Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theater, in works such as William Shakespeare's Othello.
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of comically portraying racial stereotypes of African Americans. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent.
Black Buck also known as Big Black Buck was a racial slur used to describe a certain type of African American man in the post-Reconstruction United States. In particular, the caricature was used to describe black men who absolutely refused to bend to the law of white authority and were seen as irredeemably violent, rude, and lecherous.
Racism has been reflected in discriminatory laws, practices, and actions against racial or ethnic groups throughout the history of the United States. Since the early colonial era, White Americans have generally enjoyed legally or socially-sanctioned privileges and rights that have been denied to members of various ethnic or minority groups. European Americans have enjoyed advantages in matters of citizenship, criminal procedure, education, immigration, land acquisition, and voting rights.
A lawn jockey is a statue depicting a man in jockey clothes, intended to be placed in front yards as hitching posts, similar to those of footmen bearing lanterns near entrances and gnomes in gardens. The lawn ornament, popular in certain parts of the United States and Canada in years past, was a cast replica, usually about half-scale or smaller, generally of a man dressed in jockey's clothing and holding up one hand as though taking the reins of a horse. The hand sometimes carries a metal ring and, in some cases, a lantern, which may or may not be operational.
Stereotypes of African Americans are misleading beliefs about the culture of people with partial or total ancestry from any black racial groups of Africa whose ancestors resided in the United States since before 1865. These stereotypes are largely connected to the racism and the discrimination faced by African Americans. These beliefs date back to the slavery of black people during the colonial era and they have evolved within American society over time.
Coon songs were a genre of music that presented a stereotype of Black people. They were popular in the United States and Australia from around 1880 to 1920, though the earliest such songs date from minstrel shows as far back as 1848, when they were not yet identified with "coon" epithet. The genre became extremely popular, with White and Black men giving performances in blackface and making recordings. Women known as coon shouters also gained popularity in the genre.
Stereotypes of white Americans in the United States are generalizations about the character, behavior, or appearance of white Americans by other Americans in the United States.
There are stereotypes of various groups of people which live within the United States and contribute to its culture. Worldwide, a disproportionately high number of people know about these stereotypes, due to the transmission of American culture and values via the exportation of American-made films and television shows.
African Americans, and African American males in particular, have an ethnic stereotype in which they are portrayed as dangerous criminals. This stereotype is associated with the fact that African Americans are proportionally over-represented in the numbers of those that are arrested and convicted for committing crimes. It has appeared frequently in American popular culture, reinforcing the negative consequences of systemic racism.
The Jim Crow Museum of Racist Memorabilia at Ferris State University, Big Rapids, Michigan, displays a wide variety of everyday artifacts depicting the history of racist portrayals of African Americans in American popular culture. The mission of the Jim Crow Museum is to use objects of intolerance to teach tolerance and promote social justice.
White power music is music that promotes white nationalism. It encompasses various music styles, including rock, country, and folk. Ethnomusicologist Benjamin R. Teitelbaum argues that white power music "can be defined by lyrics that demonize variously conceived non-whites and advocate racial pride and solidarity. Most often, however, insiders conceptualized white power music as the combination of those themes with pounding rhythms and a charging punk or metal-based accompaniment." Genres include Nazi punk, Rock Against Communism, National Socialist black metal, and fashwave.
The representation of African Americans in speech, writing, still or moving pictures has been a major concern in mainstream American culture and a component of media bias in the United States.
The presence of African Americans in major motion picture roles has stirred controversy and been limited dating back decades due to lingering racism following slavery and segregation. "Through most of the 20th century, images of African-Americans in advertising were mainly limited to servants like the pancake-mammy Aunt Jemima and Rastus, the chef on the Cream of Wheat box." While African American representation in the film industry has improved over the years, it has not been a linear process; "Race in American cinema has rarely been a matter of simple step-by-step progress. It has more often proceeded in fits and starts, with backlashes coming on the heels of breakthroughs, and periods of intense argument followed by uncomfortable silence."
The watermelon stereotype is an anti-Black racist trope originating in the Southern United States. It first arose as a backlash against African American emancipation and economic self-sufficiency in the late 1860s.
The Jolly Darkie Target Game was a game developed and manufactured by the McLoughlin Brothers which was released in 1890. It was produced until at least 1915. Other companies produced similar games, such as Alabama Coon by J. W. Spear & Sons.
A Halloween card is a greeting card associated with Halloween. The concept originated in the 1890s United States, experiencing a peak of popularity there in the early 1900s. Until the advent of the common home telephone, Halloween cards occupied a role similar to Christmas cards and birthday cards. Today, many cards from the popular designers of the period are sought after as memorabilia.
A lynching postcard is a postcard bearing the photograph of a lynching—a vigilante murder usually motivated by racial hatred—intended to be distributed, collected, or kept as a souvenir. Often a lynching postcard would be inscribed with racist text or poems. Lynching postcards were in widespread production for more than fifty years in the United States, although their distribution through the United States Postal Service was banned in 1908.
Depicting African-American children as alligator bait was a common trope in American popular culture in the 19th and 20th centuries. The motif was present in a wide array of media, including newspaper reports, songs, sheet music, and visual art. There is an urban legend claiming that black children or infants were in fact used as bait to lure alligators, although there is no meaningful evidence that children of any race were ever used for this purpose. In American slang, alligator bait is a racial slur for African-Americans.
The fried chicken stereotype is an anti-African American racist trope that has its roots in the American Civil War and traditional slave foods.
"How Ink Is Made" postcard, published c. 1900
"A Treed Coon" postcard, published c. 1900 by Detroit Pub. Co. (NYPL Collection)
Sent from New York City
"Happy little Dahkies" (NBY 8333)
You're invited here for the… Big blow out!, Galveston Beach, Texas
"Coons in a Cotton Shed" photochrom postcard published by the Detroit Photographic Company, circa 1897-1924
"You would laugh too, if you had seen, What the Moon saw on Halloween." Fold-out Halloween card, early 1900s, United States. (Black Americana at Howard Bernard Collectibles)
