| Come On Marines! | |
|---|---|
 Theatrical poster | |
| Directed by | Henry Hathaway |
| Written by | Joel Sayre Byron Morgan (screenplay) Philip Wylie (story) |
| Starring | Richard Arlen Ida Lupino |
| Edited by | James Smith |
| Music by | Ralph Rainger |
| Distributed by | Paramount Pictures |
Release date |
|
Running time | 70 minutes |
| Country | United States |
| Language | English |
Come On Marines! is a 1934 American pre-Code drama film directed by Henry Hathaway and starring Richard Arlen and Ida Lupino. [1]
Ladies' man and U.S. Marines sergeant "Lucky" Davis is leading a squadron on an expedition through a Philippine jungle where an outlaw bandit is leading a guerrilla-war rebellion. Their assignment is to rescue a group of children from an island mission, but when they arrive, the troops are surprised to discover that the inhabitants are actually a group of young women blissfully bathing in a pool while awaiting rescue.
In a contemporary review for The New York Times , critic Mordaunt Hall called the film a "sturdy comedy" but wrote: "When the picture tires of violent outbursts and slangy retorts, it turns to infantile patter as a means to stir up mirth. ... From the moment Lucky Davis appears on the screen one knows that he is going to get into hot water and likewise there is never the slightest doubt but that he and Esther Cabot, the dominant member of the stranded debutantes, will in the end be on their way to get married or that the handsome leatherneck will become an officer in the corps." [2]
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore, Carole Lombard, Walter Connolly, and Roscoe Karns. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name—itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland—with uncredited contributions from Gene Fowler and Preston Sturges.
Ida Lupino was a British actress, director, writer, and producer. Throughout her 48-year career, she appeared in 59 films and directed eight, working primarily in the United States, where she became a citizen in 1948. She is widely regarded as the most prominent female filmmaker working in the 1950s during the Hollywood studio system. With her independent production company, she co-wrote and co-produced several social-message films and became the first woman to direct a film noir, The Hitch-Hiker, in 1953.
Clara Lou "Ann" Sheridan was an American actress and singer. She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
Road House is a 1948 American film noir drama film directed by Jean Negulesco, with cinematography by Joseph LaShelle. The picture features Ida Lupino, Cornel Wilde, Celeste Holm and Richard Widmark.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934–37) and the earliest screen appearances of Shirley Temple (1932–34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
John Elmer Carson, known as Jack Carson, was a Canadian-born American film actor. Carson often played the role of comedic friend in films of the 1940s and 1950s, including The Strawberry Blonde (1941) with James Cagney and Arsenic and Old Lace (1944) with Cary Grant. He appeared in such dramas as Mildred Pierce (1945), A Star is Born (1954), and Cat on a Hot Tin Roof (1958). He worked for RKO and MGM, but most of his notable work was for Warner Bros.
They Drive by Night is a 1940 American film noir directed by Raoul Walsh and starring George Raft, Ann Sheridan, Ida Lupino, and Humphrey Bogart, and featuring Gale Page, Alan Hale, Roscoe Karns, John Litel and George Tobias. The picture involves a pair of embattled truck drivers and was released in the UK under the title The Road to Frisco. The film was based on A. I. Bezzerides' 1938 novel Long Haul, which was later reprinted under the title They Drive by Night to capitalize on the success of the film.
Henry William George Lupino professionally Lupino Lane, was an English actor and theatre manager, and a member of the famous Lupino family, which eventually included his cousin, the screenwriter/director/actress Ida Lupino. Lane started out as a child performer, known as 'Little Nipper', and went on to appear in a wide range of theatrical, music hall and film performances. Increasingly celebrated for his silent comedy short subjects, he is best known in the United Kingdom for playing Bill Snibson in the play and film Me and My Girl, which popularized the song and dance routine "The Lambeth Walk".
Stanley Richard Lupino Hook, known professionally as Stanley Lupino, was an English actor, dancer, singer, librettist, director and short story writer. During the 1930s, Lupino appeared in a successful series of musical comedy films, often based on his already popular stage shows.
Thank Your Lucky Stars is a 1943 American musical comedy film made by Warner Brothers as a World War II fundraiser, with a slim plot involving theater producers. The stars donated their salaries to the Hollywood Canteen, which was founded by John Garfield and Bette Davis, who appear in this film. It was directed by David Butler and stars Eddie Cantor, Dennis Morgan, Joan Leslie, Edward Everett Horton and S.Z. Sakall.
Roscoe Karns was an American actor who appeared in nearly 150 films between 1915 and 1964. He specialized in cynical, wise-cracking characters, and his rapid-fire delivery enlivened many comedies and crime thrillers in the 1930s and 1940s.
Front Page Woman is a 1935 American comedy film directed by Michael Curtiz. The screenplay by Laird Doyle, Lillie Hayward and Roy Chanslor based on the novel Women Are Bum Newspapermen by Richard Macauley.
Albert E. Lewis was a Polish-born Broadway and film producer. His family emigrated to the Lower East Side of Manhattan, New York when he was a boy. He became a vaudeville comedian, then started a partnership producing one-act plays for vaudeville. Around 1930 he moved to Hollywood and worked as a film producer with Paramount, RKO, and MGM until after World War II.
She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins. Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable.
Search for Beauty is a 1934 American pre-Code dramedy film with some musical athletic sequences in the style of Busby Berkeley. It was directed by Erle C. Kenton and stars Buster Crabbe and Ida Lupino. The film was released shortly before Lupino's 16th birthday.
Sea Devils is a 1937 American action film directed by Benjamin Stoloff and starring Victor McLaglen, Ida Lupino and Preston Foster. Among the American "preparedness films" of the mid-1930s devoted to enhancing the image of the Army, the Navy and the Marines, this entry focuses equivalent approving attention on the work of the U.S. Coast Guard.
Safety in Numbers is a 1930 American pre-Code musical comedy film. Directed by Victor Schertzinger, it stars Charles "Buddy" Rogers, and features Kathryn Crawford, Josephine Dunn, and Carole Lombard.
Ready for Love is a 1934 American romantic comedy film directed by Marion Gering and presented by Adolph Zukor for Paramount Pictures. It stars Richard Arlen, Ida Lupino, and Marjorie Rambeau. It is inspired by the play The Whipping by Eulalie Spence, based on the 1930 novel The Whipping by Roy Flanagan. The film is about school runaway Marigold Tate who "journeys to her retired aunt's home where she soon faces small-town bigotry", and falls in love with handsome newspaper editor Julian Barrow.
A Lady's Profession is a 1933 American pre-Code comedy film directed by Norman Z. McLeod and written by Malcolm Stuart Boylan, Walter DeLeon and Nina Wilcox Putnam. The film stars Alison Skipworth, Roland Young, Sari Maritza, Kent Taylor, Roscoe Karns, Warren Hymer and George Barbier. The film was released on March 3, 1933, by Paramount Pictures.
Shoot the Works is a 1934 American pre-Code comedy film directed by Wesley Ruggles and written by Claude Binyon, Gene Fowler, Howard J. Green and Ben Hecht. It is based on the Gene Fowler and Harold Hecht 1932 play The Great Magoo. The film stars Jack Oakie, Ben Bernie, Dorothy Dell, Alison Skipworth, Roscoe Karns, Arline Judge and William Frawley. It was released on June 29, 1934 by Paramount Pictures, just before rigorous enforcement of the Hollywood Production Code that began on July 1, 1934.
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