 |
Crossovers are classic moves from Balboa (dance).
The pattern is back - together - forward with a quick - quick - slow rhythm, or the down-hold rhythm.
Crossovers can be done where both are going to the same side, or they are alternating.
Crossovers also include swivels and fall off the log.
 | This dance-related article is a stub. You can help Wikipedia by expanding it. |
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
Dance is an art form, often classified as a sport, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves.
East Coast Swing (ECS) is a form of social partner dance. It belongs to the group of swing dances. It is danced under fast swing music, including lindy hop, rock and roll and boogie-woogie.
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat.
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band music. The dance is similar in its look to waltz, although the rhythm is in a 4
4 time signature instead of 3
4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today.
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (rhumba) to distinguish between them.
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a "Hot 100" list, the work is not a crossover.
The cha-cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notation, is often described using compound meter notation, where the notational meter accents, i.e., the heard beats, can be of different lengths, usually 1, 2, 3, or 4. Many Bulgarian dances are line dances, in which the dancers dance in a straight or curved line, holding hands.
Latin pop is a pop music subgenre that is a fusion of US–style music production with Latin music genres from anywhere in Latin America and Spain. Originating with Spanish-speaking musicians, Latin pop may also be made by musicians in Portuguese and the various Romance Creole languages. Latin pop usually combines upbeat Latin music with American pop music. Latin pop is commonly associated with Spanish-language pop, rock, and dance music.
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco.
Baladi can refer to an Egyptian musical style, the folk style of Egyptian bellydance, or the Masmoudi Sogheir rhythm, which is frequently used in baladi music. It is also sometimes spelled in English as 'beledi' or 'baladee'.
The Rhythmic chart is an airplay chart published weekly by Billboard magazine.
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat.
Syrtos is – in classical and modern Greece – a traditional dance in which the dancers link hands to form a chain or circle, headed by a leader who intermittently breaks away to perform improvised steps.
"Rhythm of the Night" is a song by American musical recording group DeBarge, written by Diane Warren and released on February 23, 1985, on the Motown label as the first single from their fourth studio album of the same name (1985). The song jump-started the career of the prolific songwriter Warren, and was the biggest hit recorded by the Motown family singing group, peaking at number three on the Billboard Hot 100.
British Ice Skating is the national governing body of ice skating within the United Kingdom. Formed in 1879, it is responsible for overseeing all disciplines of ice skating: figure skating ; synchronised skating; and speed skating.
Yehuda Julio Glantz is a musician, composer, singer, songwriter and producer living in Jerusalem Israel. Named and recognized as Cultural Ambassador of Latin Hebrew Music from Israel to the world. Glantz is a multi-instrumentalist playing on the Charango, piano, accordion, siku, pincuyo, guitar, flute, cuatro and is also a percussionist. Yehuda has twice received the first place award in the klezmer Safed festival for his performance and compositions. In 2008, Yehuda founded the Regalim Festival in the City Center of Jerusalem. The festival takes place during both Sukkoth and Passover holidays and attracts thousands of visitors from around the world.
Crypt of the NecroDancer is a roguelike rhythm game by Brace Yourself Games. The game takes fundamental elements of a roguelike dungeon exploration game and adds a beat-matching rhythm game set to an original soundtrack written by Danny Baranowsky. The player's actions are most effective when moving the character set to the beat of the current song and are impaired when they miss a beat, so it is necessary to learn the rhythmic patterns that the various creatures follow. The mixed-genre game includes the ability to import custom music, and the option to use a dance pad instead of traditional controllers or the keyboard. The game was released for Linux, OS X, and Windows in April 2015, being co-published by Klei Entertainment, for the PlayStation 4 and Vita in February 2016, for the Xbox One in February 2017, and for Nintendo Switch in February 2018. Crypt of the NecroDancer Pocket Edition, developed for iOS, was released in June 2016.
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. Rock and pop music remained roughly synonymous until the late 1960s, after which pop became associated with music that was more commercial, ephemeral, and accessible.