The Concerto for String Quartet and Orchestra is a composition for string quartet and orchestra by the American composer Gunther Schuller. The work was composed between 1987 and early 1988. Its world premiere was given on February 20, 1988, by the Pro Arte Quartet and the Madison Symphony Orchestra conducted by Schuller. The piece was a finalist for the 1988 Pulitzer Prize for Music. [1] [2]
A string quartet is a musical ensemble consisting of four string players – two violin players, a viola player and a cellist – or a piece written to be performed by such a group. The string quartet is one of the most prominent chamber ensembles in classical music, with most major composers, from the mid 18th century onwards, writing string quartets.
An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello, and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.
Gunther Alexander Schuller was an American composer, conductor, horn player, author, historian and jazz musician.
The concerto has a duration of roughly 22 minutes and is cast in four movements:
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".
A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
The third and fourth movements are played without interruption. [1]
The work is scored for string quartet and a large orchestra consisting of three flutes (doubling piccolo and alto flute), three oboes, cor anglais, two clarinets, bass clarinet, three bassoons (doubling contrabassoon), four horns, four trumpets, three trombones, tuba, percussion, harp, piano, celesta, and strings. [1]
The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.
The alto flute is a type of Western concert flute, a musical instrument in the woodwind family. It is the next extension downward of the C flute after the flûte d'amour. It is characterized by its distinct, mellow tone in the lower portion of its range. It is a transposing instrument in G, and uses the same fingerings as the C flute.
Travis Rivers of The Spokesman-Review wrote, "Schuller is a master of orchestration and his concerto is filled with ingenious use of evocative sounds—twitterings, murmurings, and stormy outbursts—sounds that can be appreciated for the moods they produce. The work also succeeds in doing some things few composers have even tried to do and none succeeding so well as Schuller—namely, treating the string quartet as a group of soloists, allowing the four players to interact as a quartet and still keeping the group from merging into the orchestral string sections." [3]
The Spokesman-Review is a daily broadsheet newspaper in the northwest United States, based in Spokane, Washington; it is the city's only daily publication. It has the third highest readership among daily newspapers in the state, with most of its readership base in Eastern Washington.
A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year."
Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s she had shifted to a post-modernist, neo-romantic style. She has been called "one of America’s most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich currently serves as the Francis Eppes Distinguished Professor at Florida State University.
Milton Byron Babbitt was an American composer, music theorist, and teacher. He is particularly noted for his serial and electronic music.
Mark-Anthony Turnage CBE is an English composer of classical music.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. In this regard, she was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Stuart Oliver Knussen was a British composer and conductor.
Alfred Whitford (Fred) Lerdahl is the Fritz Reiner Professor of Musical Composition at Columbia University, and a composer and music theorist best known for his work on musical grammar and cognition, rhythmic theory, pitch space, and cognitive constraints on compositional systems. He has written many orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: Time after Time in 2001, String Quartet No. 3 in 2010, and Arches in 2011.
Isang Yun, also spelled Yun I-sang, was a Korean-born composer who made his later career in West Germany.
Steven Edward Stucky was a Pulitzer Prize-winning American composer.
Richard Danielpour is an American composer.
Melinda Jane Wagner is a US composer, and winner of the 1999 Pulitzer Prize in music. Her undergraduate degree is from Hamilton College. She received her graduates degrees from University of Chicago and University of Pennsylvania. She also served as Composer-in-Residence at the University of Texas (Austin) and at the ‘Bravo!’ Vail Valley Music Festival. Some of her teachers included Richard Wernick, George Crumb, Shulamit Ran, and Jay Reise.
James Dillon is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Chen Yi is a Chinese violinist and composer of contemporary classical music. She was the first Chinese woman to receive a Master of Arts (M.A.) in music composition from the Central Conservatory of Music in Beijing. Chen was a finalist for the 2006 Pulitzer Prize for Music for her composition Si Ji, and has received awards from the Koussevistky Music Foundation and American Academy of Arts and Letters, as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2010, she was awarded an Honorary Doctorate from The New School and in 2012, she was awarded the Brock Commission from the American Choral Directors Association.
Donald James Martino was a Pulitzer Prize winning American composer.
Nigel Keay is a New Zealand composer. He has been a freelance musician since 1983 working as a composer, violist, and violin teacher. Nigel Keay has held the following composer residencies: Mozart Fellowship, University of Otago 1986 and 1987, Nelson School of Music 1988 and 89, Auckland Philharmonia Orchestra 1995.
Dmitri Nikolaevich Smirnov, also known by his pen names Dmitri N. Smirnov and D. Smirnov-Sadovsky, is a Russian and British composer.
Paul Seiko Chihara is an American composer.
Daniel Asia is an American composer. He was born in Seattle, Washington, in the United States of America.
Roger John Goeb was an American composer.
This article about a concerto is a stub. You can help Wikipedia by expanding it. |