"Come Over" | ||||
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Single by Faith Evans | ||||
from the album Faith | ||||
Released | January 24, 1996 | |||
Length | 5:35 | |||
Label | ||||
Songwriter(s) |
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Producer(s) | ||||
Faith Evans singles chronology | ||||
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"Come Over" is a song by American recording artist Faith Evans. It was written by Evans, Floyd Howard, Sean Combs, and Chucky Thompson for her debut studio album Faith (1995), while production was helmed by Combs and Thompson. Released as the album's fourth and final single in 1996, the song reached number 56 on the Hot R&B/Hip-Hop Songs chart and number 9 on the Bubbling Under Hot 100 chart.
"Come Over" was written by Evans, Floyd Howard, Sean Combs and Chucky Thompson and produced by Combs and Thompson for her debut studio album Faith (1995). [1] The song was initially supposed to be an interlude. [2] However, Evans insisted it should be made into a full track. [2] Commenting on their decision to enhance "Come Over," Thompson told Soul Culture in 2014: "This song started out as an interlude because I felt that Faith’s whole vibe was straight from the church. She used to sit with me and play records from The Clark Sisters. I just felt that altar call vibe and sensation with her whenever we were together in the studio working. The song came out as combination of gospel and Guy-like influences from the R&B side of things." [2]
In his July 1996 review for Billboard , Larry Flick noted that "Come Over" proves that there was "no lack of single choices from [Evans'] sterling [debut album]. Actually, this may prove to be set's biggest and best offering to date. Evans comes on like a baby Gladys Knight, wailing over the track's languid and soulful hip hop groove. The song's smooth and harmonious chorus is a lovely icing to verses that ooze with warmth and romance. A must-hear for pop, R&B, and even AC radio listeners." [3]
No. | Title | Length |
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1. | "Come Over" (single edit) | 3:59 |
2. | "Come Over" (album version instrumental) | 5:35 |
Credits adapted from the liner notes of Faith'. [1]
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Chart (1996) | Peak position |
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US Hot R&B/Hip-Hop Songs ( Billboard ) [5] | 56 |
US Bubbling Under Hot 100 Singles ( Billboard ) [6] | 9 |
Hard Core is the debut studio album by American rapper Lil' Kim, released on November 12, 1996, by Undeas Recordings, Big Beat Records, and Atlantic Records. After achieving success with the hip hop group Junior M.A.F.I.A. and their album Conspiracy (1995), Kim began working on her solo album with the Notorious B.I.G. serving as the executive producer. She collaborated with a number of producers, such as Sean "Puff Daddy" Combs, Stevie J., David "Ski" Willis and Jermaine Dupri, among others. Other rappers, including Jay-Z, Lil' Cease and Puff Daddy were featured on the album.
Faith is the debut studio album by American singer Faith Evans. It was released by Bad Boy Records on August 29, 1995, in the United States. A collaboration with the label's main producers the Hitmen, including members Sean "Puff Daddy" Combs and Chucky Thompson, as well as Mark Ledford, Herb Middleton, and Jean-Claude Olivier, among others.
"Think of You" is a song by American musician Usher. It was co-written by Usher alongside LaFace Records labelmate Donell Jones and Bad Boy singer Faith Evans for his self-titled debut album (1994). The song samples a groove from the instrumental track "Tidal Wave" (1975) by American jazz musician Ronnie Laws, also featuring vocals from rapper Biz Markie's "Just Rhymin' With Biz" (1987). Lyrically, "Think of You" finds the protagonist going through a breakup and dealing with conflicting feelings about his ex.
My Life is the second album by American R&B recording artist Mary J. Blige, released on November 29, 1994, by Uptown Records and MCA Records. Many of the topics on My Life deal with clinical depression, Blige's battling with both drugs and alcohol, as well as being in an abusive relationship. Unlike her debut, What's the 411? (1992), Blige contributed lyrics to fourteen of the album's tracks, making it her most introspective and personal album at the time. Similar to her debut album, My Life features extensive production from Sean "Puffy" Combs for his newly founded label, Bad Boy Entertainment, which was at the time backed by Arista Records.
"Mary Jane (All Night Long)" is a song by American singer-songwriter Mary J. Blige. It was written by Blige, Chucky Thompson and Sean "Puffy" Combs for her second studio album, My Life (1994), while production was helmed by Combs and Thompson. The song is built around a sample of “All Night Long” (1983) by American girl group Mary Jane Girls and "Close the Door" (1978) by American singer Teddy Pendergrass. Due to the inclusion of the sample, Rick James is also credited as songwriter.
"Best Friend" is a song by American singer Brandy Norwood. It was written by Keith Crouch and Glenn McKinney for her self-titled debut studio album, Brandy (1994), while production was helmed by the former. The song was dedicated to her brother Ray J.
"Again" is a song by American singer Faith Evans. It was written by Ivan Barias, Carvin Haggins, and Evans for her fourth studio album The First Lady (2005), while production was helmed by Barias and Haggins under their production moniker Carvin & Ivan. It contains a sample from "Genuine" by American 1970s soul group the Whatnauts. Due to the inclusion of the sample, Jerry Harris and Venus Dodson are also credited as songwriters. "Again" addresses Evans's 2004 arrest for drug possession.
"Be Happy" is a song by American singer Mary J. Blige. It was written by Blige, Sean "Puffy" Combs, Arlene DeValle, and Jean-Claude Olivier from duo Poke & Tone for her second studio album, My Life (1994), while production was helmed by Combs and Olivier. "Be Happy" contains an instrumental sample of the song "You're So Good to Me" (1979) by musician Curtis Mayfield and a re-sung vocal portion of the record "I Want You" (1976) by Marvin Gaye.
"I'm Going Down" is a song written and produced by Norman Whitfield, and performed by American soul and R&B group Rose Royce in 1976. It is from the film Car Wash and is featured on its soundtrack. In 1994, it was covered by American singer Mary J. Blige.
"You Used to Love Me" is the debut single of American singer-songwriter Faith Evans. Written by Evans and produced by Sean "Diddy" Combs and Chucky Thompson for her debut album, Faith (1995), the song was initially intended to be used on fellow Bad Boy Records signees Total's self-titled first album (1996), but was eventually claimed by Evans after she had found lyrics to Thompson's track which were inspired by another argument the singer had with then-husband The Notorious B.I.G..
"Who Do U Love" is a song performed by Canadian singer Deborah Cox. It was written and produced by Larry "Rock" Campbell and Vassal Benford for her self-titled debut studio album (1995). Arista Records issued the song as the second album's single in January 1996. "Who Do U Love" peaked at number 17 on the US Billboard Hot 100 and was Cox's first number-one hit on the Billboard Dance Club Play chart. Internationally, the single reached number two in New Zealand, number 11 in Australia, number 15 in Canada, and number 31 in the United Kingdom. The song is certified platinum in New Zealand and gold in Australia.
"I Love You" is a song by American recording artist Faith Evans. It was written by Anthony Best, Michael Jamison, Bobby Springsteen, and Jennifer Lopez and recorded by Evans for her third studio album Faithfully (2001). Production on the song was overseen by Buckwild, Mario Winans and Sean "P. Diddy" Combs. Initially written for Lopez's second studio J.Lo (2001), the contemporary R&B ballad samples singer Isaac Hayes' 1976 record "Make a Little Love to Me" and finds Evans, as the protagonist, confessing her love and dignity to a man who has yet to find a heart for her.
"A Rose Is Still a Rose" is a song recorded by American singer Aretha Franklin. It was written and produced by singer Lauryn Hill for Franklin's album of the same name (1998). The song focused on a motherly figure giving advice to a younger woman who keeps getting into bad relationships. Throughout "A Rose Is Still a Rose", Franklin advises that in spite of everything and despite the woman's "scorned roses and thorn crowns," the woman is "still a rose". Elements of the song "What I Am" by Edie Brickell and the New Bohemians were sung throughout the song by Hill herself.
"Love Like This" is a song by American singer Faith Evans. It was written by Evans, Ron "Amen-Ra" Lawrence, Sean "Puffy" Combs, Clarence Emery, and Schon Crawford for her second studio album Keep the Faith (1998), with production helmed by Lawrence and Combs. The song is built around a looped sample from "Chic Cheer" (1978) by American band Chic. Due to the inclusion of the sample, band members Bernard Edwards and Nile Rodgers are also credited as songwriters. "Love Like This" was released as the album's lead single.
"Mesmerized" is a song by American R&B recording artist Faith Evans from her fourth studio album, The First Lady (2005). Inspired by producer Chucky Thompson's original track, which contains interpolations from Johnnie Taylor's 1968 single "Who's Making Love", written by Homer Banks, Don Davis, Bettye Crutcher, and Raymond Jackson, and George Benson's "Footin' It", crafted by Benson and Donald Sebesky, Evans wrote the song alongside Andre Johnson, Kameelah Williams, Thompson, and husband Todd Russaw; its production was handled by Johnson, Thompson and Russaw. A throwback to 1960s music, the uptempo funk song exhibits style similar to that of Lyn Collins, Aretha Franklin and James Brown, among others.
"Soon as I Get Home" is a song by the American singer Faith Evans. It was written by Evans along with Sean Combs and Chucky Thompson for her debut studio album Faith (1995), while production was helmed by Combs and Thompson. A romantic hip hop soul ballad which chronicles a woman's desire to spend more time with her loved one, it was inspired by Evans' marriage to her then-husband The Notorious B.I.G., which had changed radically after the major commercial success of his debut album Ready to Die (1994).
"Can't Believe" is a duet by American recording artists Faith Evans and Carl Thomas. It was written and produced by Sean Combs and Mario Winans for Evans' third studio album Faithfully (2001) and is built around a sample of "Phone Tap" as performed by The Firm and penned by Nas, Anthony Cruz, Chris Taylor, Jermaine Baxter, and Dr. Dre.
"Ain't Nobody" is a song by American singer Faith Evans. It was written by Evans, Sean Combs and Chucky Thompson and produced by the latter two for her debut studio album Faith (1995). Released as the album's third single along with "Kissing You" from the soundtrack of the romance film Waiting to Exhale (1995), "Ain't Nobody" peaked at number 67 on the US Billboard Hot 100 chart and number 14 on the Hot R&B/Hip-Hop Songs chart. On Christmas Day 2015, Evans released a re-recorded version of the song on Faith 20, a six-track album composed of remakes from Faith.
"Alone in This World" is a song by American singer Faith Evans. It was written by Sean "P. Diddy" Combs, Mechalie Jamison, Michael Carlos Jones, Jack Knight, Herbert Magidson, Mario Winans, and Allie Wrubel for her third studio album Faithfully (2001). Production was helmed by Combs and Winans. The son contains a sample from "Who Shot Ya?" (1995) by American rapper The Notorious B.I.G. Diddy. Due to the inclusion of the sample, several other writers are credited as songwriters. The song was released as the album's fourth and final single in April 2002 and reached number 73 on the US Billboard Hot R&B/Hip-Hop Songs chart. Rapper Jay-Z appeared on a remix version of the song.
Incomparable is the seventh studio album by American recording artist Faith Evans. It was released by Prolific Music Group, with distribution through BMG Chrysalis, on November 24, 2014 in the United States. Her third independent projects under her own label, following her sixth album Something About Faith (2010) and the compilation album R&B Divas (2012), Evans worked a diverse roster of collaborators on the album, including Lamar "Mars" Edwards, Chucky Thompson, Mike City, and Ben Briggs III, among others. A concept album, Incomparable chronicles Evans' post-divorce life, using preludes, interludes, postludes, transitions and segues to the songs together.
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