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Waiting to Exhale: Original Soundtrack Album | |
---|---|
Soundtrack album by Various artists | |
Released | November 14, 1995 |
Recorded | May–October 1995 |
Genre | R&B [1] |
Length | 72:51 |
Label | Arista |
Producer | Babyface |
Singles from Waiting to Exhale: Original Soundtrack Album | |
|
Waiting to Exhale: Original Soundtrack Album is the soundtrack for the film of the same name, released on November 14, 1995, by Arista Records. Produced by Babyface, the soundtrack features appearances by several prominent R&B artists, including Whitney Houston, Toni Braxton, TLC, Brandy, Aretha Franklin, Chaka Khan, Faith Evans, Patti LaBelle, SWV and Mary J. Blige.
The album remained at number one on the US Billboard 200 album chart for five weeks and Top R&B Albums chart for ten weeks, going 7× platinum, on September 4, 1996. It spawned two number-one hits on the US Billboard Hot 100 chart; "Exhale (Shoop Shoop)" and "Let It Flow", and three top-ten hits, "Sittin' Up in My Room", "Not Gon' Cry" and "Count on Me". "Exhale (Shoop Shoop)", "Let It Flow" and "Not Gon' Cry" also topped the R&B charts.
The album received a total of eleven Grammy nominations in 1997, including Album of the Year and Song of the Year for "Exhale (Shoop Shoop)". Three songs were nominated for Best Female R&B Vocal Performance. It won the Grammy for Best R&B Song for "Exhale (Shoop Shoop)," written by Babyface. [2] The soundtrack has sold over twelve million copies worldwide. [3]
Waiting to Exhale Original Soundtrack Album entered on the Billboard 200 chart at number three and on the Top R&B/Hip-Hop Albums chart at number two respectively, the issue date of December 2, 1995, with 177,248 copies sold in its initial week. [4] [5] [6] In its third week, the album reached number one on the Billboard Top R&B Albums chart, selling 200,000 copies, and stayed there for 10 non-consecutive weeks. [7] It also topped the Billboard 200 chart in its 8th week, the issue date of January 20, 1996, with 231,000 units sold, and spent five consecutive weeks at number one. [8] [9] The album stayed for a total of 49 weeks and 70 weeks, on the Billboard 200 chart and the Top R&B Albums chart respectively. [10] [11] With this success on the charts and strong sales, it became 1996's "No. 1 Soundtrack Album" on the Billboard year-end charts and the "Best-selling Soundtrack Recording" by the National Association of Recording Merchandisers (NARM) in 1995–1996. [12] [13] The soundtrack album was certified 7× Platinum for shipping 7 million copies in the United States by the Recording Industry Association of America (RIAA) on September 4, 1996. [14] According to the Nielsen SoundScan, as of 2009, it sold over 5,100,000 copies in the United States. [15] The soundtrack has sold over twelve million copies worldwide. [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | [16] |
Cash Box | (positive) [17] |
Chicago Tribune | [1] |
Robert Christgau | A− [18] |
Entertainment Weekly | B [19] |
Los Angeles Times | [20] |
The New York Times | (positive) [21] [22] [23] |
The Rolling Stone Album Guide | [24] |
Spin | (positive) [25] |
The Washington Post | (positive) [26] |
Upon release, Waiting to Exhale Soundtrack received critical acclaim. Stephen Holden and Jon Pareles of the New York Times praised Babyface's ability as composer and producer, both choosing the album as one of the top 10 albums of 1995. Hoden described him as "the most creative pop-soul musician since the prime of Stevie Wonder", and commented, "he has created a suite of songs that evoke women's emotional and sexual fantasies with an astonishing sympathy, directness and expressive range." [27] Pareles stated "Babyface gathers most of the sultriest female singers in current rhythm-and-blues and matches them with his own tender, gently pulsating songs. He uses understatement for seduction." [21] [22] Writing for New York Times on February 2, 1997, James Hunter called Waiting to Exhale Soundtrack "one of the commercial and artistic peaks of the new rhythm-and-blues." [23] Geoffrey Himes, in an editorial review for Amazon.com, stated that the soundtrack album is "a fascinating song suite, [...] and one of the best middle-of-the-road-pop, adult-contemporary albums of the decade." Among its sixteen songs, he complimented "Not Gon' Cry" performed by Mary J. Blige especially, commenting "Babyface's music and lyrics suggest a woman barely holding back a swelling flood of anger and heartache, and Blige's brilliant vocal captures both the agitation and the restraint." [28]
Josef Woodard of Entertainment Weekly gave the album a B, stating "Babyface shows an uncanny ability to blend Houston's pleasant, soft-edged commerciality with the sexually explicit and cutting-edge hip-hop of TLC. [...] The album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks. Fittingly, the soundtrack waits to exhale, hovering in sensuous suspense." [19] Jean Rosenbluth from Los Angeles Times noted Babyface's lyrics, saying "he has captured what it can mean to be a woman in 1995." In addition, she praised Whitney Houston and Toni Braxton for their vocals, stating their songs "with rich, smoky vocals as thick as Inland Empire smog, exude maturity without resorting to the relentlessly big vocals that characterize so many R&B records aiming for adult audiences." [20] However unlike other critics that praised Babyface for his producing and songwriting ability on the album highly, Greg Kot, the music critic of the Chicago Tribune , was critical of his lyrics and production. Kot wrote "while Babyface's notions are noble, his lyrics too often settle for cliches instead of specifics, and the arrangements are swathed in the kind of synthesized wallpaper that is turning black pop into bland pop. [...] In achieving a dignified elegance, Babyface forgot about the soul." [1] AllMusic's Craig Lytle paid more attention to female vocalists and their performances than lyrics or production for each track, calling the album "outstanding all-female set." Lytle said "the dynamic vocalist[Whitney Houston] sails through the emotional 'Why Does It Hurt So Bad.' On the inspirational duet 'Count on Me,' with CeCe Winas, and both accomplished singers raise all hopes with their comforting vocals", and went to on comment "[on] three stellar selections by three divas ㅡ Aretha Franklin, Patti LaBelle, and Chaka Khan, their voices just defy time by soaring to admirable feats." [16] Billboard described the soundtrack album as "an impeccably timed album with unlimited hit potential", and commented that it is "passionate" ("Sittin' Up in My Room"), "saucy" ("This Is How It Works"), "jazzy" ("Wey U"), and "torch" ("Count on Me"). [29]
"Exhale (Shoop Shoop)", performed by Whitney Houston, was released as the lead single from the soundtrack in November 1995. Billboard called the song "a surprisingly understated shuffle-ballad with soul and far more interesting vocal colors than all the shrieking can provide." [30] The single debuted at number one on the Billboard Hot 100 Singles chart and the Hot R&B Singles chart, the issue date of November 25, 1995, selling 125,000 units in its first week. [31] [32] It became the third single to achieve that feat in Billboard history, following Michael Jackson's "You Are Not Alone" and Mariah Carey's "Fantasy". [31] In addition, it became Houston's eleventh and seventh number one single, on the Hot 100 Singles chart and the Hot R&B Singles chart, respectively. [33] After the single stayed at the top for just one week on the Hot 100 Singles chart, it spent eleven consecutive weeks at number two from December 2, 1995, to February 10, 1996, setting the record for the longest stay in the runner-up position. [34] [35] However, on the Hot R&B Singles chart, "Exhale (Shoop Shoop)" remained at the summit for eight consecutive weeks since its debut week. [36] It sold over 1,500,000 copies in 1995-1996 and was certified Platinum by the RIAA on January 3, 1996. [37] [38] [39]
The album's second single, "Sittin' Up in My Room" by Brandy, debuted at number forty-six and number thirteen, on the Hot 100 Singles chart and Hot R&B Singles chart, the issue date of December 30, 1995, respectively. [36] [40] The single reached the number two on the Hot R&B Singles chart, the issue of February 17, 1996, and stayed there three consecutive weeks. [41] It also peaked at number two on the Hot 100 Singles chart, staying on the chart for a total of thirty-three weeks. [42] Cheo Hodari Coker from the Los Angeles Times praised Babyface for his production on the song, stating "Babyface's funky-but-restrained background track is the real star of this jam. Using a pleasant mixture of plunking bass and synthesizer chords, [the song] proves that he has a grabbag of styles at his disposal." [43] The single earned Platinum award by the RIAA on May 23, 1996, with 1,000,000 copies shipped. [38] [44]
"Not Gon' Cry" by Mary J. Blige was released as the third single in January 1996. It was critically acclaimed with most of them declaring it as "an anthem for many women." [16] [43] Geoffrey Himes of Amazon.com commented, "Mary J. Blige stakes out a claim as the new diva on the block with an astonishing performance on the song." [28] The single entered on the Hot R&B singles chart at number five in its initial week and the following week topped the chart, becoming her fourth number one single. [45] It remained at the top for five consecutive weeks and stayed on the chart for a total of twenty-two weeks. [41] It also became a major hit for Blige on the Billboard Hot 100 Singles chart, peaking at number two position. [46] With first two singles from the album, when "Not Gon' Cry" was positioned in the top 10 on the Hot 100 and Hot R&B Singles chart in February 1996, which made Waiting to Exhale Soundtrack to set the record for the first film soundtrack to produce three simultaneous top 10 hits in history of Billboard charts. The single sold over 1,500,000 units and was certified Platinum by the RIAA on May 23, 1996. [38] [47]
The fourth single from the soundtrack, "Count On Me" performed by Whitney Houston and CeCe Winans, was released in March 1996. Billboard, in their review for the single, referred it as "a buddy song for the diva generation", and complimented both singers on their excellent vocal, commenting "Houston dominates the track, though Winans makes a strong-enough impression that those who have yet to hear her fine recordings will yearn to hear more." [48] The single debuted at number thirty-two and number eleven, on the Hot 100 and Hot R&B Singles chart, the issue of March 23, 1996, respectively. [49] [50] And it peaked at number eight on the Hot 100 and number seven on the Hot R&B Singles chart in May 1996, in addition to reaching number four on Adult Contemporary chart. [51] [52] [53] The song peaked at #32 on the Billboard Mainstream Top 40 becoming Cece's only appearance on that chart. It was certified Gold by the RIAA on May 1, 1996, with 800,000 copies sold in the United States. [38] [54]
The album's fifth single, "Let It Flow" by Toni Braxton, was released as a two-sided single with "You're Makin' Me High" from Braxton's second album, Secrets , in May 1996. The double-A side single debuted at number seven on the Hot 100 and number two on the Hot R&B Singles chart, the issue dated June 8, 1996, becoming her highest-debuting single. [55] [56] It eventually topped the Hot 100 chart for a week, and the Hot R&B Singles chart for two weeks, which was her first number one single on both charts. [57] [58] [59] Due to its staying power on the Hot R&B Singles chart, it was the #1 R&B Single on the 1996's Billboard year-end charts. [60] [61] The single sold over 1,500,000 copies in the United States and was certified Platinum by the RIAA on July 17, 1996. [38] [62] Just as soon as the soundtrack was released, the song received critical acclaim, being chosen as one of the best tracks on the album by critics. Stephen Holden, the music critic of the New York Times , called it "small pop coup" and added "Braxton snaps out the words with a choked intensity, her dark, grainy contralto conveying a potent mixture of fury and sensuality." [27]
"It Hurts Like Hell" by Aretha Franklin was released as the sixth single from the album in June 1996. It failed to enter on the Hot 100 chart but peaked at number fifty-one on the Hot R&B Singles chart, the issue date of July 20, 1996. [63] The song wasn't hit as big as some of the set's other tracks, but got good reviews at large from critics. Stephen Holden of the New York Times wrote "Franklin rises to heights of letting-it-all-out pop-gospel anguish that she has rarely reached before. Just when you think she can't spill out another drop, there is another melismatic gush of emotion." [27] Geoffrey Himes, in his review for the Washington Post , commented "the album's peak moment belongs to Aretha Franklin, who makes us hear in every note what the title of [the song] is talking about." [26] Babyface, in an interview on Billboard on the 20th anniversary of Waiting To Exhale soundtrack, says,"Then to be in the studio with Aretha for 'It Hurts Like Hell." To this day, when I hear that, that's one of my favorite songs. She's just killin' it. It's a blessing to have just been a part of it." [64]
"Why Does It Hurt So Bad" by Whitney Houston became the seventh and final single to be released off the album in July, 1996. Christopher John Farley of the TIME magazine commented "Houston more than holds her own, particularly on [this], with its masterly balance of pop zip and soulful melancholy." [65] At the time the single was issued, Billboard said "this should have been the follow-up to 'Exhale (Shoop Shoop)'" and added, "she[Houston] was positively luminous on this heartbreak ballad." [66] On August 3, 1996, the single debuted at number sixty and number thirty-four, on the Hot 100 and Hot R&B singles chart, respectively. [67] [68] In a few weeks later, it peaked at number twenty-six on the Hot 100 and number twenty-two on the Hot R&B. [69] [70] Houston performed the song at the 1996 MTV Movie Awards. The track was also included in a medley along with "I Believe in You and Me" and "It Hurts Like Hell" in her set list on her My Love Is Your Love World Tour in 1999.
Also of note, "This Is How It Works" by TLC and "My Funny Valentine" by Chaka Khan reached numbers 60 and 66 respectively on the Billboard R&B Airplay chart in early 1996 based on unsolicited radio airplay, while "Kissing You" by Faith Evans reached #57 on the R&B Airplay chart as well as #14 on the Billboard Hot R&B Singles chart as the B-side tag along to her single "Ain't Nobody".
All tracks are written by and produced by Babyface, except where noted.
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | "Exhale (Shoop Shoop)" | Whitney Houston | 3:24 | |
2. | "Why Does It Hurt So Bad" | Whitney Houston | 4:37 | |
3. | "Let It Flow" | Toni Braxton | 4:27 | |
4. | "It Hurts Like Hell" | Aretha Franklin | 4:19 | |
5. | "Sittin' Up in My Room" | Brandy | 4:52 | |
6. | "This Is How It Works" | Babyface, Lisa Lopes | TLC | 5:00 |
7. | "Not Gon' Cry" | Mary J. Blige | 4:57 | |
8. | "My Funny Valentine" | Richard Rodgers, Lorenz Hart | Chaka Khan | 4:06 |
9. | "And I Gave My Love to You" | Babyface, Sonja Marie | Sonja Marie | 4:48 |
10. | "All Night Long" | SWV | 4:31 | |
11. | "Wey U" | Chanté Moore | 4:32 | |
12. | "My Love, Sweet Love" | Patti LaBelle | 4:21 | |
13. | "Kissing You" | Faith Evans | 3:23 | |
14. | "Love Will Be Waiting at Home" | For Real | 5:59 | |
15. | "How Could You Call Her Baby" | Shanna | 5:09 | |
16. | "Count On Me" | Babyface, Whitney Houston, Michael Houston | Whitney Houston and CeCe Winans | 4:26 |
Notes
Weekly charts
| Year-end charts
| End-of-decade charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [93] | Gold | 35,000^ |
Belgium (BEA) [94] | Gold | 25,000* |
Canada (Music Canada) [95] | Platinum | 100,000^ |
Japan (RIAJ) [96] | Platinum | 200,000^ |
United Kingdom (BPI) [97] | Gold | 100,000* |
United States (RIAA) [14] | 7× Platinum | 7,000,000^ |
Summaries | ||
Europe (IFPI) [98] | Platinum | 1,000,000* |
* Sales figures based on certification alone. |
Year | Nominee / work | Award | Result |
---|---|---|---|
1997 | Waiting to Exhale Original Soundtrack Album | Favorite Soundtrack [99] | Won |
Whitney Houston (herself) | Favorite Adult Contemporary Artist [99] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1997 | "Count on Me" | Most Performed Songs, Motion Pictures (Whitney Houston, Michael Houston) [100] [101] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1997 | "Count on Me" | ASCAP Pop Award (Whitney Houston, Michael Houston) [102] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | "You're Makin' Me High"/"Let It Flow" | R&B Single of the Year [60] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1997 | Kenneth "Babyface" Edmonds | The Songwriter of the Year [103] | Won |
"Count on Me" | BMI Pop Award (Kenneth "Babyface" Edmonds) [104] | Won | |
"Exhale (Shoop Shoop)" | BMI Pop Award (Kenneth "Babyface" Edmonds) [104] | Won | |
"Sittin' Up in My Room" | BMI Pop Award (Kenneth "Babyface" Edmonds) [104] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1997 | Waiting to Exhale Original Soundtrack Album | Album of the Year [2] | Nominated |
"Exhale (Shoop Shoop)" | Song of the Year (written by Babyface) [2] | Nominated | |
"Count on Me" | Best Pop Collaboration with Vocals (Whitney Houston & CeCe Winans) [2] | Nominated | |
"Exhale (Shoop Shoop)" | Best R&B Song (written by Babyface) [2] | Won | |
"Sittin' Up in My Room" | Best R&B Song (written by Babyface) | Nominated | |
"Exhale (Shoop Shoop)" | Best Female R&B Vocal Performance (Whitney Houston) [2] | Nominated | |
"Not Gon' Cry" | Best Female R&B Vocal Performance (Mary J. Blige) [2] | Nominated | |
"Sittin' Up in My Room" | Best Female R&B Vocal Performance (Brandy) [2] | Nominated | |
"It Hurts Like Hell" | Best Song Written for a Motion Picture, Television or Other Visual Media (written by Babyface) [2] | Nominated | |
"Count on Me" | Best Song Written for a Motion Picture, Television or Other Visual Media (written by Babyface, Michael Houston and Whitney Houston) [2] | Nominated | |
"Exhale (Shoop Shoop)" | Best Song Written for a Motion Picture, Television or Other Visual Media (written by Babyface) [2] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | "Exhale (Shoop Shoop)" (by Whitney Houston) | Best Song from a Movie [105] | Nominated |
"Sittin' Up in My Room" (by Brandy) | Best Song from a Movie [105] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | "Sittin' Up in My Room" (by Brandy) | Best Video from a Film [106] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | Waiting to Exhale Original Soundtrack Album | Outstanding Soundtrack Album [107] [108] | Won |
Outstanding Album [107] [108] | Won | ||
"Exhale (Shoop Shoop)" | Outstanding Song [107] [108] | Won | |
Outstanding Female Artist (Whitney Houston) [107] [108] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | Waiting to Exhale Original Soundtrack Album | Best-selling Soundtrack Recording [13] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | Whitney Houston (herself) | Favorite Female Musical Performer [109] | Nominated |
1997 | Whitney Houston (herself) | Favorite Female Musical Performer [110] [111] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | "Not Gon' Cry" | Best R&B/Soul Single— Solo (Mary J. Blige) [112] [113] | Won |
"Exhale (Shoop Shoop)" | Best R&B/Soul Single—Solo (Whitney Houston) [112] | Nominated | |
"Count on Me" | R&B/Soul Composer of the Year (written by Whitney Houston, Kenneth Edmonds and Michael Houston) [114] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1996 | "Exhale (Shoop Shoop)" (by Whitney Houston) | Best R&B/Soul Single, Female [115] [116] | Won |
Best R&B/Soul or Rap Song of the Year [115] [117] | Nominated |
Whitney Elizabeth Houston was an American singer, actress, film producer, and philanthropist. Known as "the Voice", she was ranked second on Rolling Stone's list of the greatest singers of all time and is one of the best-selling music artists of all time, with sales of over 220 million records worldwide. Houston influenced many singers in the recording industry and was known for her powerful, soulful vocals, vocal improvisation skills, as well as popularizing the use of gospel singing techniques in pop music, and live performances. She had 11 number-one singles on the Billboard Hot 100 and is the only artist to have seven consecutive number-one singles on the chart. Houston also enhanced her popularity by entering the film industry. Her accolades include eight Grammy Awards, 22 American Music Awards, two Emmy Awards, and 30 Guinness World Records. Houston's inductions include the Grammy Hall of Fame (twice), the Rock and Roll Hall of Fame, the Rhythm and Blues Music Hall of Fame, the BET Walk of Fame, the Soul Train Hall of Fame, the Georgia Music Hall of Fame, the New Jersey Hall of Fame, and the National Recording Registry at the Library of Congress.
Kenneth Brian Edmonds, better known by his stage name Babyface, is an American singer, songwriter, and record producer. He has written and produced over 26 number-one R&B hits throughout his career and has won 13 Grammy Awards. He was ranked number 20 on NME's 50 of The Greatest Producers Ever list.
I'm Your Baby Tonight is the third studio album by American singer Whitney Houston. It was released on November 6, 1990, by Arista Records. The album has been certified quadruple platinum in the US by the Recording Industry Association of America (RIAA).
My Love Is Your Love is the fourth studio album by American singer Whitney Houston, released worldwide on November 17, 1998. It was Houston's first studio album in eight years, following I'm Your Baby Tonight (1990) although she had participated on three movie soundtracks during that period. My Love Is Your Love is composed of mid-tempo R&B, hip hop soul, pop and dance music, produced by musicians such as Whitney Houston herself, Rodney Jerkins, Soulshock & Karlin, Missy Elliott, Wyclef Jean, David Foster, Lauryn Hill, and Babyface.
Just Whitney is the fifth studio album by American singer and actress Whitney Houston, released on November 27, 2002, by Arista Records. It was her first studio album to be released after her greatest hits compilation, Whitney: The Greatest Hits (2000), and the follow-up to her multi-platinum fourth studio album, My Love is Your Love (1998). Just Whitney was also Houston's first to be released after re-signing her contract with Arista in 2001 for $100 million - the largest recording contract for a female artist at the time.
"Exhale (Shoop Shoop)" is a song by American recording artist and actress Whitney Houston, featured on the soundtrack for the film Waiting to Exhale. It was released as the lead single from the soundtrack on November 6, 1995, by Arista Records. The song was written and produced by Babyface. A mid-tempo R&B and soul ballad, composed in the key of D-flat major, the song's lyrics speak about growing up and learning to let go. The song garnered mostly positive reviews from critics, many of whom noted Houston's vocal maturity in the song.
American singer, actress, producer and entertainer Whitney Houston, who is known as “The Voice”, released seven studio albums, eight compilations, three soundtrack albums, five box sets, six extended plays, and 57 singles. She has sold over 220 million records worldwide, becoming one of the best-selling music artists in history. According to the Recording Industry Association of America (RIAA), Houston is the best-selling female R&B artist of the 20th century, and has sold 100 million certified records in the United States. She is also the fourth best-selling female album artist in the US with 61 million certified album sales. In addition, until the launch of the RIAA's digital certification program in 2004, she had sold 16.5 million physical singles—more than any other female solo artist in history. According to the Official Charts Company in October 2012, Houston is the fourth-biggest-selling female singles artists of all-time list with a sales total of 8.5 million singles in that country.
"Queen of the Night" is a song co-written and performed by American singer and actress Whitney Houston. It was the fifth and final single released from the soundtrack album The Bodyguard (1992), and is played during the closing credits of the film of the same name. The song was released on October 13, 1993 by Arista Records. It was also written by L.A. Reid, Babyface and Daryl Simmons, and produced by Reid and Babyface.
"Count on Me" is a song recorded by American singers and best friends Whitney Houston and CeCe Winans. Produced by Babyface and co-written by Babyface, Houston and her brother Michael, it is an uplifting song about leaning on a friend for support when needed. Released in early 1996, the song was the fourth single from the soundtrack album of the motion picture Waiting to Exhale, and the second single by Houston released from that album and its soundtrack. "Count on Me" became Winans's highest-charting single on the US Hot 100, peaking at number eight. It was certified gold in the US.
"I Believe in You and Me" is a song written by Sandy Linzer and David Wolfert in 1982. The song was first recorded and released by the R&B group The Four Tops, who released it as a single from their album One More Mountain (1982). While it failed to reach the US Top 40, it became a moderate hit for the group on the US Billboard R&B chart, peaking at number 40 in early 1983.
"Not Gon' Cry" is a song by American R&B singer Mary J. Blige, from the soundtrack to the film Waiting to Exhale; the song is also featured on Blige's third album, Share My World (1997). It was written and produced by Babyface and became a major hit for Blige in the United States, where it peaked at numbers one and two on the Billboard Hot R&B Singles and Hot 100 charts, respectively. The single sold 1,000,000 copies domestically and was certified platinum by the Recording Industry Association of America.
"Sittin' Up in My Room" is a song by American recording artist Brandy Norwood. It was written and produced by Babyface and recorded by Norwood for the soundtrack of the 1995 film Waiting to Exhale, starring Whitney Houston and Angela Bassett. The song was among five of the album's singles and peaked at number two on the US Billboard Hot 100, seeing Norwood's furthest commercial success on the chart until 1997's "The Boy Is Mine". The bass intro is similar to that of the riff performed by bassist Larry Graham, of Sly and the Family Stone, on their hit "Thank You ", and its remix featuring LL Cool J contains a sample of "Haven't You Heard" by Patrice Rushen.
"Step by Step" is a song recorded by Whitney Houston, originally written and recorded by Annie Lennox. The song appeared on the B-side to Lennox's 1992 single "Precious". Whitney Houston released a reworked crossover R&B/pop cover version in 1996 on the soundtrack to the film The Preacher's Wife. Houston's version replaces Lennox's verses with new lyrics and omits portions of the bridge. Annie Lennox provides backing vocals for Houston's rendition.
"Why Does It Hurt So Bad" is a song recorded by American singer and actress Whitney Houston for the 1995 film Waiting to Exhale. It was released on July 22, 1996, by Arista Records as the seventh and final single from the accompanying soundtrack. The song was written and produced solely by Babyface. Musically, it is an R&B ballad, and the lyrics chronicle a lovelorn lament.
"Let It Flow" is a song by American R&B singer Toni Braxton. Written and produced by Babyface, the song was originally recorded for, and included on, the soundtrack to the 1995 motion picture Waiting to Exhale.
Paul Boutin is a French-born American music mixer, audio engineer and a long-time collaborator with producer/songwriter/artist Kenneth "Babyface" Edmonds.
American singer Whitney Houston, known as "The Voice", released 57 singles as a leading artist and 4 as a featured artist. Houston is one of the best-selling music artists of all time, with over 220 million records sold worldwide. In the United States, Houston amassed 11 Billboard Hot 100 number-one singles, all of whom have been certified either gold, platinum, multi-platinum or diamond by the Recording Industry Association of America and was one of a selected group of artists to have a top ten single in the Billboard Hot 100 in four different decades. She is currently ranked in seventh place of the artists with the most number one singles in the history of the Billboard Hot 100. Prior to the introduction of digital singles, Houston sold 16.5 million physical singles in the country, the most ever by a female recording artist. In October 2012, the Official Charts Company claimed Houston was the fourth biggest-selling female singles artist of all time with a sales total of 8.5 million singles in that country.
This is a comprehensive listing of official releases by CeCe Winans, an American gospel singer. Winans is the best-selling and most-awarded female gospel artist of all time. She has sold 17 million records worldwide and won 12 Grammy Awards, 23 Dove Awards, and 15 Stellar Awards. Furthermore, Winans is an inductee in the Gospel Music Hall of Fame, with stars on the Hollywood Walk of Fame and Nashville Music City Walk of Fame.
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