Cristofano Bertelli (active c. 1525) was an Italian engraver. He was born in Rimini in the Duchy of Modena. A few of his plates survive: Portrait of Ottavio Farnese, Duke of Parma ; Conversion of St. Paul; Holy Family with Saints Augustine, Sebastian, & Helena, with St. Joseph sleeping. Virgin and Child with St. George and other Saints; Virgin and Child, with Saints Sebastian, Francis, and Roch after Correggio; and The different Ages of Man. [1]
CarloDolci was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions.
Events from the year 1515 in art.
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
Carlo Crivelli was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini.
Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena.
Claudio Coello was a Spanish Baroque painter. Coello is considered the last great Spanish painter of the 17th century.
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones.
Bernardo Castello (1557–1629) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait and historical painter.
Giovanni Buonconsiglio was an Italian painter of the Renaissance period, active mainly in Venice and his native Vicenza. Alternate names: Bonconsigli, Giovanni; Il Marescalco; Marescalco Buonconsiglio; Il Marescalco.
Antonio Alberti was an Italian painter, active mainly in the 15th century in his native city of Ferrara, as well as Bologna and Urbino.
Giovacchino Cantini was an Italian engraver, active in Florence as one of Raffaello Sanzio Morghen's most successful pupils. He engraved a Virgin and Child, with Saints Sebastian & Anthony after Fra Bartolommeo; a Virgin with her hands folded after Pompeo Batoni; Judith with the Head of Holofernes after Allori (1802); The Holy Family after Leonardo da Vinci; St. Peter walking on the Sea after Cigoli; and Portrait of Michelangelo Buonarroti after Vasari.
Cristoforo Caselli, also known as Da Palma or il Temporello or Cristofaro Castelli, was an Italian painter of the Renaissance period.
Alessandro della Via was an Italian engraver. He resided at Venice c. 1730. He engraved several portraits and a plate, representing the Virgin and Infant Christ, with St. Sebastian and other Saints after Paolo Veronese.
Michelangelo Aliprandi (1527–1595) was an Italian painter from Verona, who also painted a fresco at the Miniscalchi Palace there. He who flourished from about 1560 to 1582.
Thoman Burgkmair, or Thomas Burgkmair was a German painter.
The Church of Saints Martin and Sebastian of the Swiss is a Roman Catholic oratory in Vatican City. The church was built by Pope Pius V in 1568 to serve as a private chapel for the Pontifical Swiss Guards, whose barracks are located next to Porta San Pellegrino, close to the Apostolic Palace. It is considered the national church of Switzerland in Rome.
Sir Nicolas Dorigny was a French engraver, the youngest son of Michel Dorigny, and was born in Paris in 1652 or 1658. His education prepared him for the legal field, and he followed that profession until he was thirty years of age, when, as a result of deafness, he turned to the arts. He died in 1746.
Sebastiano Folli (1568–1621) was an Italian painter of the late Renaissance period. He was a scholar of Alessandro Casolano, and a native of Siena. He distinguished himself by several frescoes in the churches at Siena, particularly the cupola of Santa Marta, and some subjects from the Life of St. Sebastian, in the church of that saint, painted in competition with Rutilio Manetti, to whose pictures they are in no way inferior. He visited Rome, and was employed in some considerable works for the Cardinal de' Medici, afterwards Leo XI. He died in 1621.
Cesare Magni or Magno (c.1495–1534) was an Italian painter of the Leonardeschi school. He was born and died in Milan, and was an illegitimate son of Francesco Magni, a member of a well-known family of that city.
Madonna and Child with Saints is a common theme in Christian art, and thus the title of a number of works.
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