984–85. Following the 1984–85 strike, and the subsequent closure of most of Britain's coal mines, it became a much smaller union. It had around 170,000 members when Arthur Scargill became leader in 1981, a figure which had fallen in 2023 to an active membership of 82.
Royston is a suburban village within the Metropolitan borough of Barnsley, in South Yorkshire, England. Historically, the village formed part of the West Riding of Yorkshire, but was incorporated into the Metropolitan borough of Barnsley in 1974 and is now on the border with West Yorkshire. It is part of the Barnsley Central borough constituency, and has a population of 10,728. It is situated 4 miles (6.4 km) north-east of Barnsley, and 6 miles (9.7 km) south-east of Wakefield.
Woolley Colliery is a village in Wakefield district in West Yorkshire, England. The village is near the border with South Yorkshire. The former colliery was in the Wakefield Rural Ward in West Yorkshire. The village is known locally as Mucky Woolley, as a tribute to its coalmining heritage and to distinguish it from the more affluent village of Woolley two miles away.
Brian Easdale was a British composer of operatic, orchestral, choral and film music, best known for his ballet film score The Red Shoes of 1948.
Night Mail is a 1936 British documentary film directed and produced by Harry Watt and Basil Wright, and produced by the General Post Office (GPO) Film Unit. The 24-minute film documents the nightly postal train operated by the London, Midland and Scottish Railway (LMS) from London to Scotland and the staff who operate it. Narrated by John Grierson and Stuart Legg, the film ends with a "verse commentary" written by W. H. Auden to a score composed by Benjamin Britten. The locomotive featured in the film is LMS Royal Scot Class 6115 Scots Guardsman.
Basil Charles Wright was an English documentary filmmaker, film historian, film critic and teacher.
The South Yorkshire Coalfield is so named from its position within Yorkshire. It covers most of South Yorkshire, West Yorkshire and a small part of North Yorkshire. The exposed coalfield outcrops in the Pennine foothills and dips under Permian rocks in the east. Its most famous coal seam is the Barnsley Bed. Coal has been mined from shallow seams and outcrops since medieval times and possibly earlier.
Selby coalfield was a large-scale deep underground mine complex based around Selby, North Yorkshire, England, with pitheads at Wistow Mine, Stillingfleet Mine, Riccall Mine, North Selby Mine, Whitemoor Mine and at Gascoigne Wood Mine. All coal was brought to the surface and treated at Gascoigne Wood before being distributed by rail. The primary purpose of the pit was to supply coal for electrical power generation; much of it was used in the nearby Aire valley power stations.
Coal mining in the United Kingdom dates back to Roman times and occurred in many different parts of the country. Britain's coalfields are associated with Northumberland and Durham, North and South Wales, Yorkshire, the Scottish Central Belt, Lancashire, Cumbria, the East and West Midlands and Kent. After 1972, coal mining quickly collapsed and had practically disappeared by the 21st century. The consumption of coal—mostly for electricity—fell from 157 million tonnes in 1970 to 587,000 tonnes in 2023 Employment in coal mines fell from a peak of 1,191,000 in 1920 to 695,000 in 1956, 247,000 in 1976, 44,000 in 1993, 2,000 in 2015, and to 360 in 2022.
The 1972 United Kingdom miners' strike was a major dispute over pay between the National Union of Mineworkers (NUM) and the Conservative Edward Heath government of the United Kingdom. Miners' wages had not kept pace with those of other industrial workers since 1960. The strike began on 9 January 1972 and ended on 28 February 1972, when the miners returned to work. The strike was called by the National Executive Committee of the NUM and ended when the miners accepted an improved pay offer in a ballot. It was the first time since 1926 that British miners had been on official strike, but there had been a widespread unofficial strike in 1969.
Arthur Scargill is a British trade unionist who was President of the National Union of Mineworkers (NUM) from 1982 to 2002. He is best known for leading the 1984–1985 UK miners' strike, a major event in the history of the British labour movement.
Our Hunting Fathers, Op. 8, is an orchestral song cycle by Benjamin Britten, first performed in 1936. Its text, assembled and partly written by W. H. Auden, with a pacifist slant, puzzled audiences at the premiere, and the work has never achieved the popularity of the composer's later orchestral song-cycles, Les Illuminations, the Serenade for Tenor, Horn and Strings and the Nocturne.
Matinées musicales is a 1941 composition by Benjamin Britten using music composed by Gioachino Rossini in and around the 1830s. The suite is a successor to Britten's earlier suite based on Rossini, Soirées musicales (1937).
Bentley Colliery was a coal mine in Bentley, near Doncaster in South Yorkshire, England, that operated between 1906 and 1993. In common with many other mines, it suffered disasters and accidents. The worst Bentley disaster was in 1931 when 45 miners were killed after a gas explosion. The site of the mine has been converted into a woodland.
Children's Crusade, Op. 82, subtitled a Ballad for children's voices and orchestra is a composition by Benjamin Britten. He completed it in 1969, setting Bertolt Brecht's poem Kinderkreuzzug 1939 for children's choir with some solo parts, keyboard instruments and an array of percussion, to be performed mainly by children. It was first performed in an English version at St Paul's Cathedral in London on 19 May 1969.
Soirées musicales,, Op. 9, is a suite of five movements by Benjamin Britten, using music composed by Gioachino Rossini. The suite, first performed in 1937, derives its title from Rossini's collection of the same name, dating from the early 1830s, from which Britten drew much of the thematic material.