Contemporary Applied Arts (CAA) is a British art gallery and professional membership organisation in London, England. Established in 1948 as the members' selling organisation Crafts Centre of Great Britain (CCGB), it was known as the British Crafts Centre from 1972 to 1986.
Five societies cooperated in this enterprise: [1]
The late HRH Prince Philip, Duke of Edinburgh accepted Presidency in 1953 and provided active support, advice and custom until his death in 2021. He purchased two rugs from Mary Farmer in 1965/6 for his personal collection. [2]
In 1964, the CCGB adopted the Preliminary Proposals for the establishment of a Crafts Council of Great Britain (CCoGB). Cyril Wood was appointed Director of both CCGB and CCoGB, later that year deciding that the CCGB should be closed down. A temporary reprieve at Hay Hill, then saw the CCBG move to Covent Garden in 1966 under the stewardship of the Chairman Graham Hughes. [3]
In 1972 the Crafts Centre and Crafts Council of Great Britain merge forming the British Crafts Centre. The CCGB is not the same organisation as the Crafts Council which was a later renaming of the Crafts Advisory Committee in 1979. [4] Tania Harrod reflected on the first 50 years in 1998 [5] At the time of their 75th Anniversary the Crafts Council reflected that the "selected members are professionals rigorously chosen by a panel of their peers. Belonging to CAA is seen as a kitemark of excellence." [6]
As of 2015, the gallery director was Clare Maddison. [7]
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
esea contemporary, formerly the Centre for Chinese Contemporary Art, is a contemporary art gallery based in Manchester, England. It is located on Thomas Street in Manchester's Northern Quarter in the renovated part of the Smithfield Market Hall.
The Crafts Council is the national development agency for contemporary craft in the United Kingdom, and is funded by Arts Council England.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
The Craft Potters Association (CPA) is an association of potters formed in 1958 in London. It has two wholly owned operating companies: Craftsmen Potters Trading Company Ltd and Ceramic Review Publishing Ltd.
Julian Francis Stair is an English potter, academic and writer. He makes groups of work using a variety of materials, from fine glazed porcelain to coarse engineering brick clays. His work ranges in scale from hand-sized cups and teapots to monumental jars at over 6 feet tall and weighing half a ton.
Primavera is a fine arts and crafts gallery at 10 King's Parade in Cambridge, England. Henry Rothschild founded Primavera in 1945 in Sloane Street, London, in order to promote and retail contemporary British art and craft. The Cambridge branch of Primavera was opened in 1959.
John Farleigh CBE, also known as Frederick William Charles Farleigh, was an English wood-engraver, noted for his illustrations of George Bernard Shaw's work The Adventures of the Black Girl in Her Search for God, which caused controversy when released due to the religious, sexual and racial themes within the writing and John Farleigh's complementary wood engravings commissioned by Shaw for the book. He is also known for his illustrations of D. H. Lawrence's work, The Man Who Died, and for the posters he designed for London County Council Tramways and London Transport. He was also a painter, lithographer, author and art tutor.
Sound and Music is the UK's national charitable agency for new music, established on 1 October 2008 from the merger of four existing bodies working in the contemporary music field: the Society for the Promotion of New Music (SPNM), the British Music Information Centre, the Contemporary Music Network and the Sonic Arts Network.
The Contemporary Art Society (CAS) is an independent charity that champions the collecting of outstanding contemporary art and craft for UK museum collections. Since its founding in 1910 the organisation has donated over 10,000 works to museums across the UK. From the 1930s the Society also donated works to Commonwealth museums, but since 1989 the focus has remained exclusively on UK institutions.
Carol McNicoll is an English studio potter whose work is mainly decorative slipcast ware, she is credited with helping to transform the British ceramics scene in the late 1970s.
Rupert Williamson has been a Designer and creator of one-off furniture for over 40 years with work in many museums and public collections, together with his work written about and illustrated in many books and articles.In 1999 he received a PhD for his thesis “New Forms of Imagery in Furniture". The Reflections of a Designer working in the Craft Revival of the 1970s and beyond” together with a major collection of his designs.
Jacob van der Beugel is a UK born, Dutch artist.
Ronald Pennell is a British artist, engraver, especially in glass engraving, and sculptor.
Ann Sutton is a British artist, author, educator and broadcaster. She gained international recognition as an innovative textile artist and designer from the 1950s and has continued to develop her making and research in other media to the present day.
Cóilín Ó Dubhghaill is an Irish artist and academic, crafting as a silversmith and also in copper and Japanese-inspired copper alloys, gold and other metals. He lived in Japan and studied Japanese metal crafts for seven years in the national arts university. His art is held in a range of national and other museums and galleries, and has been widely shown. His research work bridges art and materials science, and he is co-inventor of a new hybrid metal, mikana.
Jacqui Poncelet, also known as Jacqueline Poncelet, is a Belgian artist. Poncelet began her art career as a ceramist in the 1970s and 1980s. In the 1980s her practice expanded to include painting, sculpture and public art.
Mary Farmer was a UK-based weaver of tapestries and rugs, she led developments in tapestry in the late 20th century with a number of roles across higher education culminating in Course Director at the Royal College of Art. Her client list included royalty, government departments, major corporations, museum collections and private collectors.
The Red Rose Guild was a guild based in Manchester, with the aim to promote British arts and crafts. It was “regarded as the most influential national outlet for makers” in Britain during the first half of the twentieth century. The Guild was founded in 1921 by printmaker Margaret Pilkington, OBE, and remained active until 1985. The Guild held annual exhibitions at Houldsworth Hall, part of what is now Hulme Hall, Manchester until World War II. Prominent members of the Guild included potter Bernard Leach, silversmith Joyce Himsworth and weaver Ethel Mairet. After the war, the Guild moved its headquarters to Whitworth Hall. In 1950 the Guild joined the Crafts Centre of Great Britain.
The Crafts Centre of Great Britain was established in 1948 with the purpose of “the preservation, promotion and improvement of fine craftsmanship in Great Britain.” It created direct links between individual producers and industry, and encouraged young people to take up crafts through education and instruction. Prominent members included Bernard Leach, Lilian Dring and Tibor Reich.