Color wash

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Example of a color wash in multiple hues Sch ewf 6.jpg
Example of a color wash in multiple hues

A color wash is a popular technique in faux painting using paint thinned out with glaze to create a subtle wash of color over walls or other surfaces. [1]

Color washing gives a surface a translucent, watercolor appearance. [2] It can be used to add texture or accentuate natural surfaces. [3] [4] It can be applied in any color of paint, generally with brushes over a solid paint color, using long sweeping strokes to meld the glaze colors together. [5]

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<span class="mw-page-title-main">Acrylic paint</span> Water resistant paint type

Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or have its own unique characteristics not attainable with other media.

<span class="mw-page-title-main">Paint</span> Pigment applied over a surface that dries as a solid film

Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many colors—and in many different types. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted Usually, the object being painted must be over 10 °C (50 °F), although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as 2 °C (35 °F).

<span class="mw-page-title-main">Ultramarine</span> Deep blue purple color pigment which was originally made with ground lapis lazuli

Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ultramarinus, literally 'beyond the sea', because the pigment was imported into Europe from mines in Afghanistan by Italian traders during the 14th and 15th centuries.

<span class="mw-page-title-main">Dishwasher</span> Machine that washes dishes automatically

A dishwasher is a machine that is used to clean dishware, cookware, and cutlery automatically. Unlike manual dishwashing, which relies heavily on physical scrubbing to remove soiling, the mechanical dishwasher cleans by spraying hot water, typically between 45 and 75 °C, at the dishes, with lower temperatures of water used for delicate items.

<span class="mw-page-title-main">Tile</span> Manufactured piece of hard-wearing material

Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games. The word is derived from the French word tuile, which is, in turn, from the Latin word tegula, meaning a roof tile composed of fired clay.

<span class="mw-page-title-main">Gilding</span> Covering object with layer of gold

Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal, wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas.

<span class="mw-page-title-main">Sun printing</span>

Sun printing may refer to various printing techniques which use sunlight as a developing or fixative agent.

<span class="mw-page-title-main">Car wash</span> Facility used to clean the exterior of motor vehicles

A car wash, carwash, or auto wash is a facility used to clean the exterior, and in some cases the interior of cars. Car washes can be self-service, full-service, or fully automated.

<span class="mw-page-title-main">Glazed architectural terra-cotta</span> Coated fired clay used to decorate buildings

Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It featured widely in the 'terracotta revival' from the 1880s until the 1930s. It was used in the UK, United States, Canada and Australia and is still one of the most common building materials found in U.S. urban environments. It is the glazed version of architectural terracotta; the material in both its glazed and unglazed versions is sturdy and relatively inexpensive, and can be molded into richly ornamented detail. Glazed terra-cotta played a significant role in architectural styles such as the Chicago School and Beaux-Arts architecture.

A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry.

<span class="mw-page-title-main">Ceramic glaze</span> Fused coating on ceramic objects

Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants.

Plaster veneer or plaster skim is a construction methodology for surfacing interior walls, by applying a thin layer of plaster over a substrate—typically over specially formulated gypsum board base, similar in nature to drywall.

<span class="mw-page-title-main">Wash (visual arts)</span> A background in an artwork created by applying dilute colour

A wash is a term for a visual arts technique resulting in a semi-transparent layer of colour. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting.

<i>Strié</i>

Strié is a popular form of faux painting using glaze and paint brushes to create a soft natural striped texture.

<span class="mw-page-title-main">Faux painting</span>

Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word faux, meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces.

<span class="mw-page-title-main">Rag painting</span> Creating surface finish with rags

Rag painting or ragging is a form of faux painting using paint thinned out with glaze and old rags to create a lively texture on walls and other surfaces.

Acrylic painting techniques are different styles of manipulating and working with polymer-based acrylic paints. Acrylics differ from oil paints in that they have shorter drying times and are soluble in water. These types of paint eliminate the need for turpentine and gesso, and can be applied directly onto canvas. Aside from painting with concentrated color paints, acrylics can also be watered down to a consistency that can be poured or used for glazes.

<span class="mw-page-title-main">Finishing (textiles)</span> Manufacturing process

In textile manufacturing, finishing refers to the processes that convert the woven or knitted cloth into a usable material and more specifically to any process performed after dyeing the yarn or fabric to improve the look, performance, or "hand" (feel) of the finish textile or clothing. The precise meaning depends on context.

<span class="mw-page-title-main">China painting</span> Art of painting on ceramics

China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain, developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.

<span class="mw-page-title-main">Conservation and restoration of paintings</span>

The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.

References

  1. Priscilla Hauser (2005). Priscilla Hauser's Painted Furniture. Sterling Publishing. p. 18. ISBN   9781402722349.
  2. Schmidt, Phil. Finishing Walls & Ceilings. Creative Publishing International. pp. 84–85. ISBN   9781610602891.
  3. Sponging Etc. Creative Publishing International. 1996. pp. 59–60. ISBN   9781610597234.
  4. Bryan Trandem. Customizing Your Home. Creative Publishing International. p. 14. ISBN   9781610602877.
  5. "Stripes and washing". Old House Journal . October 2007. p. 51.