Court Waltzes | |
---|---|
Directed by | |
Written by | |
Produced by | Günther Stapenhorst |
Starring | |
Cinematography | Carl Hoffmann |
Edited by | Willy Zeyn |
Music by | Alois Melichar |
Production company | |
Distributed by | L'Alliance Cinématographique Européenne |
Release date |
|
Running time | 85 minutes |
Country | Germany |
Language | French |
Court Waltzes (French : La guerre des valses) is a 1933 musical film directed by Ludwig Berger and Raoul Ploquin and starring Fernand Gravey, Armand Dranem and Madeleine Ozeray. It was the French-language version of Waltz War , made by the German studio UFA and also directed by Berger. [1] In the early years of sound it was common to shoot completely separate versions of films in different languages before dubbing became more established. This movie was part of a trend of operetta films released during the decade.
Fernand Gravey, also known as Fernand Gravet in the United States, was a Belgian-born French actor.
My Heart Is Calling You is the 1934 French version of a German musical film directed by Carmine Gallone and Serge Véber, written by Ernst Marischka, produced by Arnold Pressburger. The film stars Jan Kiepura, Danielle Darrieux and Lucien Baroux. The music score is by Robert Stolz.
Madeleine Ozeray, was a Belgian stage and film actress. She appeared in many films between 1932 and 1980. She is the godmother of theater actor, dancer and singer Frédéric Norbert.
La dame de chez Maxim's is a 1933 British French-language comedy film directed by Alexander Korda and starring Florelle, Esther Kiss and Ady Cresso. The film is a French-language version of the 1933 film The Girl from Maxim's made by London Film Productions. Both films were directed by Korda, and were based on the 1899 farce La Dame de chez Maxim by Georges Feydeau.
Monsieur Sans-Gêne is a 1935 French romantic comedy film directed by Karl Anton and starring Fernand Gravey, Josseline Gaël and Ginette Gaubert. The following year it was remade as an American comedy One Rainy Afternoon, released by United Artists.
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Calais-Dover is a 1931 French-German comedy film directed by Jean Boyer and Anatole Litvak and starring Lilian Harvey, André Roanne and Armand Bernard. It is the French-language version of the German film No More Love, with Harvey reprising her role. The title refers to the Dover–Calais ferry. It incorporated location shooting on the French Riviera with interiors shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth, Walter Röhrig and Werner Schlichting.
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The Girl and the Boy is a 1931 comedy film directed by Roger Le Bon and Wilhelm Thiele and starring Lilian Harvey, Henri Garat, and Lucien Baroux. It was made by the major studio UFA as the French-language version of Two Hearts Beat as One, which also starred Harvey. Such multiple-language versions were common in the early years of sound before dubbing became more widespread.
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My Husband Is Marvelous is a 1952 French comedy film directed by André Hunebelle and starring Fernand Gravey, Sophie Desmarets and Elina Labourdette. The film's sets were designed by the art director Lucien Carré. While a follow-up to the 1951 film My Wife Is Formidable which had the same director and cast, it is not a sequel.
The Secret of Woronzeff is a 1935 drama film directed by André Beucler and Arthur Robison and starring Jean Murat, Brigitte Helm and Madeleine Ozeray.
A Caprice of Pompadour is a 1931 French historical musical film directed by Joë Hamman and Willi Wolff and starring André Baugé, Marcelle Denya and Gaston Dupray. A separate German version Madame Pompadour was also made. It marked the film debut of the future star Suzy Delair.
Anyone Can Kill Me is a 1957 French-Italian crime drama film directed by Henri Decoin and starring François Périer, Peter van Eyck and Anouk Aimée. It was shot at the Epinay Studios in Paris. The film's sets were designed by the art director Raymond Gabutti.
The Princess's Whim is a 1934 French-German comedy film directed by Henri-Georges Clouzot and Karl Hartl and starring Marie Bell, Albert Préjean and Armand Bernard. It was produced as the French-language version of the 1933 German film Her Highness the Saleswoman and distributed by L'Alliance Cinématographique Européenne, the French subsidiary of UFA. It is based on the play My Sister and I by Georges Berr and Louis Verneuil. It was shot at the Babelsberg Studios in Berlin.The film's sets were designed by the art director Werner Schlichting.