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Free verse is an open form of poetry, which in its modern form arose through the French vers libre form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech.
Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
The Poetic Edda is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the Prose Edda written by Snorri Sturluson, although both works are seminal to the study of Old Norse poetry. Several versions of the Poetic Edda exist: especially notable is the medieval Icelandic manuscript Codex Regius, which contains 31 poems. The Codex Regius is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the Codex Regius include Vilhelm Ekelund, August Strindberg, J. R. R. Tolkien, Ezra Pound, Jorge Luis Borges, and Karin Boye.
The Prose Edda, also known as the Younger Edda, Snorri's Edda or, historically, simply as Edda, is an Old Norse textbook written in Iceland during the early 13th century. The work is often assumed to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson c. 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the Poetic Edda.
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead".
In prosody, alliterative verse is a form of verse that uses alliteration as the principle ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, and the Alliterative Morte Arthur all use alliterative verse.
A skald, or skáld, is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but was sometimes extempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge on Norse mythology, and heiti, which is a noun that is more formal to compare to every day terms. dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry.
Sagas are prose stories and histories, composed in Iceland and to a lesser extent elsewhere in Scandinavia.
Aristotle's Poetics is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama, lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes:
- Differences in music rhythm, harmony, meter, and melody.
- Difference of goodness in the characters.
- Difference in how the narrative is presented: telling a story or acting it out.
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described and the comparison used to describe it. These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways.
Old Norse poetry encompasses a range of verse forms written in the Old Norse language, during the period from the 8th century to as late as the far end of the 13th century. Old Norse poetry is associated with the area now referred to as Scandinavia. Much Old Norse poetry was originally preserved in oral culture, but the Old Norse language ceased to be spoken and later writing tended to be confined to history rather than for new poetic creation, which is normal for an extinct language. Modern knowledge of Old Norse poetry is preserved by what was written down. Most of the Old Norse poetry that survives was composed or committed to writing in Iceland, after refined techniques for writing were introduced—seemingly contemporaneously with the introduction of Christianity: thus, the general topic area of Old Norse poetry may be referred to as Old Icelandic poetry in literature.
Old Norse literature refers to the vernacular literature of the Scandinavian peoples up to c. 1350. It chiefly consists of Icelandic writings.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.
This is a glossary of poetry.
Sonnet 17 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is the final poem of what are referred to by scholars as the procreation sonnets with which the Fair Youth sequence opens.
Sonnet 32 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The writer is reflecting on a future in which the young man will probably outlive him. The writer takes a melancholy tone, telling the young man to remember the writer not because of the strength of the sonnets, but because the love that has been shown to the young man far surpasses any love shown by another poet.
Maximianus or Maximian was a Latin elegiac poet of the 6th century, who has been called "in some sort, the last of the Roman poets".
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
References
- ↑ Mignani, Rigo (1965). "Correlative verse". In Alex Preminger (ed.). Princeton Encyclopedia of Poetry and Poetics. Frank J. Warnke, O. B. Hardison, Jr. Princeton UP. p. 155. ISBN 978-0-691-01308-4.
- ↑ Cuddon, J. A.; Preston, C. E. (1999). "Correlative verse" . The Penguin Dictionary of Literary Terms and Literary Theory (4 ed.). London: Penguin. pp. 181–82. ISBN 9780140513639.
- ↑ Faulkes, Anthony (1997). Poetical Inspiration in Old Norse and Old English Poetry. London. p. 29.
