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Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.
The United States' multi-ethnic population is reflected through a diverse array of styles of music. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip-hop/rap, soul, funk, religious, disco, house, techno, ragtime, doo-wop, folk, americana, boogaloo, tejano, reggaeton, surf, and salsa, amongst many others. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or leftist lyrical themes.
Chilean music refers to all kinds of music developed in Chile, or by Chileans in other countries, from the arrival of the Spanish conquistadors to the modern day. It also includes the native pre-Columbian music from what is today Chilean territory.
Reggaeton, also known as reggaetón or reguetón, is a modern style of popular and electronic music that originated in Panamá during the late 1980s, and which rose to prominence in the late 1990s and early 2000s through a plethora of Puerto Rican musicians. It has been popularized and dominated by artists from Puerto Rico since the early 1990s.
Regarding the music of Syria, there are certain musical traditions and practices that have been present in Syria longer than others. There have been musical influences introduced into Syria through multiple eras of conquest and influences from surrounding cultures in modern-day Syria. Lying near Egypt and Israel, and connected to southern Europe by the Mediterranean, Syria became host to many distinct cultural musics through trade and route. The music present in Syria is related greatly to poetry, influenced greatly by the Bedouin nomadic tribes, the maqam system in Arabic classical music, as well as influenced greatly by the geopolitical movement and conflict in the Middle East. Syrian music generally has a singer who is accompanied by three or four instruments. The texture is usually thin but can become denser depending on the use of each instrument. Music is tightly linked to poetry in Syria.
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music.
Hip hop music arrived in Cuba via radio and TV broadcasts from Miami. During the 1980s hip hop culture in Cuba was mainly centered on breakdancing. But by the 1990s, with the collapse of the Soviet Union and the onset of the Special Period, young raperos, exposed to foreign tourists whose wealth highlighted their struggle, turned to rapping to affirm their cubanidad and advocate for further revolutionary reforms.
Senegalese hip hop is a form of hip hop that originated in Senegal in the early 1980s. When hip hop first hit the scene in Africa, it went from merely being a fad, to a more social and political movement. Amongst the most influential leaders of this movement were artists from the country of Senegal. With the modernization of the country, and the rise in media, the youth of Senegal were able to embrace a new form of expression.
Kuduro is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola, in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton from the Caribbean to Angola, techno and accordion playing from Europe and laid this around a fast four-to-the-floor beat.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
Arabic pop music or Arab pop music is a subgenre of pop music and Arabic music.
Palestinian hip hop reportedly started in 1998 with Tamer Nafar's group DAM. These Palestinian youth forged the new Palestinian musical subgenre, which blends Arabic melodies and hip hop beats. Lyrics are often sung in Arabic, Hebrew, English, and sometimes French. Since then, the new Palestinian musical subgenre has grown to include artists in Palestine, Israel, Great Britain, the United States and Canada.
Hip-hop or hip hop music, also known as rap, and formerly as disco rap, is a genre of popular music that originated in the early 1970s by African Americans and Caribbean immigrants in the Bronx, a borough of New York City. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "hip hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Omar Almasikh, better known by his stage name Omar Souleyman is a Syrian singer. He began his career in 1994 singing at weddings and has since released numerous records and performed all over the world. He produces a modernized version of the traditional dabke.
Alternative dance is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles, it has gained American and worldwide exposure through acts such as New Order in the 1980s and the Prodigy and in the 1990s.
Tribal guarachero, also known as trival, is a music genre that fuses electronic dance music with cumbia or certain rhythms from regional Mexican music genres.
Shamstep is a Levantine genre of electronic dance music that combines the traditional forms of Dabke music with electronic instruments. 'Sham' is the Arabic name for the region of Greater Syria, Syria-Palestine or the Levant. The term 'Shamstep' was coined by the Jordanian-Palestinian band 47Soul to describe their music.
Underground Music in Iraq refers to the alternative and often subversive music scene that has grown and evolved in Iraq since the early 2000s. Despite numerous societal and governmental challenges, this robust underground scene has been a platform for a generation of Iraqi musicians to express their artistic vision and often controversial ideas. The music genres within the Iraqi underground scene are diverse, ranging from punk rock to hip hop to electronic music and beyond.
References
- ↑ "Syrian Metal in the Civil War | norient.com". norient.com. Retrieved 2023-06-29.
- 1 2 "Arab Underground Music: Politics, Revolution, and Social Change". Raseef22. 2016-12-08. Retrieved 2023-06-29.
- ↑ "Syrian bands rock Beirut's alternative music scene". Middle East Eye. 2015. Retrieved 2023-06-29.
- ↑ "Underground House Syria: Sowing the Seeds of Dance Music Amidst the Ravages of War". www.scenenoise.com. Retrieved 2023-06-29.
- ↑ Makki, Danny (2022-06-03). "Syria's underground dance music scene is a welcome distraction in tough times". The National. Retrieved 2023-06-29.
- ↑ D'Ignoti, Stefania. "The Aleppo electronic artists using music to heal in Gaziantep". www.aljazeera.com. Retrieved 2023-06-29.
- ↑ "OMAR SOULEYMAN – Love him or hate him". Andy Morgan Writes. Archived from the original on 2014-07-14. Retrieved 2014-08-02.
- ↑ Tahiat Mahboob (June 20, 2017). "Refugees of Rap to Country for Syria: 6 musical acts without borders". cbcmusic.ca. Retrieved January 16, 2019.