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The Contemporary Glass Society (CGS) is an association of artists working in the medium of glass in the United Kingdom and internationally. Established in 1997, the organisation funded through member subscriptions and charitable contributions. [1] It publishes the Glass Network digital magazine. [2]
It awards an annual graduate review prize and also publishes the New Graduate Review magazine. [3]
Peter Layton, founder of the London Glassblowing workshop, started the Contemporary Glass Society and became its first chairman in 1997. [4]
He started the organisation together with Colin Reid and Tessa Clegg, the Contemporary Glass Society rose from the ashes of British Artists in Glass, an informal association of individual Glass Artists founded in 1976 by a group of artists including the glass sculptor David Reekie. Essentially an informal Craft Guild, British Artists in Glass was composed almost entirely of artists working in blown and kiln glass. Since its demise in 1992, the representation of British Glass had been left to individual efforts. There was no overall organisation. Through discussions with other like-minded people, Peter Layton identified the need for a unified, National Society, to represent the interests of enthusiasts of glass more generally, within the national and international community. The Contemporary Glass Society was the result.
The first conference was held at the University of Wolverhampton with over 100 attendees and a line-up of speakers including, Keith Cummings, Diana Hobson and Alison Kinnard.
In 2005 CGS became a non-profit making limited company.
An Arts Council England funded organisation, CGS has a growing membership that now includes not simply Glass artists, but makers, collectors, students, trade and education establishments. CGS is run by a voluntary committee made up mostly of makers and its administrator, Pam Reekie. It publishes a quarterly newsletter Glass Network, designed by the artist Roger Kohn and runs its own website and produces material showcasing the work of glass artists throughout the UK. [5] The society organises a number of public activities including; international conferences and one-day symposiums as well as practical workshops covering a range of techniques, such as Glass blowing, hot glass, architectural glass, glass engraving and glass casting and kiln work.
In 2022, society trustee Fiona Fawcett curated an exhibition at the Stourbridge Glass Museum celebrating the 25th anniversary of the Contemporary Glass Society. [6]
Current members of the Contemporary Glass Society include: Katharine Coleman, Emma Woffenden, Anna Dickinson, Fiaz Elson, Catherine Hough, David Reekie, Colin Reid and Tessa Clegg.
John Gilbert Layton was a Canadian academic and politician who served as the leader of the New Democratic Party (NDP) from 2003 to 2011 and leader of the Official Opposition in 2011. He previously sat on Toronto City Council, occasionally holding the title of acting mayor or deputy mayor of Toronto during his tenure as city councillor. Layton was the member of Parliament (MP) for Toronto—Danforth from 2004 until his death.
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks in the fine arts. The glass objects created are intended to make a sculptural or decorative statement, and typically serve no useful function. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
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The Young Fabians is the under age 31 section of the Fabian Society, a socialist society in the United Kingdom that is affiliated with the Labour Party (UK). The Young Fabians operate as a membership-driven think tank that organises policy debates, research projects, publications, conferences, and international delegations. The organisation holds no collective position on policy.
The Art Workers' Guild is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of William Morris and the Arts and Crafts movement. The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art. It opposed the professionalisation of architecture – which was promoted by the Royal Institute of British Architects at this time – in the belief that this would inhibit design. In his 1998 book, Introduction to Victorian Style, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".
The following lists events that happened during 1928 in Australia.
David Reekie is an eminent English glass sculptor who uses drawing and glass casting to express his unique vision of the human condition. His art can be found in the Victoria and Albert Museum in London and the Carnegie Museum of Art in Pittsburgh, as well as in several other public collections in the United Kingdom.
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