The Como Congregational Church is a historic church building in the Como neighborhood of Minneapolis, Minnesota. Opened in 1887 [1] and designed by architect Charles Sumner Sedgwick, a Minneapolis master architect, the church is an example of eclectic Queen Anne style architecture. During its first four decades, the church building is strongly associated with two major Minneapolis and Minnesota historic figures:
Como Congregational was Sanford's place of worship (and adjacent to her home), who as a church leader spoke at its pulpit and community meetings with her advocacy of civic reform and Progressive causes. [2] [Note 1] Construction of the building was primarily funded by Elwell, who had founded the surrounding Como neighborhood in 1882, with the intention that the building serve both as an open place of worship and as a community center. Elwell was subsequently active in Como neighborhood and wider social concerns through the church and through the Como Improvement Association (founded by Elwell, based at the Congregational) for the next decades. The building was determined as a Minneapolis historic resource in March 2020.
The Minneapolis Tribune 1887 inauguration article gives an unusually precise and extensive description of the new building.
Externally the church is of unusually attractive appearance, and the interior is a model of simple beauty. The building is about 45x70 feet in dimensions, built of red pressed brick to the top of the windows and shingled above. In general shape it resembles the form of a Latin cross. It has two towers, the one on the left over the main entrance square and carried up to the height of 90 feet. On the right hand side is a small square tower in form, carried up to a height of 20 feet, and above this finished in octagonal form to a height of about 40 feet. Entering the building by either of the front entrances and passing through small square vestibules the main auditorium is reached. It is about 45x66 feet, has a descending floor and seats about 400 people in the regular pews. The pulpit and choir gallery stand in an alcove, on either side of which are small rooms for library and pastor's study. The roof of the building is carried by two large trusses and the ceiling is arched and finished with four large trusses or brackets starting from small dwarfed columns and finished at the top with carved drops or bosses, from which are suspended four large reflectors. The height from floor to ceiling is 24 feet. The central portion of the ceiling is carried up to an additional height of three feet and is finished with paneled timber work. The whole is frescoed in a modest but very artistic style by Arnold, of this city. The colors are harmonious and restful to the eye and put on with excellent taste. Among the visitors yesterday nothing but praise of the beauty of the edifice was heard. At the rear of the auditorium, between the entrances, is a parlor or prayer meeting room, which can be thrown open to increase the size of the auditorium if necessary. Above this is a small gallery, and beneath in the basement is a room designed for kitchen purposes. The pews and woodwork about the pulpit are of oak, while the work about the windows and doors is colored in harmony with the frescoing. The windows are of neat but inexpensive styles of stained glass and were supplied by Brown & Haywood of this city. The building is warmed by furnaces. The designer and architect of this very comely structure is Mr. C. S. Sedgwick. [1]
Many of these historic architectural features (interior auditorium ceiling and wall decor with raked floor and original pew seating, exterior facade configuration) are extant in the building, and a 2022 project is in process of preservation and restoration so the building can represent and interpret the social history of the Como neighborhood and the building's Progressive Era historical period activity through 1920. [3]
The Como neighborhood, with its founding, mill and rail industry-adjacent locale and immigrant demographics, all represent the industrial expansion period in the U.S. [4] During this time, Como Congregational was a notable public activities site for many causes and issues that define the Progressive Era social scene during the 1890s to 1920 time span: citizen participation and suffrage, reform of civic corruption. public health and food safety (water, dairy), labor reform, children's and family welfare and education (including temperance), and city beautification.
During this period, Elwell and Sanford animated and addressed many events and campaigns based at the building, making the building a social issues forum for audiences in the Como neighborhood and city of Minneapolis. Elwell and Sanford spoke personally at Como Congregational public events on their issues, and also advocated by way of organizations that they led such as the Como Improvement Association and the Minneapolis Improvement League. [5]
At the end of 2021 plans were put forward to convert the building for mixed use as apartments and a nonprofit community assembly space. [3] The residential portion of the building began operation in September 2022. Historical interpretation about the building's significance is planned for gardens on the building grounds.
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Representatives of nation-wide labor organizations are in Minneapolis today for the opening of the two-week's educational campaign, conducted by Minneapolis labor organizations, called the Union Labor Forward Movement ... The first meeting under the auspices of the Forward movement will be held at 11 a.m. today at the Como Avenue Congregational Church. Lewis Harthill, business agent of the International Association of Machinists, will talk on the subject "What Does Labor Want?"
Miss Vittum addressed the Congregational club at the Como Avenue Congregational church last night on the feminist movement. The ballots of women she said would be directed toward improving the conditions of women employees and children, and the home conditions of all working classes.