Terracotta, terra cotta, or terra-cotta, a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous. Terracotta is the term normally used for sculpture made in earthenware, and also for various practical uses including vessels, water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta.
A figurine or statuette is a small, three-dimensional sculpture that represents a human, deity or animal, or, in practice, a pair or small group of them. Figurines have been made in many media, with clay, metal, wood, glass, and today plastic or resin the most significant. Ceramic figurines not made of porcelain are called terracottas in historical contexts.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Tau-, Psi- and phi- type figurines date back to 1450–1100 BC in Mycenaean Greece. They were typically small, made of terracotta, although a group of ivory figurines has been found, and were found in tombs, shrines and settlement areas. They are classified by their shape and a resemblance to the Greek letters of tau (τ), psi (ψ) and phi (Φ), according to a typological system created by Arne Furumark in 1941.
Dorothy Burr Thompson was an American classical archaeologist and art historian at Bryn Mawr College and a leading authority on Hellenistic terracotta figurines.
The naiskos is a small temple in classical order with columns or pillars and pediment.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
Terracotta figurines are a mode of artistic and religious expression frequently found in ancient Greece. These figurines abound and provide an invaluable testimony to the everyday life and religion of the ancient Greeks. The so-called Tanagra figurines, in fact made elsewhere as well, are one of the most important types.
The Tanagra figurines were a mold-cast type of Greek terracotta figurines produced from the later fourth century BC, named after the Boeotian town of Tanagra, where many were excavated and which has given its name to the whole class. However, they were produced in many cities. They were coated with a liquid white slip before firing and were sometimes painted afterward in naturalistic tints with watercolors, such as the famous "Dame en Bleu" at the Louvre. They were widely exported around the ancient Greek world. Such figures were made in many other Mediterranean sites, including Alexandria, Tarentum in Magna Graecia, Centuripe in Sicily and Myrina in Mysia.
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic period. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware.
A protome is a type of adornment that takes the form of the head and upper torso of either a human or an animal.
The Archaeological Museum of Lamia is a museum within the archaeological site of Lamia Castle in Lamia, Greece. The museum is housed in a refurbished barracks built in 1830 by King Otto of Greece. It presents prehistoric and Classical antiquities, covering the Neolithic era, Helladic period, Early Iron Age, Archaic, Classical and Hellenistic periods.
The Museum of Classical Archaeology is the teaching collection of the Department of Classics, Archaeology and Ancient History at the University of Adelaide in South Australia.
Centuripe ware, or East Sicilian polychrome ware, or the Centuripe Class of vase, is a type of polychrome Sicilian vase painting from the 3rd and 2nd centuries BC. It is rare, with only some 50 examples known. They have been described as "smothered in ornamental colors and shaped too elaborately", an example of Hellenistic "Middle-class taste [that] was often cloying and hideous, sometimes appealing."
Parthian art was Iranian art made during the Parthian Empire from 247 BC to 224 AD, based in the Near East. It has a mixture of Persian and Hellenistic influences. For some time after the period of the Parthian Empire, art in its styles continued for some time. A typical feature of Parthian art is the frontality of the people shown. Even in narrative representations, the actors do not look at the object of their action, but at the viewer. These are features that anticipate the art of medieval Europe and Byzantium.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
Amasya Museum, also known as Archaeological Museum of Amasya is a national museum in Amasya, northern Turkey, exhibiting archaeological artifacts found in and around the city as well as ethnographic items related to the region's history of cultural life. Established in 1958, the museum owns nearly twenty-four thousand items for exhibition belonging to eleven historic civilizations.
The Euphrates Syrian Pillar Figurines (EU_SPF's) are anthropomorphic clay figurines dating from the late Iron Age period and produced in the Middle Euphrates region. These figurines are part of a greater coroplastic production mainly composed of handmade horse-rider figurines, i.e. the Euphrates Handmade Syrian Horses and Riders (EU_HSHR's).
The Euphrates Handmade Syrian Horses and Riders are zoomorphic clay figurines representing horses and horses with riders. They date from the late Iron Age period and were produced in the Middle Euphrates region, alongside anthropomorphic figures known as Euphrates Syrian Pillar Figurines (EU_SPFs).
Semthan, also Semithan is a village 01 kilometer north of Bijbehara in the Kashmir Valley, Jammu and Kashmir, India. It has an archaeological site, the ancient site of Chakradhar where cultural sequences were stratified, from the Neolithic to the Indo-Greek and Kushan periods.
