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Kinshasa, formerly named Léopoldville before June 30, 1966, is the capital and largest city of the Democratic Republic of the Congo. Once a site of fishing and trading villages along the Congo River, Kinshasa is now one of the world's fastest-growing megacities. With an estimated population of 16 million residents, it's the most densely populated city in the DRC and the most populous city in Africa. It is Africa's third-largest metropolitan area and the leading economic, political, and cultural center of the DRC. Kinshasa houses several industries, including manufacturing, telecommunications, banking, and entertainment. The city also hosts some of DRC's significant institutional buildings, such as the Palais du Peuple, Palais de la Nation, Court of Cassation, Constitutional Court, Cité de l'Union Africaine, Palais de Marbre, Stade des Martyrs, Immeuble du Gouvernement, Kinshasa Financial Center, and multiple federal departments and agencies.
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others". As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Margaret Blair Young is an American author, filmmaker, and writing instructor who taught for thirty years at Brigham Young University.
Staff Benda Bilili are a group of street musicians in the Democratic Republic of the Congo. They used to live around the grounds of the zoo in the country's capital city, Kinshasa, and play music which is rooted in soukous, with elements of old-school rhythm and blues and reggae. The core of the band consists of four senior singers/guitarists, who are paraplegic and move around in spectacularly customized tricycles. They are backed by a younger rhythm section consisting of abandoned street children who were taken under the protection of the older members of the band. The soloist is an 18-year-old boy (2009) who plays guitar-like solos on an electrified one-stringed lute he designed and built himself out of a tin can. The group's name translates roughly from Lingala as "look beyond appearances".
Cinéma du Réel is an international documentary film festival organized by the BPI-Bibliothèque publique d'information in Paris and was founded in 1978. The festival presents about 200 films per year in several sections by experienced documentary directors as well as first timers. The screenings take place at the Pompidou Centre in Paris, and in several movie theaters partners of the festival.
Kinshasa Symphony is a German 2010 documentary film.
Cinema of the Democratic Republic of the Congo originated with educational and propaganda films during the colonial era of the Belgian Congo. Development of a local film industry after the Democratic Republic of the Congo gained its independence from Belgium in 1960, and was handicapped by constant civil war.
Balufu Bakupa-Kanyinda is a filmmaker from the Democratic Republic of the Congo.
Rachel Mwanza is an actress from the Democratic Republic of the Congo, best known for her performance as Komona in the 2012 film War Witch (Rebelle). Prior to being cast in the film, she was homeless and living on the streets of Kinshasa.
The following is a timeline of the history of the city of Kinshasa, Democratic Republic of the Congo.
Ne Kunda Nlaba is a Congolese film producer, director, screenwriter, actor, and political scientist. He owns and is the CEO of his film production company, Labson Bizizi-cine Kongo Ltd., the film distribution company Afrika Bizizi Distribution Ltd., and the creator of Bizizi Box.
Angèle Diabang Brener is a Senegalese screenwriter, director and film producer.
Kiripi Katembo, also known as Kiripi Katembo Siku, was a Congolese photographer, documentary filmmaker and painter. Katembo's short films, photography and other projects focused on the daily lives of the people of Kinshasa, as well as the economic and social challenges facing the Democratic Republic of the Congo. He was also a founding director of Mutotu Productions, his film production company, and the executive director of Yango Biennale, based in Kinshasa.
Elvire Adjamonsi is a Beninese filmmaker, actor, journalist and cultural developer. She is known for her documentary films and for her work in creating and managing film festivals and cultural institutions across Africa.
Jean-Michel Kibushi Ndjate Wooto, is a Congolese stop-motion animator. He is the pioneer of African animation, and widely considered to be the first Congolese animator.
Maki’la depicts the rough life of street children in Kinshasa, the capital city of the Democratic Republic of Congo. It is notable as the directorial debut of Machérie Ekwa Bahango and for using the Congolese language Lingala on the silver screen. It premiered at the Berlinale 2018.
Dieudo Hamadi is a documentary filmmaker from the Democratic Republic of the Congo.
Kinsagani Diary is a post-genocide documentary film about the lives of Hutus who fled to Zaire till they were discovered along a railway line by the United Nations. The documentary gives account of their hardship, rescue and how they were eventually massacred.
African Federation of Film Critics is a panafricanist federation grouping African and diaspora's film critics associations, as well as individuals. It was founded in 2004 and as of 2023, the AFFC is composed of 43 associations and 456 editors. Its headquarters are in Senegal.
Alain Kassanda is a Congolese French film maker, film director and cinematographer, and founder of Ajímatí Films. He is known for his highly acclaimed documentary films Trouble Sleep (2020), Colette & Justin (2022), and Coconut Head Generation (2023).
References
- ↑ Young, Neil (14 October 2010). "Congo in Four Acts -- Film Review". The Hollywood Reporter . Associated Press . Retrieved 17 March 2012.
- 1 2 3 Nechvatal, Joseph (9 August 2015). "Photographer Kiripi Katembo, Master of Reflection, Dies at 36". Hyperallergic . Retrieved 2 September 2015.
- 1 2 "Africiné". www.africine.org. Retrieved 2 July 2019.
- African Film Festival of Cordoba-FCAT (license CC BY-SA-3.0)
