Connie Samaras | |
|---|---|
| Born | Albuquerque, New Mexico |
| Nationality | American |
| Education | Eastern Michigan University |
| Known for | photography, video art |
| Website | Official website  |
Connie Samaras is a Los Angeles-based artist who works mostly in photography and video. She is best known for her speculative landscape series.
Samaras was born in Albuquerque, New Mexico, in the early 1950s. She received her M.F.A. degree from Eastern Michigan University.
Connie Samaras' artistic career as a photographer and videographer has focused on feminism (specifically second wave), culture, technology, sexuality and gender studies, science, and both man-made and natural environments. [1] She is a full professor at the University of California, Irvine.
Samaras has showed her works in museums and galleries across the globe in both solo exhibitions and group shows. Some of her most notable shows include the California Museum of Photography (2011), the New Mexico Museum of Art (2001), Tauranga Museum (2009), the Japanese National American Museum (2008), and the Tijuana V International Biennial of Standards (2008). Her large-scale photographs of Las Vegas were included in the 2001 book Benjamin's Blind Spot. [2]
After the American Century was a photographic project that revolved around the city of Dubai and its vast city construction projects. The work as a whole examines the politics and economics of such extreme constructed environments. Samaras explores the idea of Dubai being a city that is of the future, yet placed in the Arabian desert, an area with a long history. [3] The photos of stark buildings almost entirely devoid of life give the photographs a dysotopian science-fictional feel. [4]
V.A.L.I.S (Vast Active Living Intelligence System) was a photographic project that Samaras worked on through a National Science Foundation's Artists and Writers grant that took her to Antarctica for parts of two years between 2005 and 2007. The premise of Samaras's project was to document the extreme environment and how it affected the surrounding architecture as time passed. [5] In these photos one sees how the ice and harsh environment repeatedly consume the human-made structures in the area, forcing people . to constantly rebuild as buildings made decades ago become buried under layers of snow and ice. Samaras's works from Antarctica reflect a deadpan approach that avoids prompting emotional responses in the viewers. [5]
Angelic States Even Sequences was a photographic project that focused on various cities across the United States, especially on urban forms of surveillance and technological presence. [6]
Connie Samaras has received many prestigious awards and grants throughout her career. These include the Andy Warhol Foundation Grant (2011), the National Science Foundation Artist and Writers grant, a Creative Capital Visual Arts Award, [7] the Getty's Mid-Career Visual Arts Fellowship (2006), Anonymous was a Woman (2003), COLA Mid-Career Artistic Fellowship (2003), Banff Centre for the Arts Senior Artist Award (2000) and New Media Institute Residency (1999), and the National Endowment for the Arts Special Exhibitions Grant (1994).
Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
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Sonya Noskowiak was a 20th-century German-American photographer and member of the San Francisco photography collective Group f/64 that included Ansel Adams and Edward Weston. She is considered an important figure in one of the great photographic movements of the twentieth century. Throughout her career, Noskowiak photographed landscapes, still lifes, and portraits. Her most well-known, though unacknowledged, portraits are of the author John Steinbeck. In 1936, Noskowiak was awarded a prize at the annual exhibition of the San Francisco Society of Women Artists. She was also represented in the San Francisco Museum of Art’s “Scenes from San Francisco” exhibit in 1939. Ten years before her death, Noskowiak's work was included in a WPA exhibition at the Oakland Museum in Oakland, California.
Hulleah J. Tsinhnahjinnie is a Navajo Nation photographer, museum director, curator, and professor. She is living in Davis, California. She serves as the director of the Gorman Museum of Native American Art and teaches at University of California, Davis.
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Deborah Springstead Ford is an American photographer noted for her fine art black and white combination printed photographs exploring ambiguous perceptual realities. She has photographed her family, western landscapes and cultural artifacts, with much of her photographic work drawing on the relationships between science and art, the natural world and cultural geography. Most recently her photographs of oil and gas exploration in the Powder River Basin and the high desert west have received attention and been published in Arid. Her work has been exhibited in solo and group exhibits in museums and galleries around the continent, and is included in many private and public collections such as the Center for Creative Photography, California Museum of Photography, and Northlight Gallery. She has been an arts advocate, educator and program administrator in addition to being a professional visual artist for over 30 years. Ford attended Minneapolis College of Art & Design, Arizona State University and Goddard College. She has a BFA in Photography, a Master's in Art Education/Photographic Studies and an MFA in Interdisciplinary Arts. She was a professor of Photographic Studies at Prescott College. She taught photography full-time from 1982 to 2013, the last 18 years at Prescott College in northern Arizona. As an arts advocate, Ford was instrumental in the creation of the Prescott College Art Gallery. The gallery and Ford have both been nominated for Arizona Governor's Art Awards. She has received numerous awards and fellowships, including four Arizona Commission on the Arts Grants and participated in many Artist-in-Residence programs around the country including the Biosphere 2, Ucross Foundation, Anderson Center for Interdisciplinary Arts, Sitka Center for Art & Ecology, Joshua Tree National Park, Isle Royale National Park, and Aspen Guard Station. Ford's photographs have been exhibited nationally and internationally. Recent publications include a profile in Black and White Magazine, Issue #82. and photographs in Orion magazine. Ford was the executive director of Playa, in Summer Lake Oregon, a residency program for visual artists, scientists, writers and others engaged with creative inquiry from 2013 to 2017.
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