Genre is any style or form of communication in any mode with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for important for a successful transfer of information (media-adequacy).
Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud.
In literary criticism, stream of consciousness is a narrative mode or method that attempts "to depict the multitudinous thoughts and feelings which pass through the mind" of a narrator. It is usually in the form of an interior monologue which is disjointed or has irregular punctuation. The term was first used in 1855 and was first applied to a literary technique in 1918. While critics have pointed to various literary precursors, it was not until the 20th century that this technique was fully developed by modernist writers such as Marcel Proust, James Joyce, Dorothy Richardson and Virginia Woolf.
Magic realism, magical realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. Magical realism is the most commonly used of the three terms and refers to literature in particular. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. The two are also distinguished in that magic realism is closer to literary fiction than to fantasy, which is instead a type of genre fiction. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories, presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action.
Jonathan Allen Lethem is an American novelist, essayist, and short story writer. His first novel, Gun, with Occasional Music, a genre work that mixed elements of science fiction and detective fiction, was published in 1994. In 1999, Lethem published Motherless Brooklyn, a National Book Critics Circle Award-winning novel that achieved mainstream success. In 2003, he published The Fortress of Solitude, which became a New York Times Best Seller. In 2005, he received a MacArthur Fellowship. Since 2011, he has taught creative writing at Pomona College.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
David Shields is an American author who has published twenty-four books, including Reality Hunger, The Thing About Life Is That One Day You'll Be Dead, Black Planet, and Other People: Takes & Mistakes. The Very Last Interview was published by New York Review Books in 2022.
Sir Theodore Wilson Harris was a Guyanese writer. He initially wrote poetry, but subsequently became a novelist and essayist. His writing style is often said to be abstract and densely metaphorical, and his subject matter wide-ranging. Harris is considered one of the most original and innovative voices in postwar literature in English.
Worldbuilding is the process of constructing an imaginary world or setting, sometimes associated with a fictional universe. Developing the world with coherent qualities such as a history, geography, culture and ecology is a key task for many science fiction or fantasy writers. Worldbuilding often involves the creation of geography, a backstory, flora, fauna, inhabitants, technology and often if writing speculative fiction, different peoples. This may include social customs as well as invented languages for the world.
The rhetorical modes are a broad traditional classification of the major kinds of formal and academic writing by their rhetorical (persuasive) purpose: narration, description, exposition, and argumentation. First attempted by Samuel P. Newman in A Practical System of Rhetoric in 1827, the modes of discourse have long influenced US writing instruction and particularly the design of mass-market writing assessments, despite critiques of the explanatory power of these classifications for non-school writing.
Experimental literature is a genre of literature that is generally "difficult to define with any sort of precision." It experiments with the conventions of literature, including boundaries of genres and styles; for example, it can be written in the form of prose narratives or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also incorporate art or photography. Furthermore, while experimental literature was traditionally handwritten, the digital age has seen an exponential use of writing experimental works with word processors.
A literary fragment is a piece of text that may be part of a larger work, or that employs a 'fragmentary' form characterised by physical features such as short paragraphs or sentences separated by white space, and thematic features such as discontinuity, ambivalence, ambiguity, or lack of a traditional narrative structure.
The Los Angeles Review of Books is a literary review magazine covering the national and international book scenes. A preview version launched on Tumblr in April 2011, and the official website followed one year later in April 2012. A print edition premiered in May 2013.
Reality Hunger: A Manifesto is a non-fiction book by American writer David Shields, published by Knopf on February 23, 2010. The book is written in a collage style, mixing quotations by the author with those from a variety of other sources. The book's manifesto is directed toward increasing art's engagement with the reality of contemporary life through the exploration of hybrid genres such as prose poetry and literary collage. In Vanity Fair, Elissa Schappell called Reality Hunger "a rousing call to arms for all artists to reject the laws governing appropriation, obliterate the boundaries between fiction and nonfiction, and give rise to a new modern form for a new century."
Speedboat is a 1976 modernist novel by Renata Adler that offers a fragmentary account of the experiences of Jen Fain, a young journalist living in New York City.
Distant reading is an approach in literary studies that applies computational methods to literary data, usually derived from large digital libraries, for the purposes of literary history and theory.
Weather is a 2020 novel by American writer Jenny Offill. The novel is narrated by a college librarian, Lizzie. The book takes place before and after Donald Trump becomes president of the United States and depicts Lizzie's family life and her concerns about climate change. The novel received mostly positive reviews, with favorable comparisons to Offill's previous novel, Dept. of Speculation and praise for its structure.
The Arrest is the 12th novel by Jonathan Lethem, published in November 2020. It is a post-apocalyptic science fiction story set in a small Maine town following the global collapse of technology. The pastoral life of the town is challenged when a nuclear-powered vehicle arrives, carrying the novel's antagonist. Reception of the novel was largely positive.
